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Celtic and medieval fantasy.
Adapted for the stage, the story of Arthur facing monsters conjured by Merlin, in his quest to become King, is perfect for schools and family audiences. The King is dead and the Green Kingdom is in turmoil as is seeks a new heir. Only the all-powerful wizard Merlin knows that the future lies in the hands of the young boy Arthur. Taken away from the only home he has ever known, Arthur slumbers in Merlin’s mystical Cave of Dreams. Here, his past and future are revealed in a glorious vision that will transform his life and lead him on a magical adventure. Can Arthur outwit the giants and slay the dragons that stand in his way? Will he pull the sword from the stone and claim his rightful kingdom? CHARLES WAY: Charles began writing plays in 1978 when he joined Leeds Playhouse TIE team. He has written over 40 plays, many of them for young people. His plays 'Sleeping Beauty' and 'The Search for Odysseus' were both nominated as Best Children's Play by the Writer's Guild with 'A Spell of Cold Weather' winning the award in 1996. His play about the percussionist Evelyn Glennie, 'Playing from the heart' was nominated as Best Children's Show by the TMA. Other plays include: 'The Flood', 'One Snowy Night' [Chichester Festival Theatre], and 'The Night Before Christmas ' [Polka Theatre]. Charles' plays for adults include adaptations of Bruce Chatwin's 'On the Black Hill' and Halldor Laxness' 'Independent People'. In Wales, he has long associations with Gwent Theatre, The Sherman Theatre and Hijinx Theatre, for whom he has written 'In the Bleak Midwinter', and 'Ill Met by Moonlight.' He was recently commissioned by the National Theatre to write 'Alice in the News', which children all over Britain have performed. Other new plays include: 'Still Life ' [Plymouth Theatre Royal], and 'The Long Way Home', for New Perspectives Theatre/CIAO Festival. In 2004, Charles won the Arts Council's Children's Award for his play 'Red Red Shoes' [Unicorn Theatre/The Place] and 'Merlin and the Cave of Dreams' [Imagination Stage] was nominated in USA for a Helen Hayes award for the outstanding new play of 2004 . Charles has written many plays for radio, and a TV poem for BBC2, 'No Borders', set on the Welsh borders, where he lives and has spent most of his creative life.
NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems. “Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of An Immense World ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday When we think of fungi, we likely think of mushrooms. But mushrooms are only fruiting bodies, analogous to apples on a tree. Most fungi live out of sight, yet make up a massively diverse kingdom of organisms that supports and sustains nearly all living systems. Fungi provide a key to understanding the planet on which we live, and the ways we think, feel, and behave. In the first edition of this mind-bending book, Sheldrake introduced us to this mysterious but massively diverse kingdom of life. This exquisitely designed volume, abridged from the original, features more than one hundred full-color images that bring the spectacular variety, strangeness, and beauty of fungi to life as never before. Fungi throw our concepts of individuality and even intelligence into question. They are metabolic masters, earth makers, and key players in most of life’s processes. They can change our minds, heal our bodies, and even help us remediate environmental disaster. By examining fungi on their own terms, Sheldrake reveals how these extraordinary organisms—and our relationships with them—are changing our understanding of how life works. Winner of the Wainwright Prize, the Royal Society Science Book Prize, and the Guild of Food Writers Award • Shortlisted for the British Book Award • Longlisted for the Rathbones Folio Prize
"Young sorcery fans . . . set aside Harry Potter and pick up Merlin! ["The Mirror of Merlin" is] ingeniousIfilled with rich images [and] surprising touches of humor.U--"Cincinnati Enquirer. TRich with magic."--"The New York Times Book Review."
Hidden in the enchanting illustrations and story of Merlin and the water-sprite Nimue, is an intricate puzzle.
Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up to the present with discussions of a globalized Merlin who finds his way into popular literature, film, television, and New Age philosophy. Knight argues that Merlin in all his guises represents a conflict basic to Western societies-the clash between knowledge and power. While the Merlin story varies over time, the underlying structural tension remains the same whether it takes the form of bard versus lord, magician versus monarch, scientist versus capitalist, or academic versus politician. As Knight sees it, Merlin embodies the contentious duality inherent to organized societies. In tracing the applied meanings of knowledge in a range of social contexts, Knight reveals the four main stages of the Merlin myth: Wisdom (early Celtic British), Advice (medieval European), Cleverness (early modern English), and Education (worldwide since the nineteenth century). If a wizard can be captured within the pages of a book, Knight has accomplished the feat.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.
Belief in magic was, until relatively recent times, widespread in Britain; yet the impact of such belief on determinative political events has frequently been overlooked. In his wide-ranging new book, Francis Young explores the role of occult traditions in the history of the island of Great Britain: Merlin's realm. He argues that while the great magus and artificer invented by Geoffrey of Monmouth was a powerful model for a succession of actual royal magical advisers (including Roger Bacon and John Dee), monarchs nevertheless often lived in fear of hostile sorcery while at other times they even attempted magic themselves. Successive governments were simultaneously fascinated by astrology and alchemy, yet also deeply wary of the possibility of treasonous spellcraft. Whether deployed in warfare, rebellion or propaganda, occult traditions were of central importance to British history and, as the author reveals, these dark arts of magic and politics remain entangled to this day.
Eva’s hospital room looks out onto the skyscrapers of a huge city, but since waking up from her coma she only dreams of trees Thirteen-year-old Eva opens her eyes to find herself in a hospital, her body paralyzed while it heals from a devastating accident. Her mother says that Eva will be able to move her hands and face soon and that everything is going to be fine, but something in her voice tells Eva it’s not that simple. The doctors give Eva a keyboard that turns her typing into speech and controls a mirror that rotates to look around the room and out the window—every direction except back at her bed. What are the doctors trying to hide from her? And why, in an overpopulated world where humans have tamed all the wild places, does Eva keep dreaming of a forest she’s never seen? This ebook features an illustrated personal history of Peter Dickinson including rare images from the author’s collection.