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"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
"This is the first study that adopts a comprehensive, thorough, and interdisciplinary approach toward early Chinese lost-wax castings. With more than 80 images, this book provides a study on the "norms," which are seldom questioned. By examining the reasons why Chinese founders often chose not to use the lost-wax process they had clearly mastered, the book refutes the idea that lost-wax technology is the only "right way" to cast bronzes. This study demonstrates that a "norm" is in many ways an illusion that twists our comprehension of art, technology, civilization, and history"--
This text covers the early experimentation with metals and alloys and on production of metal artifacts which helps to understand the emergence of early Chinese civilization. The materials presented here should alter the view that Chinese society developed in a vacuum and that dynastic China was the exclusive making of local cultures in the Yellow River Valley.
A detailed technical study of 47 bronze fragments excavated from the site of Tianma-Qucun in the south-west Shanxi province of China, an early capital of the Jin state from 1027 to 650BC.
Written by eminent scholars in the field, this edited volume is the first to treat in a comprehensive manner the archaeology of metallurgy's origins, focusing specifically on initial uses of copper and bronze, as well as the coming of iron across Asia from the Eastern Mediterranean to the Far East. It is a volume that should serve for some time to come as the source of the fundamental information upon which larger interpretations of metallurgical developments in Asia will be grounded. MASCA research papers, Vol. 16 University Museum Monograph, 89
Describes the Chinese Bronze Age, including the development of the Chinese state, writing, religion and architecture.
Almost fifty years ago J. J. Butler started his research to trace the possible remains of a Bronze Age metalworker's workshop in the Netherlands. Yet, while metalworking has been deduced on the ground of the existence of regional types of axes and some scarce finds related to metalworking, the smith's workplace has remained elusive. In this Research Master Thesis I have tried to tackle this problem. I have considered both the social as well as the technological aspects of metalworking to be able to determine conclusively whether metalworking took place in the Netherlands or not. The first part of the thesis revolves around the social position of the smith and the social organization of metalworking. My approach entails a re-evaluation of the current theories on metalworking, which I believe to be unfounded and one-sided. They tend to disregard production of everyday objects of which the most prominent example is the axe. The second part deals with the technological aspects of metalworking and how these processes are manifested in the archaeological record. Based on evidence from archaeological sites elsewhere in Europe and with the aid of experimental archaeology a metalworking toolkit is constructed. Finally, a method is presented which might help archaeologists recognize the workplace of a Bronze Age smith.
This book addresses the controversy over the origins of the Bronze Age of Southeast Asia. Charles Higham provides a systematic and regional presentation of the current evidence. He suggests that the adoption of metallurgy in the region followed a period of growing exchange with China. Higham then traces the development of Bronze Age cultures, identifying regionality and innovation, and suggesting how and why distinct cultures developed. This book is the first comprehensive study of the period, placed within a broader comparative framework.