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The figure of the alchemical Mercurius features ubiquitously and radically in Jung’s later works, but despite this, there has been little research concerning Mercurius in Jungian studies to date. In this book, Mathew Mather explores the figure of the alchemical Mercurius and contextualises and clarifies its significance in Jung’s life and works. Placing the alchemical Mercurius as a central concern reveals a Jungian interpretation in which the grail legend, alchemy and precessional astrology, as three thematic threads, converge. In such a treatment, Jung’s belief in the dawning of a new platonic month emerges as a central consideration and an esoteric perspective on Jung’s life and works is brought more fully to light, constructing a life-myth interpretation. The book is comprised of three parts: Aurea Catena: locating the figure of the alchemical Mercurius within the Western esoteric tradition Daimonic Encounter: the relevance of this figure in Jung’s personal life Magnum Opus: Jung’s portrayal of this figure in key texts such as Synchronicity, Aion, Mysterium Coniunctionis; and Emma Jung and von Franz’s The Grail Legend. The Alchemical Mercurius is a unique contribution to analytical psychology, substantially revealing ‘esoteric Jung’ and providing valuable perspectives on the theme of his myth for our times. The book will appeal to researchers and academics in the field of analytical psychology as well as postgraduate students.
Who is Mercurius Oxoniensis?The first of his brilliantly witty letters mysteriously appeared, apparently without the authority of the writer, in the Spectator towards the end of 1968. Their candid, penetrating and caustic commentary on personalities and events (considered by some to verge on indiscretion) indicate inside information and sources.
In 1952 a country clergyman called Smith begins his tortuous quest for the Holy Grail of alchemy - the Philosophers' Stone which transmutes base metal to gold and confers immortality. As he pits himself against the bizarre perils of the Great Work, it becomes clear that his arcane transformations are as much spiritual as chemical. Gradually the shadow of alchemy falls over those around him; a young girl whose sudden pregnancy is a local scandal; Janet, trapped in a barren marriage; and Robert who pursues his own quest for the legendary blue glass of Chartres. Thirty years later, Eileen comes to live in Smith's vicarage. In the medieval cellar she unearths a hidden manuscript and begins to read of secret fire and mysterious prime matter, a green lion and a raven's head, a fatal conjunction of king and queen, a descent into Blackness and putrefaction. As she penetrates farther into the alchemical labyrinth, she is haunted both by her own history and by that of her neighbours, the menacing Mrs Zetterberg and the disfigured Pluto - and, finally, by the enigma of Smith himself. In separate but interwoven accounts, Smith and Eileen strive towards the one thing necessary for the Work's success - the great Secret guarded by the paradoxical Mercurius, who leads them to the zero point where Heaven is wedded to Earth and the miraculous Stone appears at the intersection of time and eternity. By reconstructing a highly sophisticated but almost forgotten world-view, Mercurius restores to us our own spiritual heritage which, rooted in the alchemists' dark retorts, will perhaps flower in the light of the future.
Published in 1988: Mercurius Rusticans is one in a long series of academic plays, generally in Latin, but occasionally in English, which were performed at the colleges of Oxford and Cambridge, during the sixteenth and seventeenth centuries.
Words from the Author I am Jos Miguel Bez, the esoteric and hermetic philosopher of the books, The Theosophy of Twt-Mos Djoser, The Book of Djehuti, La Filosofa Del Libro De Hermes Mercurio Trismegisto, and finally my last work, The Verbum of Hermes Mercurius Ter Maximus for those who are brave enough to read, analyze, critic and learn the mysteries of ancient religions, philosophy, science, astronomy (astrology), chemistry (alchemy) and Theurgy of the ancient Sumerians, Egyptians and Chaldeans to name a few. I am the spiritual and psychical Hermes Mercurius Ter Maximus since I was able to enchant the heavens, speak with the birds of the sky, the animals of the oceans, the beasts of the fields and have communion with the gods and goddesses and observe their formless form behind all forms and become the man inside of the universal form of the highest G-d, a divine and cosmic androgyny. The true Book of Thoth is not physical and in your earthly dimensional confinement but it must be searched and found beyond the confinement of your earthly world and dimensional reality of your space-time and when you have vanquished your fears, egos and stop demonizing others more advance than you then, you will find such a book whose wisdom and understanding will open your mind and heart that you may decide to embrace G-d or be defeated by your own impurities and iniquities for only he and she who have a pure heart and spirit in essence may become one with the Absolute All. Do try your best to live a life in harmony with one another, with all life forms, with Nature and the Earth and the divine and cosmic laws since this is my last reincarnation and I will never again return to you to teach you the hidden, concealed and unrevealed wisdom contain in the primordial ocean of divine mind and spirit. I am the sacred and anointed Magi of the divine androgyny, which exists also as an infinite potential and creating force that permeates, sustains, nourishes and contains all things.
More than fifty specialists have contributed to the new edition of volume 5 of the Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.