Download Free Metaliterary Layers In Finnish Literature Book in PDF and EPUB Free Download. You can read online Metaliterary Layers In Finnish Literature and write the review.

In international research, metafictionality and other metaliterary features have typically been regarded as phenomena related to postmodernist fiction, in particular – Metaliterary Layers in Finnish Literature, however, discusses the metalayers of Finnish literature from the early 20th century to the present. By analyzing different genres of Finnish literature in varying historical contexts Metaliterary Layers in Finnish Literature provides an abundance of new information on Finnish literature and its metaliterary phenomena for everyone interested. In the articles of this book, the metalayers of literature are discussed in experimental prose and poetry as well as in popular fiction and children’s literature.
This book examines phenomena from Finnish and Finnish-Swedish literature written in the years between the 1980s and the first decade of the new millennium. Its objective is to study this interesting era of literary history in Finland and to sketch some possible directions for future development by identifying literary turning points which have already occurred.
Finland-Swedish writer Monika Fagerholm is one of the most important contemporary Nordic authors. Her experimental, puzzling and daring novels, such as Underbara kvinnor vid vatten (1994) and Den amerikanska flickan (2004), have attracted much critical attention. She has won several literary awards, including the Nordic prize from the Swedish Academy in 2016; her works have travelled across national and cultural borders as they have now been translated in USA, Europe, Eastern Europe and Russia. Fagerholm’s wild and visionary depictions of girlhood have long had an impact on the Nordic literary landscape; currently, she has many literary followers among young female writers and readers in Finland and Sweden. Novel Districts. Critical Readings of Monika Fagerholm is the first major study of Fagerholm’s works. In this edited volume, literary scholars explore the central themes and features that permeate Fagerholm’s works and introduce novel ways to understand and interpret her writings. The book begins with an introduction to her life, letters and the minority literature context of her writing and briefly describes the scholarship on Fagerholm’s works. After that, Finnish and Swedish scholars and experts on Fagerholm scrutinize her oeuvre in the light of up-to-date literary theory. The insights, theories and concepts of gender, feminist and girlhood studies as well as narratology, poststructuralism, posthumanism and reception studies are tested in close readings of Fagerholm’s works published between 1990 and 2012. Thus, the volume enhances and deepens the understanding of Fagerholm’s fiction and invites the attention of readers not yet familiar with her work. The articles demonstrate the multitude of ways in which literary and cultural conventions can be innovatively re-employed within 20th and 21th century literature to reveal new perspectives on contemporary Finnish and Nordic literature and ongoing cultural and social developments.
Helsinki in Early Twentieth-Century Literature analyses experiences of the Finnish capital in prose fiction published in Finnish in the period 1890–1940. It examines the relationships that are formed between Helsinki and fictional characters, focusing, especially, on the way in which urban public space is experienced. Particular attention is given to the description of movement through urban space. The primary material consists of a selection of more than sixty novels, collections of short stories and individual short stories. This study draws on two sets of theoretical frameworks: on the one hand, the expanding field of literary studies of the city, and on the other hand, concepts provided by humanistic and critical geography, as well as by urban studies. This study is the first monograph to examine Helsinki in literature written in Finnish. It shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward.Around the turn of the twentieth century, literary Helsinki was approached from a variety of generic and thematic perspectives which were in close dialogue with international contemporary traditions and age-old images of the city, and defined by events typical of Helsinki’s own history. Helsinki literature of the 1920s and 1930s further developed the defining traits that took form around the turn of the century, adding a number of new thematic and stylistic nuances. The city experience was increasingly aestheticized and internalized. As the centre of the city became less prominent in literature,the margins of the city and specific socially defined neighbourhoods gained in importance. Many of the central characteristics of how Helsinki is experienced in the literature published during this period remain part of the ongoing discourse on literary Helsinki: Helsinki as a city of leisure and light, inviting dreamy wanderings; the experience of a city divided along the fault lines of gender,class and language; the city as a disorientating and paralyzing cesspit of vice;the city as an imago mundi, symbolic of the body politic; the city of everyday and often very mundane experiences, and the city that invites a profound sense of attachment – an environment onto which characters project their innermost sentiments.
