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The parade never happened. No one showed up. Would have been a bust anyway...
Felix Allsey is a travel writer with a keen eye for the paranormal, and he’s carved out a unique, if only slightly lucrative, niche for himself in nonfiction; he writes travelogues of the country’s most haunted places, after haunting them himself. When he convinces the owner of the infamous Rotterdam Mansion to let him stay on the premises for 13 nights, he believes he’s finally found the location that will bring him a bestseller. As with his other gigs, he sets rules for himself: no leaving the house for any reason, refrain from outside contact, and sleep during the day. When Thomas Ruth, Felix's oldest friend and fellow horror film obsessive, joins him on the project, the two dance around a recent and unspeakably painful rough-patch in their friendship, but eventually fall into their old rhythms of dark humor and movie trivia. That’s when things start going wrong: screams from upstairs, figures in the thresholds, and more than what should be in any basement. Felix realizes the book he’s writing, and his very state of mind, is tilting from nonfiction into all out horror, and the shocking climax answers a question that’s been staring these men in the face all along: In Rotter House, who’s haunting who?
Part memoir, part monologue, with a dash of startling honesty, There’s Nothing in This Book That I Meant to Say features biographies of legendary historical figures from which Paula Poundstone can’t help digressing to tell her own story. Mining gold from the lives of Abraham Lincoln, Helen Keller, Joan of Arc, and Beethoven, among others, the eccentric and utterly inimitable mind of Paula Poundstone dissects, observes, and comments on the successes and failures of her own life with surprising candor and spot-on comedic timing in this unique laugh-out-loud book. If you like Paula Poundstone’s ironic and blindingly intelligent humor, you’ll love this wryly observant, funny, and touching book. Paula Poundstone on . . . The sources of her self-esteem: “A couple of years ago I was reunited with a guy I knew in the fifth grade. He said, “All the other fifth-grade guys liked the pretty girls, but I liked you.” It’s hard to know if a guy is sincere when he lays it on that thick. The battle between fatigue and informed citizenship: I play a videotape of The NewsHour with Jim Lehrer every night, but sometimes I only get as far as the theme song (da da-da-da da-ah) before I fall asleep. Sometimes as soon as Margaret Warner says whether or not Jim Lehrer is on vacation I drift right off. Somehow just knowing he’s well comforts me. The occult: I need to know exactly what day I’m gonna die so that I don’t bother putting away leftovers the night before. TV’s misplaced priorities: Someday in the midst of the State of the Union address they’ll break in with, “We interrupt this program to bring you a little clip from Bewitched.” Travel: In London I went to the queen’s house. I went as a tourist—she didn’t invite me so she could pick my brain: “What do you think of my face on the pound? Too serious?” Air-conditioning in Florida: If it were as cold outside in the winter as they make it inside in the summer, they’d put the heat on. It makes no sense. The scandal: The judge said I was the best probationer he ever had. Talk about proud. With a foreword by Mary Tyler Moore
When his conviction for conspiracy to distribute cocaine is overturned, Papio is released from a Federal Correctional Institution in El Reno after serving just 3 years of his 30-year sentence. Having some unfinished business in Oklahoma City, Papio stops there to collect on some debts before heading out West. On the way, he won't settle for anything less than the best hotels, luxury vehicles, designer clothing, and of course, gorgeous women. Follow Papio across the States as he lives the good life, avoiding contact with his infuriated Cuban connection by all means. His journey takes some unexpected twists and turns, which make this tale extra special! Don't get caught up, because He Don't Play Fair.
