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This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.
Marcel Proust's In Search of Lost Time has long fascinated philosophers for its complex accounts of time, personal identity and narrative, amongst many other themes. Proust as Philosopher is the first book to properly explore Proust from a philosophical angle and argues that the key to understanding Proust is the concept of experience.
Rainbow Inspirations in Art, written collectively by a group of four expert researchers, focuses on a most intriguing subject: the function of color metaphors in the arts. This book includes conclusive discussions with regards to color metaphors in three domains: poetry, visual art and music. Conclusions are based on theoretical and empirical inquiry in the respective disciplines. Innovative areas of research are included in the book, such as the function of color in children's poetry and color-hearing metaphors (chromaesthesia) among listeners who encounter classical music. This book consists of a prologue, seven chapters, and an epilogue. The prologue explains color metaphor as a cross-disciplinary phenomenon. The chapters are divided into two broad sections: Section A (Chapters One through Four) contains four theoretical studies; Section B (Chapters Five through Seven) presents three empirical studies. The epilogue offers a novel viewpoint of counter-color metaphors (abbreviated CoCoM). Color metaphors are laden with symbolism, signs and cultural connotations that artists use in imaginative ways. In this book, the authors explore color metaphors as they contribute to our understanding of the arts. This book includes a comprehensive, updated literature review, which provides background information and new insights into the meaning of color metaphors in the arts. Academic readers and researchers may find valuable information in this book through the study of color metaphors, bridging the arts.
Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology.Campbell believed that society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these symbols as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in the New York Times Magazine, which originally brought the scholar to the attention of the public.
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
Mobilizing Metaphor illustrates how radical and unconventional forms of activism, including art, are reshaping the rich and vibrant tradition of disability mobilization in Canada – and in the process, challenging perceptions of disability and the politics that surround it. Until now, research on Canadian disability activism has focused on legal and policy spheres and overlooked how disability activism is as varied as the population it represents. Mobilizing Metaphor combines contributions by artists, activists, and academics (including an insightful concluding chapter by renowned disability scholar Tanya Titchkoksy) with rich illustrations and photographs to reveal how disability art is distinctive as both art and social action. As the contributors sketch the shifting contours of disability politics in Canada and show how disability oppression is not isolated from other prejudices, they challenge us to re-examine how we enact social and political change.
Pragmatic and poetic, this book is a tribute to the complexities and mysteries of working with people who are suffering and striving to tell their stories through expressive artistic processes. Its roots lay deep in encounters with children, adolescents, and adults who have come to the author for help over the last three decades. It is grounded in interactions with graduate art therapy students and encounters with important themes in life. This book makes no effort to affix particular meanings to the metaphors discussed in the clinical vignettes, but rather, suggests ways to listen and respond.
In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.