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When twelve-year-old Sidney Henderson pushes his friend Connie off the roof of a local church in a moment of anger, he makes a silent vow: Let Connie live and I will never harm another soul. At that very moment, Connie stands, laughs, and walks away. Sidney keeps his promise through adulthood despite the fact that his insular, rural community uses his pacifism to exploit him. Sidney's son Lyle, however, assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own hands. In his effort to protect the people he loves -- his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent brother, Percy -- it is Lyle who will determine his family's legacy.
At the age of twelve, Sidney Henderson, in a moment of anger, pushes his friend Connie Devlin off the roof of a local church. Looking down on Connie's motionless body, Sidney believes he is dead. Let Connie live and I will never harm another soul, Sidney vows. At that moment, Connie stands up and, laughing, walks away. In the years that follow, the brilliant, self-educated, ever-gentle Sidney keeps his promise, even in the face of the hatred and persecution of his insular, rural community, which sees his pacifism as an opportunity to exploit and abuse him. Sidney's son Lyle, however, witnessing his family's suffering with growing resentment and anger, comes to reject both God and his father and assumes an increasingly aggressive stance in defense of his family. When a small boy is killed in a tragic accident and Sidney is blamed, Lyle takes matters into his own, violent hands in an effort to protect the only people he loves: his beautiful and fragile mother, Elly; his gifted sister, Autumn; and his innocent, beatific brother, Percy. In the end, no one but Lyle can determine the legacy his family's tragedy will hold.
What had happened, from those days until now? And why had it? And how had his life gone? And who was to blame? Or why did he think he had to blame anyone? Certainly he couldn’t even blame Mr. Roach, caught in the same turmoil as everyone believing half-truths in order to blame other people. These are the forlorn thoughts of Alex Chapman, the tragic anti-hero of David Adams Richards’ masterful novel The Lost Highway. An exploration of the philosophical contortions of which man is capable, the novel tracks the desperate journey of an eternally lost and orphaned child/man who has nearly squandered his frail birthright but might yet earn some degree of redemption. David Adams Richards’ The Lost Highway is a taut psychological thriller that goes far beyond the genre into the worlds of Leo Tolstoy, and Emily Brontë’s Wuthering Heights, as well as classical Greek mythology, testing the very limits of humankind’s all too tenuous grasp on morality.
After Mercy the pig snuggles to sleep with the Watsons, all three awaken with the bed teetering on the edge of a big hole in the floor.
A brilliant, heartbreaking novel from a Canadian icon that tackles the theme of debt, and what we owe each other, through three unforgettable characters. This is Richards' best and most complex work since his Giller-winning Mercy Among the Children, and a fitting companion to that novel. Howard, Evan and Ian are inseparable as boys--so much so that one night, abandoned in the forest by the careless adults around them, and raging against society and the uncaring gods others worship, they seal their undying brotherhood with a blood bond. But soon after, a horrific accident scars each of them in a different way, testing their bonds and leaving each with a debt to be paid. As adults, seeking to rise above debt and advance in life, each man decides upon a very different path--but over time, all three discover they are tied to each other in intricately tangled, sometimes violent, and surprising ways that none of them has been wise enough to foresee. In Crimes Against My Brother, literary legend David Adams Richards is at his finest, reprising some of his most complex and beloved characters (such as Sydney Henderson from Mercy Among the Children), introducing unforgettable new ones (such as the beautiful but fatally foolish Annette Brideau; and the wily, charming, money-hungry manipulator Lonnie Sullivan), and weaving a tale of such force, gravitas, complexity, universality, and compassionate understanding that he reaffirms his status as a master storyteller who has, book by book, used his rare genius to create an entire, teeming universe alongside a river in a small northern part of the world.
In the fifteenth-century kingdom of Brittany, seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where she learns that the god of Death has blessed her with dangerous gifts--and a violent destiny.
A powerful tragedy distilled into a small masterpiece by the Nobel Prize-winning author of Beloved and, almost like a prelude to that story, set two centuries earlier. Jacob is an Anglo-Dutch trader in 1680s United States, when the slave trade is still in its infancy. Reluctantly he takes a small slave girl in part payment from a plantation owner for a bad debt. Feeling rejected by her slave mother, 14-year-old Florens can read and write and might be useful on his farm. Florens looks for love, first from Lina, an older servant woman at her new master's house, but later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives . . . At the novel's heart, like Beloved, it is the ambivalent, disturbing story of a mother and a daughter – a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.
2015: After the sudden death of her troubled mother, struggling Harvard grad student Kate Drayton walks out on her lecture-- and her entire New England life. She flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academia. Her mother was researching a failed 1822 slave revolt-- and Kate will continue her work. 1822: Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves.
Anyone who has ever tied a blood knot in a leader or spun a line on the reel, felt the tug of a salmon or seen the glimmer of a brook trout in the early morning sun, understands that fishing is more than a sport. It is, for many, a way of life. In Lines on the Water, we are reminded why this is so. Writing with the same mastery that has won him praise for his fiction, Richards takes us—even those unfamiliar with days spent in chilly waters—on an unforgettable journey to the famed Miramichi River. Casting new light on the mysterious and elegant world of fly fishing, it teems with lore and wisdom, humor, and most of all, passion.
Welcome to Patricia Briggs’s world, a place where “witches, vampires, werewolves, and shape-shifters live beside ordinary people” (Booklist). It takes a very unusual woman to call it home—and there’s no one quite like Mercy Thompson. By day, Mercy Thompson is a car mechanic in the sprawling Tri-Cities of Eastern Washington. By night, she explores her preternatural side. As a shape-shifter with some unusual talents, Mercy’s found herself maintaining a tenuous harmony between the human and the not-so-human on more than one occasion. This time she may get more than she bargained for. Marsilia, the local vampire queen, has learned that Mercy crossed her by slaying a member of her clan—and she’s out for blood. But since Mercy is protected from direct reprisal by the werewolf pack (and her close relationship with its sexy Alpha), it won’t be Mercy’s blood Marsilia is after. It’ll be her friends’.