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Discover the possibilities of cold joins! The hottest trend is cold. Cold-connection techniques are pushing the envelope of what is possible in metal without the use of a torch or kiln. All the necessary tools and materials--a common drill, hammer, sandpaper, wire, metal sheet--are all readily available and affordable for almost any budget. Learn how to use rivets, screws, and other materials to combine elements without having to deal with heat. Master jewelry designers Robert Dancik, Connie Fox, Susan Lenart Kazmer, Tracey Stanley, and others offer signature pieces, constructed using cold-joins. Accompanying each project are expert tips and tricks for additional ideas and customization. Metal Style is full of inspiration and techniques for jewelry makers looking to ignite a creative spark in their metal jewelry without lighting a flame.
A lavishly illustrated study of the heavy metal battle jacket in a historical and cultural context. Since the 1970s, customized denim "battle jackets" have been worn by heavy metal fans to signify their devotion to the music and subcultures of metal. Embellished with patches, badges, and studs, these jackets are works of art that communicate the values of metal to the world at large. This book features a series of detailed paintings that visually document examples of jackets alongside photographic portraits of the fans that wear them. Reaching across a range of fields from art theory to ethnography and subcultural studies and informed by a series of interviews with metal fans, this book considers the significance of battle jackets in metal scenes and traces a lineage of customized clothing starting in the Middle Ages.
Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.
A comprehensive resource that will prove invaluable to fashion historians, this book presents a detailed exploration of the breadth of visually arresting, consumer-driven styles that have emerged in America since the 20th century. What are the origins of highly specific denim fashions, such as bell bottoms, skinny jeans, and ripped jeans? How do mass media and popular culture influence today's street fashion? When did American fashion sensibilities shift from conformity as an ideal to youth-oriented standards where clothing could boldly express independence and self-expression? Street Style in America: An Exploration addresses questions like these and many others related to the historical and sociocultural context of street style, supplying both A–Z entries that document specific American street styles and illustrations with accompanying commentary. This book provides a detailed analysis of American street and subcultural styles, from the earliest example reaching back to the early 20th century to contemporary times. It reviews all aspects of dress that were part of a look, considering variations over time and connecting these innovations to fashionable dress practices that emerged in the wakes of these sartorial rebellions. The text presents detailed examinations of specific dress styles and also interrogates the manifold meanings of dress practices that break from the mainstream. This book is a comprehensive resource that will prove invaluable to fashion historians and provide fascinating reading for students and general audiences.
Autodesk Inventor was introduced in 1999 as an ambitious 3D parametric modeler based not on the familiar AutoCAD programming architecture but instead on a separate foundation that would provide the room needed to grow into the fully featured modeler it now is almost a decade later. Inventor 2009 marks a change of focus in the development of Inventor from an up-and-coming application to the current release with the inclusion of the design accelerator wizards and with refined core functions. The maturity of the Inventor tools happily coincides with the advancement of the CAD market’s adoption of 3D parametric modelers as a primary design tool. And although it is important to understand that 2D CAD will likely never completely disappear from the majority of manufacturing design departments, 3D design will increasingly become a requirement for most. With this in mind, we have set out to fill the following pages with detailed information on the specifics of the tools, while addressing the principles of sound parametric design techniques.
Heavy metal might not have been the most likely popular music genre to become global, but it has. This collection brings together cultural studies and pop music accounts of metal around the world, including Indonesia, Malaysia, Singapore, Nepal, Brazil, Malta, Slovenia, China, Japan, Norway, Israel, Easter Island, and more.
Headbangers rejoice, because this fantastically illustrated encyclopedia includes all things Metal, from influential bands such as Led Zeppelin, Blue Cheer, Iron Butterfly, Kiss, and Queen, to M�tley Crue, Black Sabbath (before Ozzy became a family sitcom star), Deep Purple, Twisted Sister, and Aerosmith, right up to Jane's Addiction, Las Cruces, Limp Bizkit, and today's most extreme death metal bands. Not a single sub-genre or band goes uncovered. Well-researched and fact-filled, the witty text befits the raucous bands that push musical-and all other-boundaries. From obscure groups like Armored Saint and Norway's Mayhem to pioneers Grand Funk Railroad and Iron Maiden to megastars like Ozzy Osbourne, Alice Cooper, Lita Ford, Van Halen, Joan Jett, and Marilyn Manson, each entry contains vital statistics: a description of the band's history and sound; an essential discography; the most current, comprehensive, popular compilations; and much more. Special features cover such important details as "Metal Fashion" and the various metal genres. Def Leppard, Faith No More, Guns n' Roses, Judas Priest, Metallica, AC/DC, Nine-Inch Nails, Poison, Rage Against the Machine, and Japan's Loudness: all of the favorite (and not so favorite) adrenaline-pumped, bizarre bands that make heavy metal the unique form it is appear in all their glory.
This book is a collection of work by Christophe Szpajdel, an artist whose fans in the underground black metal community worship him as the Lord of the Logos. It includes hundreds of powerful logos, each of which captures the force of this musical genre anew. Through his surprising use of aesthetic influences such as art deco and nature, Szpajdel has brought a new dynamic into the gothic visuality of heavy metal. This publication, which is done in the style of a black prayerbook, shows not only how he has succeeded in leaving his own visual mark on this music, but how he has also expanded the canon of forms it uses.