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Anglophone horror films are typically approached as the inevitable by-products of psychological and social demons haunting filmmakers and their homelands - in short, as if they were 'our collective nightmares'. These 'reflectionist' approaches have led horror films routinely and reductively to be framed as mouthpieces for misogynistic sadists lurking in the shadows of the exploitation sector, as defiant expressions of resistance enacted by noble progressives, or as platforms for the politically reactionary evils of the biggest, scariest monster of all: Hollywood. The industry logic, strategies, and practices that heavily determine horror film content, the nature of horror film production, promotion, and dissemination, as well as the responses to these activities, have therefore been either side-stepped completely or reduced unhelpfully to the profit-making motives underwriting all capitalist endeavours. Consequently, even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood." (EDITOR).
Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Merchant's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.
This book tells the story of the turbulent decades when the book publishing industry collided with the great technological revolution of our time. From the surge of ebooks to the self-publishing explosion and the growing popularity of audiobooks, Book Wars provides a comprehensive and fine-grained account of technological disruption in one of our most important and successful creative industries. Like other sectors, publishing has been thrown into disarray by the digital revolution. The foundation on which this industry had been based for 500 years – the packaging and sale of words and images in the form of printed books – was called into question by a technological revolution that enabled symbolic content to be stored, manipulated and transmitted quickly and cheaply. Publishers and retailers found themselves facing a proliferation of new players who were offering new products and services and challenging some of their most deeply held principles and beliefs. The old industry was suddenly thrust into the limelight as bitter conflicts erupted between publishers and new entrants, including powerful new tech giants who saw the world in very different ways. The book wars had begun. While ebooks were at the heart of many of these conflicts, Thompson argues that the most fundamental consequences lie elsewhere. The print-on-paper book has proven to be a remarkably resilient cultural form, but the digital revolution has transformed the industry in other ways, spawning new players which now wield unprecedented power and giving rise to an array of new publishing forms. Most important of all, it has transformed the broader information and communication environment, creating new challenges and new opportunities for publishers as they seek to redefine their role in the digital age. This unrivalled account of the book publishing industry as it faces its greatest challenge since Gutenberg will be essential reading for anyone interested in books and their future.
WHEN IT COMES TO MURDER, THERE'S ALWAYS A CHOICE… The only thing more varied than how people are killed is the many, many ways people try to get away with this terrible crime. Now masterful mystery writer Dorothy Salisbury Davis brings together 23 classic stories of crime and suspense, whodunits and detective stories from some of the finest authors of the 1950s. Ross Macdonald’s classic P.I. Lew Archer takes a chilling case in California, where the mob isn't the only deadly thing under the West Coast sun. Margaret Millar brings us the tale of the couple next door who ensnares their neighbor in a tangled web of love and deception. Margaret Manners invites us to a bar for a drink and a quick little story of a con man who got what he deserved—and how the man accused of his murder walked free. And Michael Gilbert's brilliant detective Gladwyn Hughes must get to the bottom of an ambassador assassinated in front of forty-five witnesses before a war breaks out in Europe over the murder. Twenty-three stories of criminals, victims, and always, always multiple choices of murder… Featuring stories by: ROBERT ARTHUR LAWRENCE G. BLOCHMAN ANTHONY BOUCHER WENZELL BROWN ANDREW CARVE MIGNON G. EBERHART STANLEY ELLIN ANTHONY GILBERT MICHAEL GILBERT RYERSON JOHNSON HELEN KASSON JAMES A. KIRCH ROSS MACDONALD MARGARET MANNERS STEPHEN MARLOWE MARGARET MILLAR STUART PALMER JOHN BASYE PRICE ELLERY QUEEN MARC SEYMOUR RUTHVEN TODD LAWRENCE TREAT ROBERT TURNER
THE FAIRER SEX? NOT THESE LADIES… The female of the species is absolutely deadlier than the male in these 14 cunningly-crafted tales of suspense, crimes of passion, and murder, all by women writers. Edited by MWA Grandmaster and bestselling mystery author John D. MacDonald, these bone-chilling stories show the depths both men and women will stoop to get what they want. Christianna Brand brings us a story of two sisters who engage in the ultimate cat-and-mouse game, with the prize being their lives. A woman accustomed to the finer things appears in Margaret Manners’ twisting tale of a socialite who will go to any lengths to keep what’s hers. Carolyn Thomas spins a tale of long-overdue revenge in the balmy Caribbean. From Veronica Parker Johns come the story of a cheating wife who’s too clever for her own good. And Juanita Sheridan delivers a marriage slipping toward disaster amid the tropical paradise of Hawaii. Fourteen tales of scheming women (and even a few dangerous men) told by the very best classic women mystery writers as they reveal…The Lethal Sex.
When he comes to Venice in 1602 to investigate pirate attacks on merchant ships, Master Ashby is entreated to find a Jewish girl who has disappeared from the Venice Ghetto amid a powerful countess's accusations of witchcraft.