The arrival of the Reformation was the decisive impetus for literary development in Finland. The principle of Lutheranism was that the people had to get to hear and read the word of God in their own mother tongue. If there previously was no literary language, it had to be created. The first Finnish books were produced by Mikael Agricola. He was born an ordinary son of a farmer, but his dedication to his studies opened up the road to leading roles in the Finnish Church. He was able to bring a total of nine works in Finnish to print, which became the foundation of literary Finnish. This book describes the historical background of Mikael Agricola, his life, his personal networks, the Finnish works published by Agricola, research on Agricola and Agricola's role in contemporary Finnish culture. The most extensive chapter is a depiction of Agricola's Finnish. The book was written with a broad audience in mind, as a work of non-fiction for anyone interested in these subjects.
Book culture has emerged as an extremely dynamic and border-crossing field of research, internationally and in Finland. The editors and most of the writers of this book were members of the organizing and program committees of the 18th Annual Conference of the Society for the History of Authorship, Reading and Publishing (SHARP), Book Culture from Below, that took place in Helsinki in 2010. This book provides, for the first time in English, an overview of an important epoch in Finnish book and reading history. Besides depicting book culture at the periphery of Europe, it contributes to our understanding of the power of the urbanized European literary world of the 1700s. The new reading culture that emerged in Finland during the 1700s affected readers and all levels of society in many ways. Along with other trends, the arrival of translated fiction and Enlightenment literature from Europe opened and irrevocably altered the Finns’ world view. The change was especially pronounced in cities. Scholars, merchants, craftspersons, as well as military officers stationed at Helsinki’s offshore Sveaborg fortress, acquired world literature and guides intended for professionals at, for example, book auctions. In this book, researchers from different fields examine the significance and influence of that era’s books from cultural, historical, ideological, and social perspectives. What kinds of books did the citizens of Helsinki really buy, loan, and read during the 1700s? What topics and ideas introduced by the new literature were discussed in salons and reading circles? Who were the books’ large-scale consumers? Who were the literary opinion leaders of their times? Why did people read? Did the books change their readers’ lives?
This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring 'young nations', Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century 'fictional foundations', historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction.
The Nordic countries have long been subject to certain idealised, even utopian imaginaries, particularly with regard to images of pristine nature and the societal ideals of democracy, equality and education. On the other hand, such projections inevitably invite dissent, irony and intimations of the utopia’s dark underside. Things may yet take, or may have already taken, a dystopic course. The present volume offers twelve contributions on utopias and dystopias in Nordic literature and culture. Geographically, the articles cover the Nordic countries of Denmark, Finland, Norway, and Sweden, as well as the autonomous area of Greenland. Through the articles’ varied subjects — ranging from avant-garde literature and long poems to noir TV-series, young adult fiction, popular historiography, and political discourse in literature outside of Norden — the volume brings forth a historically rich, multi-layered picture of social, cultural and environmental imagination in the Nordic countries. Nordic Utopias and Dystopias is thus of interest not only to specialists in dystopian and utopian research but more broadly to scholars of literature and culture, and the political and social sciences, especially but not exclusively in the Nordic context.
