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When it was first published in 1999, Crimes Against Humanity called for a radical shift from diplomacy to justice in international affairs. In vivid, non-legalese prose, leading human rights lawyer Geoffrey Robertson made a riveting case for holding political and military leaders accountable in international courts for genocide, torture, and mass murder. Since then, fearsome figures such as Charles Taylor, Laurent Gbagbo, and Ratko Mladic have been tried in international criminal court, and a global movement has rallied around the human rights framework of justice. Any such legal framework requires constant evolution in order to stay relevant, and this newly revised and expanded volume brings the conversation up to date. In substantial new chapters, Robertson covers the protection of war correspondents, the problem of piracy, crimes against humanity in Syria, nuclear armament in Iran, and other challenges we are grappling with today. He criticizes the Obama administration’s policies around “targeted killing” and the trials of Khalid Sheik Mohammed and other “high value” detainees. By rendering a complex debate accessible, Robertson once again provides an essential guide for anyone looking to understand human rights and how to work toward a more complete blueprint for justice.
In the latest chiller from million-copy-seller K.R. Alexander, author of THE COLLECTOR and THE FEAR ZONE, an app that allows you to see ghosts can only lead you to horrifying sights... Do you think an app that allows you to see ghosts would be cool? Well, prepare to be haunted... even when your phone is off.
A young boy, thin and ill, feeds his small brother in a ritualized act of desperation, half-stifling him. The boy will be treated, his father will get a job, and the family will be moved from their shack in the slums of Rio de Janeiro to a suburban house, courtesy of the American viewers of Gordon Parks's photographs in Life magazine. It all turned
In Reflections in the Dark Room: The Black Essays, author Richard Kenyada examines the rich mosaic of contemporary African American culture from politics, race and war, to love, self-reliance and personal responsibility. With the election of Barack Obama as President of the United States, Kenyadas latest work signals both a wake-up call and a challenge to ante up. This book serves as a celebration of how far we have come, and a detailed map charting how far we have yet to go. But even of greater significance is the discovery that we have come one step closer to choosing the black doll and being proud of our choice.
Mixed Messages is a book from the imagination of Myron F. Weiner. It is a collection of short stories and poems, covering a range of topics stemming from the struggles of adult life, relationships and trials that appear as one nears the end of their journey, steeped in joy, sadness, anger, fear, disappointment, pride, and satisfaction. Walk along with Myron as he describes his writing journey, with stories of relationships and poems that are touching and relatable.
R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. In The Dark Room, Narayan’s portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband’s humiliations and trying to escape them. Written during British rule, this novel brings colonial India into intimate focus through the narrative gifts of this master of literary realism.
Anne Marsh's treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances', the masking of desire' and high camp aesthetics' - through to performance art' and the role of the photographer as a gender terrorist' - as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory.
In the Colorado mountain town of Glenwood Springs, not far from Aspen, artist/photographer Gwyn Sanders discovers a cryptic letter her sister Kelly left behind. The victim of a deadly hit and run, Kelly reveals she was sexually involved with her sister’s boyfriend and is scared for her life. Both Gwyn and her remaining sister Linda have since married their boyfriends, so either of their husbands could be guilty of murder. The sisters received a large inheritance before meeting these men, and know little of either man’s background. Worse, both Gwyn and Linda love their husbands deeply, but steps must be taken to find the truth. And the truth is complicated. Is it one of the two men, or another previous lover? Or none of them? Danger abounds and everyone is a suspect as Gwyn tries with the help of a gifted private detective to track a killer....