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The early Cold War was a period of dramatic change. New superpowers emerged, the European powers were eclipsed, colonial empires tottered. Political leaders everywhere had to make immense adjustments. This volume explores their hopes and fears, their sense of their place in the world and of the constraints under which they laboured.
In recent years geographic mental maps have made a comeback into the spotlight of scholarly inquiry in the area of International Relations (IR), particularly Foreign Policy Analysis (FPA). The book is framed within the mental map research agenda. It seeks to contribute and expand the theoretical and empirical development and application of geographic mental maps as an analytical concept for international politics. More precisely, it presents a theoretical framework for understanding how mental maps are employed in foreign policy decision-making and highlights the mechanisms involved in their transformation. The theoretical framework presented in this book employs the latest conceptual and theoretical insight from numerous other scientific fields such as social psychology and organizational theory. In order to test the theoretical propositions outlined in the initial chapters, the book assesses how the Carter Administration’s changing mental maps impacted its Middle East policy. In other words, the book applies geographic mental maps as an analytical tool to explain the development of the Carter Doctrine. The book is particularly targeted at academics, students, and professionals involved in the fields of Human Geography, IR, Political Geography, and FPA. The book will also be of interest to individuals interested in Political Science more generally. While the book has is academic in nature, its qualitative and holistic approach is accessible to all readers interested in geography and international politics. Luis da Vinha, PhD, is Assistant Professor of Geography & Political Science at Valley City State University.
This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.
The young Helmut Schmidt and British-German relations, 1945-74 -- Harold Wilson, 1974-76 -- James Callaghan, 1976-79 -- Margaret Thatcher, 1979-82.
For over four decades, the Cold War superpowers endeavored mightily to "win hearts and minds" abroad through public diplomacy. Hearts, Minds, Voices explores how the non-European world responded to this media war by joining it, rejecting the Cold War in favor of forging an imagined community grounded in nonalignment, economic development, and racialized solidarity: the "Third World."
The history of an Indian vision for Asian peace, driven by the energy of Prime Minister Nehru and the pressures of the early Cold War.
This book offers a nuanced and detailed examination of two of the most important current debates about contemporary Russia's international activity: is Moscow acting strategically or opportunistically, and should this be understood in regional or global terms? The book addresses core themes of Russian activity – military, energy and economic - but it offers an unusual multi-disciplinary analysis to these themes. Monaghan incorporates both regional and thematic specialist expertise to give a fresh perspective to each of these core themes. Underpinned by detailed analyses of the revolution in Russian geospatial capabilities and the establishment of a strategic planning foundation, the book includes chapters on military and maritime strategies, energy security and economic diversification and influence. This serves to highlight the connections between military and economic interests that shape and drive Russian strategy.
Including extensive, balanced information, keen insights, and helpful research tools, this book provides a valuable resource for students or general readers interested in American policy, diplomacy, and conduct during the Cold War. The Cold War not only comprised the dominant theme in American foreign policy during the second half of the 20th century; its influence was also imbedded into American culture. The half-century duration of the Cold War was an extended learning period during which the United States found that it could no longer remain an isolationist nation in a complex, quickly evolving, and dangerous world. This book covers the entire scope of the Cold War, from its background and origins before and after World War II to the collapse of the Soviet Union on December 25, 1991, providing coverage of key events and concepts, such as the containment policy, McCarthyism, the Cuban Missile Crisis, the Vietnam War, détente, and nuclear arms policies. The single-volume work also provides an annotated bibliography, primary documents, and biographies of key personalities during the Cold War, such as John Foster Dulles, J. Edgar Hoover, George F. Kennan, Henry Kissinger, Edward R. Murrow, and Ronald Reagan.
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
While there is an growing body of work on space and place in many disciplines, less attention has been paid to how a spatial approach illuminates the societies and cultures of the past. Here, leading experts explore the uses of space in two respects: how space can be applied to the study of history, and how space was used at specific times.