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"Hilariously funny…Lydia Millet’s novels raise the bar for boldness." —Rene Steinke, New York Times Book Review In this “comic masterpiece” (Salon), honeymooners Deb and Chip—our opinionated, skeptical narrator and her cheerful jock husband—befriend a marine biologist who discovers mermaids in a coral reef. As a resort chain swoops in to exploit the shy creatures, the newlyweds unite with other adventurous vacationers to stop the company from turning the reef into a theme park. Mermaids in Paradise is Lydia Millet’s most fun book yet, tempering the sharp satire of her early career with the empathy and subtlety of her more recent novels and short stories.
Ariel becomes bored with her life and decides to do something that turns out to be very dangerous.
The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times
A wistful exploration of fine art of coloring, this gorgeous book of illustrations offers sophisticated coloring projects that help you relax, restore, and reclaim your day. Amidst the pages of luscious designs, you’ll find fairies in dreamy landscapes and intricate, soothing patterns that will inspire beauty and tranquility. Each peaceful, romantic design comes printed on luxury paper. Find yourself lost in the whimsical patterns of Fairies in Dreamland and color some serenity into your world.
A New York Times bestselling striking under-the-sea version of Goldilocks with bonus storytelling in the borders, as only Jan Brett could create. When Kiniro, a young mermaid, comes upon a gorgeous house made of seashells and coral, she is so curious that she goes inside. She’s thrilled to find a just-right breakfast, pretty little chair, and, best of all, a comfy bed that rocks in the current. But when the Octopus family returns home, they are not happy to find that someone has been eating their food and breaking their things. Baby has the biggest shock when she finds the mermaid asleep in her bed! Luckily, shock turns to happiness when Kiniro gives her a thoughtful gift before escaping from the twenty-four arms coming her way. Vibrant, intricate scenes of an underwater paradise transport this classic fairy tale to a magical setting inspired by the seas off the coast of Okinawa, Japan. Along with fun details that enrich the storytelling in Jan Brett's trademark borders, this visual treat will enchant readers of all ages.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In "Under the Heaven Tree," journalist and poet William Bridges paints a rich picture of growing up in two Indiana towns, Franklin and Vincennes, from the 1930s through the 1950s. It is the story of an unusual family of artists, of a secret marriage, of hidden scandal, and the characters who once populated small towns, including the creator of the world's only six-person harmonica and a man who climbed the town monument to disarm the Civil War soldier. Most of all, it is a valentine to the writer's mother and father, and to a long-lost America.
At a midnight hour, In the year 1844, A reporter stopped his carriage as the moon behind cast eerie beams on scattered wisps of fog to reveal a castle-like tower with a lighted window. He knew the story of the exclusive recluse, and penned an article christening Elizabeth, "The mad lady of shallott (who has a lovely face, God lend her grace)."
In the course of his twenty-five years of exile, Badī’uzzaman suffered three terms of imprisonment together with varying numbers of his students, and the treatises he wrote during each of these he later included in the Risāla-i Nūr. In The Rays Collection are “fruits” from all three of his sojourns in the Madrasa-i Yûsufiya, as he called prison, recalling the unjust imprisonment of Joseph (UWP) and that prison is essentially a place of education and training. The Second Ray was the final fruit of Eskişehir Prison (1935-’36), while The Eleventh Ray has as its name Meyve Risalesi, The Fruits of Belief, and was written for his fellow prisoners in Denizli Prison (1943-’44). It consists of eleven Topics, which offer irrefutable proofs of the six main pillars of faith. The last two of the Topics, however, were written in Emirdağ, Badī’uzzaman’s place of compulsory resi dence after Emirdağ.