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A thrilling collection starring the intriguing Merrily Watkins - late thirties, single mum, and diocesan exorcist The Cure of Souls When the local vicar refuses to help his parishioners in the aftermath of a savage murder, diocesan exorcist Merrily Watkins is sent in by the bishop. Already involved in the case of a schoolgirl whose mother thinks she's possessed by evil, Merrily is drawn into a deadly tangle of deceit as she uncovers the twisted secrets of the village's past. The Lamp of the Wicked A serial killer is on the loose in the small village of Underhowle. DI Francis Bliss is convinced he knows where the bodies are buried. But Merrily wonders if Bliss isn't blinkered by personal ambition. And are the Underhowle deaths really linked to some of the most sickening killings in British history?
As an early winter slices through the old city of Hereford, a body is found in the River Wye, an ancient church is descrated, and there are even indications of evil in Hereford Cathedral itself, where the tomb of St. Thomas Cantilupe lies in fragments.
December, and the river is rising. The village of Ledwardine has never been flooded in living memory. Within days it will be an island. There's no electricity. The church is serving as a temporary mortuary for two people who drowned. Only one man feels safer. An aggressively atheist author has been moved, for his own safety, Rushdie-style, into a secluded house just outside the village. Fundamentalist Christians have hated him for years. Now he's offended the Muslims. Bad move. Meanwhile, archaeologists, assisted by Merrily's teenage daughter, Jane, are at work in Coleman's Meadow, unearthing an ancient row of standing stones which some people would rather stay buried. The atheist's temporary home is close to the site. And his young wife is becoming conspicuously agitated. Is it the fear of discovery--or the kind of fear that she, of all people, could never disclose? One thing is clear: the last person who's going to be welcome in that house is an exorcist. With the flood water washing up Church Lane towards the vicarage and the shop running out of cigarettes it looks like a cold and complex Christmas for Merrily Watkins in an ancient community forced to untangle its own history against the swirling uncertainty of the future.
In Merrily's fifth outing, a serial killer appears to be on the loose—and Merrily has her doubts about the detective in charge of the case After half a century of decay, the village of Underhowle looked to be on the brink of a new prosperity. Now, instead, it seems destined for notoriety as the home of a psychotic serial killer. DI Francis Bliss, of Hereford CID, is convinced he knows where the bodies are buried. But Merrily Watkins, called in to conduct a controversial funeral, wonders if Bliss isn't blinkered by personal ambition. And are the Underhowle deaths really linked to perhaps the most sickening killings in British criminal history?
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary—a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century—London itself. “So compulsively absorbing that reality disappears . . . One is swept along by those enduring emotions that defy modern art and a random universe: hunger for revenge, longing for justice and the fantasy secretly entertained by most people that the bad will be punished and the good rewarded.”—The New York Times “A virtuoso achievement . . . It is an epic, a tour de force, a staggeringly complex and tantalizingly layered tale that will keep readers engrossed in days. . . . The Quincunx will not disappoint you. It is, quite simply, superb.”—Chicago Sun-Times “A bold and vivid tale that invites the reader to get lost in the intoxicating rhythms of another world. And the invitation is irresistible.”—San Francisco Chronicle “A remarkable book . . . In mood, color, atmosphere and characters, this is Charles Dickens reincarnated . . . It is an immersing experience.”—Los Angeles Times Book Review “To read the first pages is to be trapped for seven-hundred odd more: you cannot stop turning them.”—The New Yorker “Few books, at most a dozen or two in a lifetime, affect us this way. . . . For sheer intricacy and ingenuity, for skill and clarity of storytelling, it is the kind of book readers wait for, a book to get lost in.”—The Philadelphia Inquirer
Merrily is called to investigate a possible ghost sighting in her seventh fascinating adventure In the affluent, historic town of Ludlow, a teenage boy dies in a fall from the castle ruins. Accident or suicide? No great mystery—so why does the boy's uncle, retired detective Andy Mumford, turn to diocesan exorcist Merrily Watkins? More people will die before Merrily, her own future uncertain, uncovers a dangerous obsession with suicide, death, and the afterlife hidden within these shadowed medieval streets.
'Brilliantly eerie' PETER JAMES 'Engrossing and beautifully dark . . . a cracking good read' JO BRAND 'A most original sleuth' THE TIMES Welcome to the River Wye: a place of poetry, historic obsession... and occult murder. The curious death of an estate agent is being investigated by detective David Vaynor who, before joining the police, studied the famous 18th century poet William Wordsworth. As Vaynor is discovering, the dark paganism that changed Wordsworth's life still lingers on the banks of the River Wye today - and there are some killings even the police can't approach... Enter Merrily Watkins, parish priest, single mum, and diocesan exorcist for Hereford. Called away from her local hauntings, Merrily finds herself confronting the riverside ghosts who, as Wordsworth puts it, 'promote ill purposes and flatter foul desires'. In the ancient heart of the Wye Valley, a buried grudge is about to come to light. *Book 16 in the Merrily Watkins series - now a critically acclaimed ITV drama starring Anna Maxwell-Martin!* More praise for Phil Rickman 'Cleverly illuminates the darkest corners of our imagination' John Connolly 'The layers, the characters, the humour, the spookiness - perfect' Elly Griffiths 'First rate crime with demons that go bump in the night' Daily Mail 'No one writes better of the shadow-frontier between the supernatural and the real world' Bernard Cornwell