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Named a Choice Outstanding Academic Title of the Year Mere Reading argues for a return to the foundations of literary study established nearly a century ago. Following a recent period dominated by symptomatic analyses of fictional texts (new historicist, Marxist, feminist, identity-political), Lee Clark Mitchell joins a burgeoning neo-formalist movement in challenging readers to embrace a rationale for literary criticism that has too long been ignored-a neglect that corresponds, perhaps not coincidentally, to a flight from literature courses themselves. In close readings of six American novels spread over the past century-Willa Cather's The Professor's House, Vladimir Nabokov's Lolita, Marilynne Robinson's Housekeeping, Cormac McCarthy's Blood Meridian and The Road, and Junot Díaz's The Brief Wondrous Life of Oscar Wao-Mitchell traces a shifting strain of late modernist innovation that celebrates a species of magic and wonder, of aesthetic “bliss” (as Barthes and Nabokov both coincidentally described the experience) that dumbfounds the reader and compels a reassessment of interpretive assumptions. The novels included here aspire to being read slowly, so that sounds, rhythms, repetitions, rhymes, and other verbal features take on a heightened poetic status-in critic Barbara Johnson's words, “the rigorous perversity and seductiveness of literary language”-thwarting pressures of plot that otherwise push us ineluctably forward. In each chapter, the return to “mere reading” becomes paradoxically a gesture that honors the intractability of fictional texts, their sheer irresolution, indeed the way in which their “literary” status rests on the play of irreconcilables that emerges from the verbal tensions we find ourselves first astonished by, then delighting in.
A memoir of homeschooling.
How does new writing emerge and find readers today? Why does one writer's work become famous while another's remains invisible? Making Literature Now tells the stories of the creators, editors, readers, and critics who make their living by making literature itself come alive. The book shows how various conditions—including gender, education, business dynamics, social networks, money, and the forces of literary tradition—affect the things we can choose, or refuse, to read. Amy Hungerford focuses her discussion on literary bestsellers as well as little-known traditional and digital literature from smaller presses, such as McSweeney's. She deftly matches the particular human stories of the makers with the impersonal structures through which literary reputation is made. Ranging from fine-grained ethnography to polemical argument, this book transforms our sense of how and why new literature appears—and disappears—in contemporary American culture.
Throughout history there have been great and articulate defenders of the faith, from Augustine and Aquinas to Jonathan Edwards, G. K. Chesterton, Francis Schaeffer, and C. S. Lewis. But with new challenges comes the need for a fresh apologetic that specifically addresses the arguments levied against faith in our time of scientific atheism and skepticism. In the spirit of C. S. Lewis's Mere Christianity, Alister McGrath's Mere Apologetics seeks to equip readers to engage gracefully and intelligently with the challenges facing the faith today while drawing appropriately on the wisdom of the past. Rather than supplying the fine detail of every apologetic issue in order to win arguments, Mere Apologetics teaches a method that appeals not only to the mind but also to the heart and the imagination. This highly accessible, easy-to-read book is perfect for pastors, teachers, students, and lay people who want to speak clearly and lovingly to the issues that confront people of faith today.
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
One of the most knowledgeable and provocative explicators of Paul de Man's writings, Rodolphe Gasché, a philosopher by training, demonstrates for the first time the systematic coherence of the critic's work, insisting that de Man continues to merit close attention despite his notoriously difficult and obscure style. Gasché shows that de Man's "reading" centers on a dimension of the texts that is irreducible to any possible meaning, a dimension characterized by the "absolutely singular." Given that de Man and Derrida are both termed deconstructionists, Gasché differentiates between the two by emphasizing Derrida's primary interest in "writing," and postulates that the best way to come to terms with de Man's works is to "read" them athwart the writings of Kant, Fichte, Hegel, Heidegger, and Derrida. He shows his respect for the "immanent logic" of de Man's thought--which he lays out in great detail--while revealing his uneasiness at the oddness of that thought and its consequences.
In 2012 C.F. began to produce a series of more than a dozen mini-comics, which he distributed via Twitter. Each mini-comic offered a take on, and expansion upon, a classic comic strip genre-from crime and sci-fi to punk and sex-all of them infused throughout by C.F.'s absurdist humour and loose improvisatory drawing. Those comics, along with unpublished art and photos, are collected here. Introduction by Nicole Rudick.
Have you left the church in search of Jesus? Studies show that one in four young adults claim no formal religious affiliation, and church leaders have long known that this generation is largely missing on Sunday morning. Hundreds of thousands of “church leavers” have had a mentor and pastor, however, in Michael Spencer, known to blog readers as the Internet Monk. Spencer guided a vast online congregation in its search for a more honest and more immediate practice of Christian faith. Spencer discovered the truth that church officials often miss, which is that many who leave the church do so in an attempt to find Jesus. For years on his blog Spencer showed de-churched readers how to practice their faith without the distractions of religious institutions. Sadly, he died in 2010. But now that his last message is available in Mere Churchianity, you can benefit from the biblical wisdom and compassionate teaching that always have been hallmarks of his ministry. With Mere Churchianity, Spencer’s writing will continue to point the disenchanted and dispossessed to a Jesus-shaped spirituality. And along the way, his teachings show how you can find others who will go with you on the journey.
In this compelling book, Hans Moravec predicts that machines will attain human levels of intelligence by the year 2040, and that by 2050, they will surpass us. But even though Moravec predicts the end of the domination by human beings, his is not a bleak vision. Far from railing against a future in which machines rule the world, Moravec embraces it, taking the startling view that intelligent robots will actually be our evolutionary heirs. "Intelligent machines, which will grow from us, learn our skills, and share our goals and values, can be viewed as children of our minds." And since they are our children, we will want them to outdistance us. In fact, in a bid for immortality, many of our descendants will choose to transform into "ex humans," as they upload themselves into advanced computers. This provocative new book, the highly anticipated follow-up to his bestselling volume Mind Children, charts the trajectory of robotics in breathtaking detail. A must read for artificial intelligence, technology, and computer enthusiasts, Moravec's freewheeling but informed speculations present a future far different than we ever dared imagine.
How are Christians to live in such difficult times? Unique of all people, Christians are called to embrace a hopeful outlook on life. Mere Hope offers the core, Christ-centered perspective that all Christians share, and that Christians alone have to offer a world filled with frustration, pain, and disappointment. For those in darkness, despair, and discouragement, for those in the midst of trials, suffering, and injustice, mere hope lives. The spirit of the age is cynicism. When our leaders, our families, and our friends let us down at every turn, this isn't surprising. But we need another perspective; we need hope. Rather than reflecting resigned despair or distracted indifference, author Jason Duesing argues, our lives ought to be shaped by the gospel of Jesus—a gospel of hope.