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Gerhard Mercator (1512–1594) was the most important cartographer and globemaker of the 16th century. He is particularly remembered for his publication Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura (1595), and for his specific cylindrical map projection (1569), which is still used widely today. This book brings together the latest research on Mercator with a view to his sources and his relationships with other scientific disciplines and cartographers of his time, as well as his role in the wider worlds of Renaissance cartography and Humanism.
In Rhumb Lines and Map Wars, Mark Monmonier offers an insightful, richly illustrated account of the controversies surrounding Flemish cartographer Gerard Mercator's legacy. He takes us back to 1569, when Mercator announced a clever method of portraying the earth on a flat surface, creating the first projection to take into account the earth's roundness. As Monmonier shows, mariners benefited most from Mercator's projection, which allowed for easy navigation of the high seas with rhumb lines—clear-cut routes with a constant compass bearing—for true direction. But the projection's popularity among nineteenth-century sailors led to its overuse—often in inappropriate, non-navigational ways—for wall maps, world atlases, and geopolitical propaganda. Because it distorts the proportionate size of countries, the Mercator map was criticized for inflating Europe and North America in a promotion of colonialism. In 1974, German historian Arno Peters proffered his own map, on which countries were ostensibly drawn in true proportion to one another. In the ensuing "map wars" of the 1970s and 1980s, these dueling projections vied for public support—with varying degrees of success. Widely acclaimed for his accessible, intelligent books on maps and mapping, Monmonier here examines the uses and limitations of one of cartography's most significant innovations. With informed skepticism, he offers insightful interpretations of why well-intentioned clerics and development advocates rallied around the Peters projection, which flagrantly distorted the shape of Third World nations; why journalists covering the controversy ignored alternative world maps and other key issues; and how a few postmodern writers defended the Peters worldview with a self-serving overstatement of the power of maps. Rhumb Lines and Map Wars is vintage Monmonier: historically rich, beautifully written, and fully engaged with the issues of our time.
The story of discovery and mapmaking is one of pushing back shadows," writes Andrew Taylor, and "none in the last two thousand years achieved as much as Gerard Mercator in extending the boundaries of what could be comprehended." His life encompassed most of the turbulent, extraordinary sixteenth century, a time when revolutions would engulf religion, science, and civilization. Almost extinguished by the Inquisition, Mercator's genius lay in making maps, and his achievement did nothing less than revolutionize the study of geography. Appropriately for an era undergoing radical change, Mercator was full of contradiction, tied to knowledge and beliefs of the past while forging a new path. He never traveled beyond northern Europe, yet he had the imagination to draw the entire world anew and to solve a problem that had baffled sailors and scientists for centuries: how a curved Earth could be faithfully rendered on a flat surface so as to allow for accurate navigation. His "projection" was so visionary that it is used by NASA to map Mars today. Andrew Taylor has beautifully captured Mercator amidst the turmoil and opportunity of his times and the luminaries who inspired his talent-his teacher and business partner, Gemma Frisius; the English magus, John Dee; his benefactor, the Holy Roman Emperor Charles V, his cartographic collaborator, Abraham Ortelius. The World of Gerard Mercator is a masterful biography of one of the men most responsible for the modern world.
Almost extinguished by the Spanish Inquisition, genius cartographer Mercator revolutionized the study of geography. His "projection" was so visionary that it is still used by NASA to map Mars today.
Publisher Description
An enthralling biography of the man who created the first real map of the world and changed civilization Born at the dawn of the age of discovery, Gerhard Mercator lived in an era of formidable intellectual and scientific advances. At the center of these developments were the cartographers who painstakingly pieced together the evidence to create ever more accurate pictures of the planet. Mercator was the greatest of all of them-a poor farm boy who attended one of Europe's top universities, was persecuted and imprisoned by the Inquisition, but survived to coin the term "atlas" and to produce the so-called projection for which he is known. Devoutly religious, yet gripped by Aristotelian science, Mercator struggled to reconcile the two, a conflict mirrored by the growing clash in Europe between humanism and the Church. Mercator solved the dimensional riddle that had vexed cosmographers for so long: How could the three-dimensional globe be converted into a two-dimensional map while retaining true compass bearings? The projection revolutionized navigation and has become the most common worldview. Nicholas Crane-a fellow geographer-has combined a keen eye for historical detail with a gift for vivid storytelling to produce a masterful biography of the man who mapped the planet.
Cartographers have long grappled with the impossibility of portraying the earth in two dimensions. To solve this problem, mapmakers have created map projections. This work discusses and illustrates the known map projections from before 500BC to the present, with facts on their origins and use.
A New York Times Bestseller “Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause… rich and beautiful.” – Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. “A fascinating and panoramic new history of the cartographer’s art.” – The Guardian “The intellectual background to these images is conveyed with beguiling erudition…. There is nothing more subversive than a map.” – The Spectator “A mesmerizing and beautifully illustrated book.” —The Telegraph
In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality? The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.