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Fathers, sons, brothers, kings. Does the predominantly masculine symbolism of the Biblical writings exclude women or overlook the riches of their spiritual life? Janet Martin Soskice opens up the Bible's imagery for sex, gender, and kinship, by discussing its place in the central teachings of Christian theology.
Biblical stories are metaphorical. They may have been accepted as factual hundreds of years ago, but today they cannot be taken literally. Some students in religious schools even recoil from the "fairy tales" of religion, believing them to be mockeries of their intelligence. David Tacey argues that biblical language should not be read as history, and it was never intended as literal description. At best it is metaphorical, but he does not deny these stories have spiritual meaning. Religion as Metaphor argues that despite what tradition tells us, if we "believe" religious language, we miss religion's spiritual meaning. Tacey argues that religious language was not designed to be historical reporting, but rather to resonate in the soul and direct us toward transcendent realities. Its impact was intended to be closer to poetry than theology. The book uses specific examples to make its case: Jesus, the Virgin Birth, the Kingdom of God, the Apocalypse, Satan, and the Resurrection. Tacey shows that, with the aid of contemporary thought and depth psychology, we can re-read religious stories as metaphors of the spirit and the interior life. Moving beyond literal thinking will save religion from itself.
". . . a liberating book about a liberating theological approach."--Christianity and Crisis"Metaphorical Theology is a brilliant piece of writing which will make an important contribution both to new thinking on he nature of religious language and also to the dialogue between Christianity and Feminist Theology."--Rosemary Radford RuetherGarrett-Evangelical Theological Seminary"The great virtue of Professor McFague's book is that it tackles [some] crucial problems in an extremely perceptive and creative way . . . .All in all it is a most timely book both for the theological and for the church at large."--Maurice WilesRegius Professor of DivinityChrist Church, Oxford University
--Strikingly original presentation of religious scholarship, blending images and texts in innovative, provocative ways --intended for general readers and classrooms --directly addresses two key current issues: social inequality and climate change
In this award-winning text, theologian Sallie McFague challenges Christians' usual speech about God as a kind of monarch. She probes instead three other possible metaphors for God as mother, lover, and friend.
'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.
This book comprehensively introduces Cognitive Linguistics and applies its tools to religious language. Drawing on authentic samples from a range of faiths, text types, and modes of interactive discourse, the authors accessibly define concepts like embodied cognition, agency, metaphor analysis, and Dynamic Systems Theory; illustrate how they can be used in analyzing religious language; and offer thorough pedagogical material to aid learning and application. Advanced students and scholars of linguistics, discourse analysis, cognitive science, and religious and biblical studies will benefit from this practical guide to understanding and conducting research on religious discourse.
"This book is not only absorbingly readable but important. For its themes engage effectively with main dilemmas not only of formal theology but of current piety and witness." - Amos N. Wilder, Andover Newton Quarterly "This book is immensely valuable for its persuasive illustrations of the parabolic and metaphoric imagination. McFague attends both to the interpretive and the evaluative levels of hermeneutics. Her readings of specific parables, poems, stories, and autobiographies are insightful and relevant to her thesis that what religious language 'says' is 'conceptually imperceivable and inexpressible.'" - Mary Gerhart, Journal of the American Academy of Religion "It is at the very least a fine guide to one important direction that theological hermeneutics might take, and more than that, it testifies confidently to the presence of still unplumbed resources of the biblical word and its secular counterpart that are there for the imagination's appropriation." - Robert Detweiler, Religious Studies Review "Everyone interested in theology will be stimulated by Sallie McFague's mediating theological position and the form of thinking and discourse she espouses. Those interested in the intercourse between theology and literature will be stimulated by the way she links the two and the perceptive way she handles her literary examples. Biblical scholars will undoubtedly note her primacy of the parables as the central corpus of the biblical records. Preachers of the church will be strengthened by the concern McFague has for the Christian community and the importance of the word through the words of the preachers. With this variety of concerns, Speaking in Parables will have a deservedly wide reading and, perhaps even more important, wide discussion." - Ronald E. Sleeth, Perkins School of Theology Journal
Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology.Campbell believed that society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these symbols as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in the New York Times Magazine, which originally brought the scholar to the attention of the public.