A first volume of four plays from the Amercian playwright whose play Dying City was a critical and popular success at the Royal Court Theatre in May 2006. - Other People is set in New York among a twenty-something generation whose lives and hopes are blighted by disillusionment born of affluence and impotence in the face of the unknown. The play premièred in March 2000. - Where Do We Live, set in a post-September 11 world, asks to what extent New York's liberal multicultural society is under threat and how much we should care about the state in which our neighbours live. - The Coming World moves from Shinn's usual Manhattan environment to the coast of New England, where Dora is persuaded, against her better judgement, to help her ex, Ed, in a desperate attempt to escape from spiralling debt. Produced at the Soho Theatre in 2001. - Dying City shifts between 2004 and 2005 - the eve of one brother's departure for Iraq and the day that his twin brother visits his now widowed sister-in-law. The play premiered at the Royal Court Theatre in May 2006 to great critical acclaim. The books also features an introduction by the author.
Harlow Wilson wanted Porter Daniels from the moment he walked into her office. When she’s roped in to play hostess on a late-night flight just two days before Christmas, she gets more than she bargained for—until Porter steps in to save her. Stranded in Chicago just two days before the holidays, Porter and Harlow have to clear the air. Can they stop circling each other and finally give each other what they really want for Christmas? Originally published in the All I Want anthology.
Death, deception, and the surprise introduction of a long-lost family member keep the drama on full blast in the pages of The Banks Sisters Complete by urban fiction susperstar Nikki Turner. Meet the Banks sisters--Mona, Bunny, Tallhya, and Ginger. One of the only things they have in common is their love for their beloved grandmother, Me-Ma. When tragedy strikes and Me-Ma has a heart attack at church, the sisters are shocked to discover that she left the house and all her money to the church. Now the pastor wants them out, unless they can come up with the money to buy the house from him. To make matters worse, Bunny already owes over a hundred thousand dollars to a very dangerous man. The sisters devise a plan that could have them rolling in plenty of dough--as long as they can stay one step ahead of law enforcement that's on the lookout for a group of female bank robbers who have burst onto the scene. Things become even more complicated when their mother shows up, threatening to snitch them out if they don't give her a cut, and Pastor Cassius Street refuses to follow through on his promise to return the house to them. The situation becomes a bloody mess, and now the sisters must band together in ways they never thought possible as they deal with a growing mountain of problems. Only time will tell if these sisters can stay one step ahead of the circumstances they unwittingly create.
I am Meredith, princess of faerie, wielder of the hands of Flesh and Blood, and at long last, I am with child–twins, fathered by my royal guard. Though my uncle, Taranis, King of Light and Illusion, claims that he is the true father since he abducted me from my home, betrayed, and defiled me. And now he has branded my guards as a threat to my unborn children. Bearing an heir has placed me halfway to my aunt’s throne, that much closer to my reign over the Unseelie Court–and well ahead of her son, my cousin Cel, in this race. Now I must stay alive to see my children born and claim my place as queen. But not all in faerie are pleased with the news, and conspirators from every court in the realm plot against me and mine. They seek to strip my guards, my lovers, from me by poisoned word or cold steel. But I still have supporters, and even friends, among the goblins and the sluagh, who will stand by me. I am Meredith Nic Essus, and those who would defy and destroy me are destined to pay a terrible price–for I am truly my father’s daughter. To protect what is mine, I will sacrifice anything–even if it means waging a great battle against my darkest enemies and making the most momentous decision ever made as princess of faerie.
Everythings Turning Into Beautiful 1m., 1f. / Interior / Play with music This new play with music takes place late one Christmas Eve in lonely New York City, when a couple of down-on-their-luck songwriting partners, hitless, loveless and facing their forties, come together for a night of composing and soul searching. This "musical story", finds Sam and Brenda facing the light of a new day and confronting the practical matter: they don't want to mess up their friendship or their working relationship. But, when Sam shows up on Brenda's doorstep late one Christmas Eve wanting to take things to the next level, their partnership is put to the test.
Quarter Century Crisis is the story of Charlie Coldman stumbling along the path to adulthood. He finds inspiration from both pennies in the gutter and stars in the sky; it's only everything in between that's providing a problem. He scrutinizes maturity, minimalism, and the importance of choice while searching for cans in the urban sprawl of quiet city streets at night. In a philosophical junkyard, one man's trash is another man's treasure.