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Whether the Menexenus is a genuine writing of Plato, or an imitation only, remains uncertain. In either case, the thoughts are partly borrowed from the Funeral Oration of Thucydides; and the fact that they are so, is not in favour of the genuineness of the work. Translated by Benjamin Jowett.
The AnnotatedWe represents the first fully annotated translation of Evgeny Zamiatin’s classic novel in English. Generally recognized as the first modern anti-utopian novel, Zamiatin’s We has puzzled scholars and critics alike, for it is both serious and playful, full of games. Long considered to be enigmatic, it stands out as unique among his works, and its importance is beyond doubt, for it not only holds the distinction of being the first work of its kind, but is also widely believed to have provided thematic elements for the two most famous dystopian works of the twentieth century, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. This new English translation employs language and syntax that mirror the precision and economy of Zamiatin’s Russian in his“poem in prose.” The commentary that accompanies the text sheds light on Zamiatin’s use of language as well as on the broad array of allusions that mark it, while at the same time suggesting many previously unacknowledged sources for the novel’s playfulness.
This text brings together for the first time two complete key works from classical antiquity on the politics of Athens: Plato's Menexenus and Pericles' funeral oration (from Thucydides' history of the Peloponnesian War).
Presented in the popular Cambridge Texts format are three early Platonic dialogues in a new English translation by Tom Griffith that combines elegance, accuracy, freshness and fluency. Together they offer strikingly varied examples of Plato's critical encounter with the culture and politics of fifth and fourth century Athens. Nowhere does he engage more sharply and vigorously with the presuppositions of democracy. The Gorgias is a long and impassioned confrontation between Socrates and a succession of increasingly heated interlocutors about political rhetoric as an instrument of political power. The short Menexenus contains a pastiche of celebratory public oratory, illustrating its self-delusions. In the Protagoras, another important contribution to moral and political philosophy in its own right, Socrates takes on leading intellectuals (the 'sophists') of the later fifth century BC and their pretensions to knowledge. The dialogues are introduced and annotated by Malcolm Schofield, a leading authority on ancient Greek political philosophy.
Presented in the popular Cambridge Texts format are three early Platonic dialogues in a new English translation by Tom Griffith that combines elegance, accuracy, freshness and fluency. Together they offer strikingly varied examples of Plato's critical encounter with the culture and politics of fifth and fourth century Athens. Nowhere does he engage more sharply and vigorously with the presuppositions of democracy. The Gorgias is a long and impassioned confrontation between Socrates and a succession of increasingly heated interlocutors about political rhetoric as an instrument of political power. The short Menexenus contains a pastiche of celebratory public oratory, illustrating its self-delusions. In the Protagoras, another important contribution to moral and political philosophy in its own right, Socrates takes on leading intellectuals (the 'sophists') of the later fifth century BC and their pretensions to knowledge. The dialogues are introduced and annotated by Malcolm Schofield, a leading authority on ancient Greek political philosophy.