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DigiCat Publishing presents to you this special edition of "Mesquite Jenkins" by Clarence E. Mulford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In their heyday, pulp westerns were one of America's most popular forms of entertainment. Often selling for less than 50 cents, the paperback books introduced generations to the "exploits" of Billy the Kid and Jesse James, brought to life numerous villains (usually named "Black" something, e.g., Black Bart and Black Pete), and created a West that existed only in the minds of several talented writers. It was only natural that filmmakers would look to the pulps for stories, adapting many of the works for the big screen and shaping the Western film genre. The adaptations of seven of the pulps' best writers--Ernest Haycox, Luke Short, Frank Gruber, Norman A. Fox, Louis L'Amour, Marvin H. Albert, and Clair Huffaker--are analyzed here. Insightful and humorous, the work looks at how the pulp novels and the movie adaptations reflected the times in which they were produced. It examines the cliches that became a part of the story: the rescue of the heroine, the gunfights, the evil banker or rancher ready to steal the land of the good, law-abiding citizens, and the harlot with a heart of gold. A critical examination of how the books were interpreted--or frequently misinterpreted--by filmmakers is included, along with commentary on the actors and directors who put the pulps on screen.
Hopalong Cassidy rode into cattle country just east of the California line looking for his old friend Red Connors. He found Red holed up in a mountain cave with a bullet in his side and a story to tell. The ranchers around Tascotal had been losing their stock, and when Red caught the rustlers in the act, they hunted him down, shot him, and left him for dead. Jack Bolt, a savage, ruthless killer, has brought in a tough band of hard cases to run his operation. And now he’s sent them out to take care of the one man who stands in his way: Hopalong Cassidy. But Bolt’s about to learn the hard way that if you shoot down a man like Cassidy, you better make sure he never gets up again.
In this first of four classic frontier novels, Louis L'Amour adds his own special brand to the life and adventures of one of America's favorite fictional cowboys, Hopalong Cassidy. In The Rustlers of West Fork, the quick-thinking, fast-shooting cowpuncher heads west to deliver a fortune in bank notes to his old friend, Dick Jordan. When he arrives at the Circle J, he discovers that the rancher and his daughter, Pam, are being held prisoner by a desperate band of outlaws led by the ruthless Avery Sparr and his partner Arnold Soper. Even if Hopalong Cassidy can free Jordan and Pam, he will have to lead them across rough and untamed Apache country, stalked by the outlaws who have vowed to gun him down. But Hopalong is no stranger to trouble, and before his guns or his temper cool, he's determines to round up Sparr and his gang and bring the outlaws to justice ... dead or alive! This classic tale of pursuit and survival is vintage L'Amour and adds new life and luster to the legend of Hopalong Cassidy.
In Means of Ascent, Book Two of The Years of Lyndon Johnson, Robert A. Caro brings alive Lyndon Johnson in his wilderness years. Here, Johnson’s almost mythic personality—part genius, part behemoth, at once hotly emotional and icily calculating—is seen at its most nakedly ambitious. This multifaceted book carries the President-to-be from the aftermath of his devastating defeat in his 1941 campaign for the Senate-the despair it engendered in him, and the grueling test of his spirit that followed as political doors slammed shut-through his service in World War II (and his artful embellishment of his record) to the foundation of his fortune (and the actual facts behind the myth he created about it). The culminating drama—the explosive heart of the book—is Caro’s illumination, based on extraordinarily detailed investigation, of one of the great political mysteries of the century. Having immersed himself in Johnson’s life and world, Caro is able to reveal the true story of the fiercely contested 1948 senatorial election, for years shrouded in rumor, which Johnson was not believed capable of winning, which he “had to” win or face certain political death, and which he did win-by 87 votes, the “87 votes that changed history.” Telling that epic story “in riveting and eye-opening detail,” Caro returns to the American consciousness a magnificent lost hero. He focuses closely not only on Johnson, whom we see harnessing every last particle of his strategic brilliance and energy, but on Johnson’s “unbeatable” opponent, the beloved former Texas Governor Coke Stevenson, who embodied in his own life the myth of the cowboy knight and was himself a legend for his unfaltering integrity. And ultimately, as the political duel between the two men quickens—carrying with it all the confrontational and moral drama of the perfect Western—Caro makes us witness to a momentous turning point in American politics: the tragic last stand of the old politics versus the new—the politics of issue versus the politics of image, mass manipulation, money and electronic dazzle.
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Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
The pulp magazines dealt in fiction that was, by reason of the audience and the medium, heightened beyond normal experience. The drama was intense, the colors vivid, and the pace exhausting. The characters moving through these prose dreams were heightened, too. Most were cast in a quasi-heroic mold and moved on elevated planes of accomplishment. This book and its companion volumes are concerned with the slow shaping of many literary conventions over many decades. This volume begins the study with the dime novels and several early series characters who influenced the direction of pulp fiction at its source.