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Whether writing about Jasper Johns or Jeff Koons, Cindy Sherman or Richard Serra, Calvin Tomkins shows why it is both easier and more difficult to make art today. If art can be anything, where do you begin? For more than three decades Calvin Tomkins's incisive profiles in The New Yorker have given readers the most satisfying reports on contemporary art and artists available in any language. In Lives of the Artists ten major artists are captured in Tomkins's cool and ironic style to record the new directions art is taking during these days of limitless freedom. As formal technique and rigorous training continue to fall away, art has become an approach to living. As the author says, "the lives of contemporary artists are today so integral to what they make that the two cannot be considered in isolation." Among the artists profiled are Jeff Koons and Damien Hirst, the reigning heirs of deliberately outrageous art that feeds off the allegedly corrupting influences of capitalist glut and entertainment; Matthew Barney of the pregenital obsessions; Cindy Sherman, who manages multiple transformations as she disappears into her own work; and Julian Schnabel, who has forged a second career as award-winning film director. Tomkins shows that the making of art remains among the most demanding jobs on earth.
With unprecedented and unrestricted access to his family correspondence, and other new material in private archives, Spurling documents a lifetime of desperation and self-doubt exacerbated by Matisse's attempts to counteract the violence of the 20th century in paintings.
Essays by James Billington, Lidia Iovleva, Robert Rosenblum, Mikhail Allenov, Alexander Borovsky, Alexander Kostenevich, Valerie Hillings, Evgenia Petrova and others.
From the New York Times bestselling author of the Border Chronicles comes a novel of Florentine historical romance—the continuing saga of The Silk Merchant’s Daughters... After her sisters become the scandals of Florence, Lucianna Pietro d’Angelo finds that the only wealthy man who’ll have her for his wife is an aging bookseller whom Lucianna comforts in his final years. When he passes away, she inherits his shop—and a sizable fortune affording Lucianna comfort in widowhood. Then Robert Minton, Earl of Lisle, visits her bookshop. The Englishman is not only dashing and handsome, he’s a trusted courtier of Henry VII. Lucianna’s parents cannot deny the spark of attraction between their daughter and the earl, so they scheme to send her to London. There, Lucianna steps out of the shadow of her quiet Florentine life, pursuing a love she never dreamed possible—one unfolding in the court of the new Tudor king.
"This book is a case study of the important Jewish community of the Italian city of Modena. It covers the seventeenth and long eighteenth centuries"--