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This book opens up new dimensions in the philosophical thought of Merleau-Ponty and addresses contemporary issues concerning interpretation theory and postmodernity. In Part I the authors employ the texts of Merleau-Ponty to challenge many of assumptions that operate in the current field of hermeneutics. They find in Merleau-Ponty the outline of a hermeneutics of ambiguity that incorporates his accounts of the human body, language, and temporality in working out the concepts of interpretation, context, perspective, truth, and interpersonal transgression. Merleau-Ponty thus enters into a productive dialogue with contemporary thinkers such as Gadamer, Ricoeur, Habermas, Levinas, and Derrida. Part II engages Merleau-Ponty with the "many voices" of postmodernism. Some of the most able Merleau-Ponty interpreters reveal the richness of his work through variant readings. Can Merleau-Ponty be construed as a postmodern thinker, or as a critic of postmodernism? To what extent can the concepts of flesh, reversibility, and ecart be made to function as deconstructive non-concepts? What can Merleau-Ponty contribute toward a postmodern politics? These essays move the discussion from Derrida to Deleuze, Foucault, and Lyotard.
Underscores the limitations of traditional psychology to envision a more healthy ecological and psychological future.
This book unites George Herbert Mead and Maurice Merleau-Ponty in a shared rejection of substance philosophy as well as spectator theory of knowledge, in favor of a focus on the ultimacy of temporal process and the constitutive function of social praxis. Both Mead and Merleau-Ponty return to the richness of lived experience within nature, and both lead to radically new, insightful visions of the nature of selfhood, language, freedom, and time itself, as well as of the nature of the relation between the so-called "tensions" of appearance and reality, sensation and object, the individual and the community, freedom and constraint, and continuity and creativity.
Richard Kearney has produced a new and revised paperback edition of his classic book Poetics of Imagining. This volume offers an accessible account of the major theories of imagination in modern European thought. It analyses and assesses the decisive contributions made to our understanding of the imaginary life of phenomenology (Husserl, Sartre, Merleau-Ponty, Bachelard), hermeuneutics (Heidegger, Ricoeur) and post-modernism (Vattimo, Kristeva, Lyotard). Richard Kearney achieves this with a coherent and committed approach which displays his own passionate concern for the claims of imagination in our post-modern world of fragmentation and fracture.
Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.
Few writers' unfinished works are considered among their most important, but such is the case with Merleau-Ponty's The Visible and the Invisible. What exists of it is a mere beginning, yet it bridged modernism and postmodernism in philosophy. Low uses material from some of Merleau-Ponty's later works as the basis for completion. Working from this material and the philosopher's own outline, Low presents how this important work would have looked had Merleau-Ponty lived to complete it.
This volume presents the work of Maurice Merleau-Ponty, a great philosopher and social theorist of mid-twentieth century, as a viable alternative to both modernism and postmodernism. Douglas Low argues that Merleau-Ponty's philosophy offers explanations and solves problems that other philosophies grapple with, but do not resolve, given their respective theoretical presuppositions and assumptions. Low brings the work of Merleau-Ponty into critical contact with important thinkers, including Sartre, Heidegger, Derrida, and Marx. He highlights Merleau-Ponty's connection to the early Hegel, especially with regard to the criticism of modernism's "representational consciousness" and its subsequent skepticism with regard to our being in the world. Merleau-Ponty made a concerted effort to solve the problems that come about due to a wide variety of Western dualisms: body and mind, perception and conception, self and other, etc. He frequently does so by demonstrating the connection between these disparate terms, the connection of perception with affect and interest, fact with value, and a broadened view of science with moral and philosophical judgment. Merleau-Ponty's unique contribution is his focus on the lived-through perceiving body and its relationship to abstract thought and language. In his detailed analysis of the work of Merleau-Ponty, Low brings attention to a twentieth-century master capable of altering the landscape of modern and social philosophy in the twenty-first century.
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
Merleau-Ponty and the Paradoxes of Expression offers a comprehensive reading of the philosophical work of Maurice Merleau-Ponty, a central figure in 20th-century continental philosophy. By establishing that the paradoxical logic of expression is Merleau-Ponty's fundamental philosophical gesture, this book ties together his diverse work on perception, language, aesthetics, politics and history in order to establish the ontological position he was developing at the time of his sudden death in 1961. Donald A. Landes explores the paradoxical logic of expression as it appears in both Merleau-Ponty's explicit reflections on expression and his non-explicit uses of this logic in his philosophical reflection on other topics, and thus establishes a continuity and a trajectory of his thought that allows for his work to be placed into conversation with contemporary developments in continental philosophy. The book offers the reader a key to understanding Merleau-Ponty's subtle methodology and highlights the urgency and relevance of his research into the ontological significance of expression for today's work in art and cultural theory.
Maurice Merleau-Ponty is arguably the preeminent French philosopher of the last century, and interest in his thought is growing exponentially. This volume celebrates and interrogates the thought of Merleau-Ponty by drawing upon both classic and state-of-the-art assessments, some available in English here for the first time. The result is an essential collection of essays that explore Merleau-Ponty's importance in terms of his originality vis-à-vis the philosophical tradition, and examine his major insights about such contemporary concerns as subjectivity, the question of the other and sociality, the natural and the human, art, the sensible and the intelligible, and the philosophical study of language. Penetrating and illuminating, these essays firmly install Merleau-Ponty among the most innovative and critically debated thinkers of the past half century.