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"This book is food for all who are hungry for an inner transformation in their lives. Tapping into ancient spiritual practices, Daniel Vestal connects biblically based mysticism with evangelism and social justice." —Tony Campolo Professor Emeritus, Eastern University Author of more than 35 books and one of the founders of the Red Letter Christian movement Do you long to make a difference in the world? Learn how to be Christ's presence. As Christians, we can continually embody Jesus Christ—be the presence of Christ—and we have the power to transform ourselves, our society, and the world. The challenge in becoming the presence of Christ is that many of our prejudices and patterns of living will need to change. The hope is knowing that such transformation is possible. Daniel Vestal says, "I write this book as one who has lived most of my life as a Christian. Though I have had my intellectual struggles and personal struggles, I have never left the Christian faith. My experience has led me to ask, 'What is the really good news that the Christian Gospel claims to possess and proclaim?' I seek to offer my voice as a witness to this Gospel as I understand it." In this book you will find Vestal's perspective on these topics: the basics—receiving and nurturing the presence of Christ prayer as practicing the presence personal transformation Christian community human suffering Christlikeness through service Christian social ethics Find out how to be the presence of Christ, and make a difference in this needy world.
After a death at The White Camellia Orphanage, young Pip Tatnall leaves Lexsy Georgia, to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America. On Marly Youmans’s prior forays into the world of the past, reviewers praised her “spellbinding force” (Bob Sumner, Orlando Sentinel), “prodigious powers of description” (Philip Gambone, The New York Times), “serious artistry,” “unobtrusively beautiful language,” and “considerable power” (Fred Chappell, The Raleigh News & Observer.), “haunting, lyrical language and fierce intelligence” (starred review, Publishers Weekly.) Howard Bahr wrote of The Wolf Pit, “Ms. Youmans is an inspiration to every writer who must compete with himself. I had thought Catherwood unsurpassable, but Ms. Youmans has done it. Her characters are ℜ they live and move in the stream of Time as if they had passed only yesterday. Her lyricism breaks my heart and fills me with envy and delight. No other writer I know of can bring the past to us so musically, so truly.”
¿The ball was round, the equpiment was homemade, and the rules were uncertain, but that game the boys were playing on the lawn at Mercer University in 1892 was football....¿ Thus begins this colorful history of football at Mercer University, 1892-1942. Mercer had only 179 registered students in 1892 when the first Mercer eleven met the first Georgia eleven on the gridiron in Athens in January 1892, the FIRST college football game in the state of Georgia, and one of the first in the Southeast. College football in 1892 was a far cry from the organized splendor it is today. Uniforms were makeshift, with little or no padding. Players begin growing their ¿helmets¿ or ¿head pads¿ in early summer, and rumor has it that those long, bushy manes prompted Mercer¿s nickname--the Bears. It was a rough-and-tumble, disorganized free-for-all on the 110x53 yard field. Touchdowns counted four points; extra points, two; field goals, five; and safeties, two. But all those interesting facts--and many more--are included in this exciting chronicle. For fifty years Mercer played against the the great (Alabama, Army, Georgia, Florida, and others) and the nearly great (Savannah Library Association, Locust Grove Institute, North Georgia Aggies). Alas, college football eventually became a big (and expensive) business, and with the US facing world war, the last Mercer team was fielded in 1941. But, beginning in Fall 2013, the Mercer Bears will once again take the field following a seventy-year hiatus. This time, however, the helmets are much improved.
Combustible/Burn is the inspirational play about young people finding their faith challenged, finding their moral centers broadened, and finding their courage strengthened to defeat hatred at any cost. From 1948 to 1956, a small group of devout students at Mercer University in Macon, Georgia, attempted to topple segregation. Energized by a daring, visionary professor, G. McLeod "Mac" Bryan. they stood against fellow students, parents, community, and denomination in their support of desegregation in their school, in their town, and in their community. These remarkable students protested Klan meetings, broke segregation laws on buses and in parks, joined integrated communes and summer camps, invited African Americans into their classrooms and into their homes, and preached integration in black and white churches. For their active compassion, these idealistic Christian students found themselves disciplined, fired, and jailed.
The popular Rookie Books expand their horizons - to all corners of the globe! With this series all about geography, emergent readers will take off on adventures to cities, nations, waterways, and habitats around the world...and right in their own backyards.
Writer Barnes tells the story of a corrupt, crime-ridden city, examining events that unfolded during 1916-1955. Phenix City had been a 19th-century refuge from law enforcement for 120 years until three men in succession challenged the status quo. To reconstruct the story the author draws on notes and private papers of the principals and investigators; depositions, trial transcripts, and court records; daily newspaper coverage; and transcripts of wire-tapped recordings of the city's gamblers and politicians. No index or bibliography. Annotation copyrighted by Book News, Inc., Portland, OR
In“This Is America”: Race, Gender, and Politics in America’s Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what “This Is America” means. Using Childish Gambino’s video for “This Is America” as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson’s presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics.
In Child Development: Myths and Misunderstandings 2e, Jean Mercer uses intriguing vignettes and questions about children and families to guide readers in thinking critically about 59 common beliefs.
Jacques Ellul (1912-1994) was one of the world's last great polymaths and one of the most important Christian thinkers of his time, engaging the world with a simplicity, sincerity, courage, and passion that few have matched. However, Ellul is an often misunderstood thinker. As more than fifty books and over one thousand articles bear his name, embarking on a study of Ellul's thought can be daunting. This book provides an introduction to Ellul's life and work, analysing and assessing his thought across the most important themes of his scholarship. Readers will see that his remarkably broad field of vision, clarity of focus, and boldly prophetic voice make his work worth reading and considering, rereading and discussing.