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Based on a true story, this gripping account of hip hop's early years follows Sherri Sher, who, growing up in the South Bronx during the 1970s and caring for her eleven siblings, forms an all-girl rap group and discovers that it is hard to earn respect in a male-dominated world. Original.
The origin story of hip-hop—one that involves Kool Herc DJing a house party on Sedgwick Avenue in the Bronx—has become received wisdom. But Joseph C. Ewoodzie Jr. argues that the full story remains to be told. In vibrant prose, he combines never-before-used archival material with searching questions about the symbolic boundaries that have divided our understanding of the music. In Break Beats in the Bronx, Ewoodzie portrays the creative process that brought about what we now know as hip-hop and shows that the art form was a result of serendipitous events, accidents, calculated successes, and failures that, almost magically, came together. In doing so, he questions the unexamined assumptions about hip-hop's beginnings, including why there are just four traditional elements—DJing, MCing, breaking, and graffiti writing—and not others, why the South Bronx and not any other borough or city is considered the cradle of the form, and which artists besides Kool Herc, Afrika Bambaataa, and Grandmaster Flash founded the genre. Ewoodzie answers these and many other questions about hip-hop's beginnings. Unearthing new evidence, he shows what occurred during the crucial but surprisingly underexamined years between 1975 and 1979 and argues that it was during this period that the internal logic and conventions of the scene were formed.
An NPR Best Book of the Year "Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." —AllHipHop.com Can’t Stop Won’t Stop meets Girls to the Front in this essential and long overdue history of hip-hop’s female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang’s Can’t Stop Won’t Stop to Shea Serrano’s The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre’s female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated “First Lady” thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop—from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.
Scholarship student Thracius “Tracy” Belmanor and Princess Mercedes de Arango have graduated from the High Ground and become officers in the Orden de la Estrella. Stung by Mercedes’ choice of Beauregard “Boho” Cullen as her consort, Tracy is glad that they are posted on battleships light years apart, but soon finds that without her protection he is nothing but a target. Meanwhile, Mercedes’ posting has its own challenges, not least her unfaithful husband. Both young officers find themselves part of forced “assimilations” of settlers on Hidden Worlds, which lead them to doubt the intentions of the Solar League. And when Tracy witnesses an horrific event that threatens the fragile human and alien peace, Mercedes must decide where her loyalties truly lie...
Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.
The World Fantasy Award–winning anthology featuring an original Game of Thrones novella and new stories from Diana Gabaldon, Jim Butcher, and many more. The twenty-one stories in Dangerous Women showcase some of the best and bravest female characters from across genre fiction—from women warriors and fighter pilots to female serial killers, superheroes, wizards, and bandits. With work from twelve New York Times bestsellers, readers will discover a new Outlander story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and an original novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones. Also included are original stories of dangerous women—heroines and villains alike—by Brandon Sanderson, Joe Abercrombie, Sherrilyn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
Over the last 50 years, hip hop has evolved from an underground subculture to a global mass media phenomenon that is today considered one of the most dominant music genres. While the origins of hip hop are commonly associated with iconic male pioneers like DJ Kool Herc, Grandmaster Flash, and the like, female rappers have been trailblazing right alongside them since the beginning. From the first all-female rap groups like The Sequence breaking new ground in the 1970s to today’s chart-topping, genre-bending superstars like Cardi B and Megan Thee Stallion, women have proved themselves to be a formidable force of lyricism and flow within hip hop for the last five decades. In Leading Ladies of Lyrics: Female Rappers Over 50 Years of Hip Hop, we will embark on a chronological journey through hip hop’s history from the eyes of the commanding women who have shaped it. We’ll discover how these pioneering queens of rhyme fought for representation in a male-dominated field, overcame limitations to prove their skill and versatility on the mic, and evolved into raw, authentic voices of power for generations of listeners. From Roxanne Shanté’s battle rhymes to Queen Latifah’s socially conscious messages to Nicki Minaj’s pop culture dominance, Leading Ladies of Lyrics puts a spotlight on the legendary achievements of rap’s greatest female MCs who changed the game and brought a dynamic woman’s voice to the leading edge of lyricism.
A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.
The ladies of Butternut Creek Christian Church known as the Widows have always taken pride in their infallible matchmaking. They've succeeded again, and having found the perfect wife for Pastor Adam, they're ready to start planning the wedding. The one problem is that Adam has yet to propose. Clearly he still needs their help. Meanwhile, Adam's sister Hannah, a doctor, has returned from work in refugee camps, exhausted from the horrors she's seen. Though physically weak, Hannah becomes animated when verbally sparring with Gabe Borden, the high school basketball coach. The Widows, however, see sparks of a different kind between them and are soon up to their matchmaking ways once again.
Melinda Snodgrass has written multiple novels and screenplays, and is best known for her work on Star Trek: The Next Generation. She has also worked on numerous other shows, including The Profilers, Sliders and Seaquest DSV. She coedits the Wild Cards series with George R.R. Martin. Melinda is the author of The Edge series, which is published by Tor Books in the US and Titan Books in the UK. She lives in Santa Fe, New Mexico.