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In the rugged and mysterious Highlands of Scotland, Princess Merida, a skilled archer, defies a sacred age-old custom and inadvertently unleashes a beastly curse upon the kingdom.
Gallop away with Merida in this illustrated chapter book that retells Disney/Pixar's feature animated film Brave--in her own words!
What if the Blue Fairy wasn't supposed to help Pinocchio? This New York Times best-selling series twists another Disney classic into a harrowing story in which the Blue Fairy defies fairy law, setting off a dramatic chain of events. "Star light, star bright, first star I see tonight . . . " So begins the wish that changes everything—for Geppetto, for the Blue Fairy, and for a little puppet named Pinocchio. The Blue Fairy isn't supposed to grant wishes in the small village of Pariva, but something about this one awakens some long-buried flicker within. Perhaps it's the hope she senses beneath the old man's loneliness. Or maybe it's the fact that long ago, before she was the Blue Fairy, she was a young woman named Chiara from this very village, one with a simple wish: to help others find happiness. Her sister, Ilaria, always teased her for this, for Ilaria had big dreams to leave their sleepy village and become a world-renowned opera singer. The two were close, despite their differences. While Ilaria would have given anything to have a fairy grant her wish, Chiara didn't believe in the lore for which their village was famous. Forty years later, Chiara, now the Blue Fairy, defies the rules of magic to help an old friend. But she's discovered by the Scarlet Fairy, formerly Ilaria, who, amid a decades-long grudge, holds the transgression against her sister. They decide to settle things through a good old-fashioned bet, with Pinocchio and Geppetto's fate hanging in the balance. Will the sisters find a way back to one another? Or is this, like many matters of the heart, a gamble that comes with strings? For more twisted adventures, try the other books in the A TWISTED TALE series: A Whole New World by Liz Braswell Once Upon a Dream by Liz Braswell As Old As Time by Liz Braswell Reflection by Elizabeth Lim Part of Your World by Liz Braswell Mirror, Mirror by Jen Calonita Conceal, Don't Feel by Jen Calonita Straight On Till Morning by Liz Braswell So This is Love by Elizabet
What if you had one year to save everything you loved? ONE PRINCESS. Merida of DunBroch needs a change. She loves her family—jovial King Fergus, proper Queen Elinor, the mischievous triplets— and her peaceful kingdom. But she's frustrated by its sluggishness; each day, the same. Merida longs for adventure, purpose, challenge – maybe even, someday, love. TWO GODS. But the fiery Princess never expects her disquiet to manifest by way of Feradach, an uncanny supernatural being tasked with rooting out rot and stagnation, who appears in DunBroch on Christmas Eve with the intent to demolish the realm – and everyone within. Only the intervention of the Cailleach, an ancient entity of creation, gives Merida a shred of hope: convince her family to change within the year – or suffer the eternal consequences. THREE VOYAGES. Under the watchful eyes of the gods, Merida leads a series of epic journeys to kingdoms near and far in an attempt to inspire revolution within her family. But in her efforts to save those she loves from ruin, has Merida lost sight of the Clan member grown most stagnant of all – herself? FOUR SEASONS TO SAVE DUNBROCH – OR SEE IT DESTROYED, FOREVER.
Take a magic carpet ride through Disney’s wonderful world of films and entertainment experiences, and discover the wisdom within its most popular and enduring stories Philosophy begins in wonder, and there’s no question that Disney’s immersive worlds and iconic characters have enchanted generations of children and adults alike, inviting us to escape the mundane into a world of fantasy, imagination, and infinite possibility. In Disney and Philosophy, essays from thirty-two deep-thinking Disneyphiles chart a course through the philosophical world of Disney, tapping into the minds of the great sages of the ages—Plato, Aristotle, Confucius, Descartes, and Goofy—to explore universal questions of freedom, personal identity, morality, family, and friendship: Can Sleeping Beauty know that she’s not dreaming? Does turning our emotions and memories “inside out” tell us who we are? What can Toy Story and Wall-E teach us about being human? Is hakuna matata really such a problem-free philosophy? If you’ve ever asked who you are, what is right, or what your purpose is, Disney and Philosophy will spark your curiosity and imagination with a whole new world of unexpected insight into the Magic Kingdom.
Quest narratives are as old as Western culture. In stories like The Odyssey, The Lord of the Rings, Star Wars and Harry Potter, men set out on journeys, fight battles and become heroes. Women traditionally feature in such stories as damsels in need of rescue or as the prizes at the end of heroic quests. These narratives perpetuate predominant gender roles by casting men as active and women as passive. Focusing on stories in which popular teenage heroines--Buffy Summers, Katniss Everdeen and Disney's Princess Merida--embark on daring journeys, this book explores what happens when traditional gender roles and narrative patterns are subverted. The author examines representations of these characters across various media--film, television, novels, posters, merchandise, fan fiction and fan art, and online memes--that model concepts of heroism and girlhood inspired by feminist ideas.
How would you know if you keep looking the other way? ••• Merida Love Hollyn is a normal girl who lacks self confidence and she never fights back. And because of that, she often gets bullied by the mean girls at school, earning the nicknames, “Goldfish” “Ugly Duckling” and “Trash”. Her days was always bad as she describes it until a handsome basketball player named Jacob started to get curious about her ugliness.
This second edition of Havana-Merida-Chicago is an autobiography which narrates - from human, psychological, sociological, and religious standpoints – how a Cuban scientist was raised in a communist environment, believed in it, was deceived by its dictatorial procedures, and escaped from it. The manuscript is also grounded on economic and political bases. It is an inspiring story of perseverance to succeed in life. “The book is more than just a personal story: It is a metaphor for the power of freedom and the human spirit that eventually brings demise to repressive rule” Stanley L. Brue, egregious economist co-author of the book Macroeconomics, widely used as a textbook in business departments of American universities.
When the Spaniards conquered the Yucatan Peninsula in the early 1500s, they made a great effort to destroy or Christianize the native cultures flourishing there. That they were in large part unsuccessful is evidenced by the survival of a number of documents written in Maya and preserved and added to by literate Mayas up to the 1830s. The Book of Chilam Balam of Chumayel is such a document, literally the history of Yucatan written by and for Mayas, and it contains much information not available from Spanish sources because it was part of an underground resistance movement of which the Spanish were largely unaware. Well known to Mayanists, The Book of Chilam Balam of Chumayel is presented here in Munro S. Edmonson's English translation, extensively annotated. Edmonson reinterprets the book as literature and as history, placing it in chronological order and translating it as poetry. The ritual nature of Mayan history clearly emerges and casts new light on Mexican and Spanish acculturation of the Yucatecan Maya in the post-Classic and colonial periods. Centered in the city of Merida, the Chumayel provides the western (Xiu) perspective on Yucatecan history, as Edmonson's earlier book The Ancient Future of the Itza: The Book of Chilam Balam of Tizimin presented the eastern (Itza) viewpoint. Both document the changing calendar of the colonial period and the continuing vitality of pre-Columbian ritual thought down to the nineteenth century. Perhaps the biggest surprise is the survival of the long-count dating system down to the Baktun Ceremonial of 1618 (12.0.0.0.0). But there are others: the use of rebus writing, the survival of the tun until 1752, graphic if oblique accounts of Mayan ceremonial drama, and the depiction of the Spanish conquest as a long-term inter-Mayan civil war.