The poem Kalevipoeg, over 19,000 lines in length, was composed by Friedrich Reinhold Kreutzwald (1803–1882) on the basis on folklore material. It was published in an Estonian-German bilingual edition in six instalments between 1857 and 1861; it went on to become the Estonian national epic. This first English-language monograph on the Kalevipoeg sheds light on various aspects of the emergence, creation and reception of the text. The first chapter sketches the objectives of the book and gives a short summary of the contents of the twenty tales of the epic, while the second chapter treats the significance of the epic against the cultural background of nineteenth-century Estonia. The third chapter scrutinizes the emergence of the text in more detail and, in its second part, takes a closer look at the many intertextual connections and the traces the epic material has left in Estonian literature up to the present time. The fourth chapter is a detailed case study of one debated passage of the fifteenth tale. The fifth and the six chapters deal with the German reception of the epic, which partly took place earlier than the reception in Estonia. In the fifth chapter, the first reviews and an early treatise by the German scholar Wilhelm Schott (1863) are discussed. The sixth chapter presents the new genre of ‘rewritings’ of the epic – texts which cannot be labelled as translations but are rather new creations on the basis of Kreutzwald’s text. In the seventh chapter several versions of these retellings and adaptations are compared in order to show the stability of some core material conveyed by various authors. A concluding chapter stresses the significance of foreign reception in the canonization process of the Kalevipoeg. At the end, a comprehensive bibliography and an index are added.
The divine kingship and chiefship of the Asante people of central Ghana have been undergoing a shift towards secularization since the start of the colonial era. Timo Kallinen maintains that a close examination of this transformation provides us with a better understanding of secularization processes in Ghana more broadly, and in other post-colonial societies whose historical development likewise differs from that of the modern West, and which have largely confronted secular modernity through encounters with European colonialism. Throughout the volume secularization is understood as a process in modern society whereby divinity is separated from the ways in which both human society is regulated and physical nature is understood to function. Divine Rulers in a Secular State has been divided into three thematic parts, each with a short theoretical introduction. In the first two, analysis is primarily inspired by the work of Louis Dumont, while in the third the theoretical ideas of Webb Keane and Bruno Latour are of central importance. The undifferentiated order of the pre-colonial Asante kingdom, in which the chiefly and priestly functions of the rulers were not separated, comprises the initial focus. Sacrifices and marriage exchanges, both of which were directed at establishing and perpetuating relations between the living and the spirits of the dead ancestors, are posited as the most important responsibilities of the chief. Also explored are perceptions that the founding of the kingdom and its authority structure are the results of sacrifices offered to various gods by the Asante king and his chiefs. The second part examines the dissolution of the traditional order since the onset of British colonial occupation. The secularization process was initiated by the aspirations of colonial administrators and missionary bodies who aimed to maintain Christian converts under the ‘political’ authority of their non-Christian chiefs, who were still important ritual leaders. Consequently, it was necessary to start dividing society along ‘political’ and ‘religious’ lines so that only the former was a mandatory concern for all. The kernel of modern citizenship was planted at the same time as the ‘religious’ conscience of individuals started to shape their rights and duties towards their ‘political’ rulers. Furthermore, theories about Asante as a state based on contract and representation were proposed and developed. In the post-colonial era chiefship has been put into the service of the independent nation state – both as an instrument of administration and a nationalistic symbol, while, most recently, chiefs have been depicted as leaders in civil society, even receiving support from global developmental organizations. Yet traditional chieftaincy is strongly criticized by certain Christian groups belonging to the Pentecostal-Charismatic movement, which still see it as integrally linked to traditional cosmologies. The third part of the book takes the discussion beyond the separation of the categories of religion and politics. Secularization has also has also entailed the dematerialization of religion, establishing it as something that ought to be understood primarily as mental or spiritual; in a secular society ‘things’ like deities, witchcraft, or sacrifices should not be recognized as proper agents and actions at the level of immanent relations. In Ghana such views are effectively contradicted by religious groups which see spiritual forces as the most powerful agents in social relations. The cases discussed deal with attempted state control of anti-witchcraft activities, the efficiency of protective magic during political upheavals, and Pentecostal notions of demonic influences in secular politics. The Conclusions section brings the themes of the book together by discussing the large-scale effects of the secular project in contemporary Ghanaian society. Research is based on anthropological fieldwork conducted in Ghana in 2000–2001 and 2005–2006, data drawn from several archival sources located in Ghana and the United Kingdom, and the anthropological and historical literature on Ghana and the Asante.