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800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Fans of the historical romances of Sabrina Jeffries, Loretta Chase, and Jo Beverly will enjoy this sexy, award-winning romance by New York Times bestselling author Candice Hern. Meet the Merry Widows – a group of respectable ladies with a secret pact that is anything but respectable! The five friends who act as patronesses of charity balls are assured of money and position. None are interested in marrying again. But they have no intention of forsaking physical passion for the rest of their lives. Instead, they make a daring pact to seek out lovers for the pure pleasure of it. Marianne Nesbitt adored her late husband, David, but the racy reminiscences of the Merry Widows make her wonder if she missed something special. Might she find it now through a love affair? Uncertain how to go about it, she asks Adam Cazenove, an old friend and notorious rake, to tutor her in the arts of seduction. The brazen request turns Adam's world upside down. He never imagined his best friend's very proper and exceedingly attractive widow would seek out a lover. If not for his recent betrothal to a young beauty, he would jump at the chance to warm Marianne's bed. Since he cannot bear the thought of another man doing so, he foils her every attempt at seduction. Until one night of unintended passion changes everything. "Hern gracefully crafts a tale of friendship and romance between two beautifully matched protagonists that is delectably sexy, delightfully clever, and simply superb." – Booklist
A definitive reference for the diction, pronunciation and translation of Lustige Witwe authored by the leading authority (Nico Castel) on opera diction.
A stunning portrait of the complicated woman who becomes Ernest Hemingway's fourth wife, tracing her adventures before she meets Ernest, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway's literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day—and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his work to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites, commute to Harry's Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau Rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest's beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary's tolerance of the affair. We witness Ernest's sad decline and Mary's efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest's death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest's manuscripts from Cuba, publishing one-third of his work posthumously. She supervises Carlos Baker's biography of Ernest, sues A. E. Hotchner to try and prevent him from telling the story of Ernest's mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel—and the reader will be hard pressed not to fall for Mary.
"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
(Faber Piano Adventures ). An excellent collection of symphonic and operatic works by the great composers. The pieces were chosen for their appealing melodies and rhythmic vitality. Includes: Theme from Don Giovanni (La ci darem la mano) by Mozart * Egyptian Ballet Dance (from the opera Sanson & Delilah ) by Saint Saens * Liebestraum by Liszt * The Merry Widow Waltz (from the opera The Merry Widow ) by Lehar * Minuet (Op. 14, No. 1) by Paderewski * Canon by Pachelbel * Spring (from The Four Seasons ) by Vivaldi * Suitor's Song (from the operetta The Gypsy Baron ) by J. Strauss, Jr. * Theme from Symphony No. 1 (Third Movement, "Frere Jacques" theme) by Mahler * Prince of Denmark's March (Trumpet Voluntary) by Clarke.
Deftly blending period detail and modern sensibility, Max Phillips presents here a bold, unapologetic Alma Shindler, who narrates her own provocative story from beyond the grave.
The Cloth of Egypt: All About Assiut is the first book of its kind to document and celebrate the supple and sparkling fabric known today as assiut. This single-stitch metal embroidery technique originated in Turkey, but transformed into a distinctive textile tradition in Upper Egypt during the 19th century. Vintage assiut is now an exotic cult collectable, prized . This book, will entertain and educate anyone interested in its history, legends, wear and care. Vintage clothing collectors, textile historians, and belly dancers will all find inspiration and information about this sometimes mysterious, yet always beautiful assiut cloth.Part one traces the history of this cloth, known variously as tulle bi telli, tally, and assiut, from the era when it first entered the historic record until the twenty-first century. This section of the book is lavishly illustrated with vintage images from around the globe. Part two dives into the technology of the fabric, exploring the history of the fiber content and weave structure of the ground cloth as well as the structure of the metal embroidery stitch. Part three is about integrating both vintage and modern textiles into your collection and using it in your wardrobe. Part four presents the myriad ways that assiut cloth is used for historic costuming, traditional and modern belly dance performance attire.Dawn Devine aka Davina, art historian and author, is an internationally renowned belly dancer, who has spent more than 18 years working on an interdisciplinary research project on the history of assiut. The result is this revolutionary book, filled with more than 700 vintage and modern b/w photos to inspire and delight.