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This is the third novel in what has become one of the most popular series in contemporary SF, now back in print from Tor. In the 24th century, the Company preserves works of art and extinct forms of life, for profit, of course. It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company, Dr. Zeus. One of these is Mendoza the botanist. The death of her lover has been followed by centuries of heartbreak. She spends a period of time in early twentieth century Hollywood in the days of D.W. Griffith, and then Mendoza is in the midst of the Civil War, and runs into a man that looks disturbingly similar to her lost love. She is about to find love again, and be in more trouble than she could ever have imagined. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the 24th century, Dr. Zeus, Inc. finds the secret to time travel, and immortals dedicated to the company's goal to "make money and improve the lot of humankind" dot Earth's history. The Botanist Mendoza is stranded in a stagecoach inn in the California desert destined to become Los Angeles when the mirror-image of her centuries-dead lover walks through the inn's door.
Trained by The Company as a botanist and rendered immortal, Mendoza is sent back amidst the turmoil of Renaissance England with the assignment to safeguard a species of holly that contains properties to cure cancer for future generations.
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
While a few select foreign filmmakers have been widely recognized for their contributions to Hollywood, scores more have gone largely unrecognized. Arranged alphabetically, this volume provides detailed information on the filmmakers and their films.
Mendoza is a Preserver for The Dr. Zeus Company, living in the past to collect species for the future. But when she kills six people in California in 1863, The Company makes her disappear. Joseph, a senior Preserver, loves Mendoza as the daughter he never had. Drunk on chocolate and fueled by rage, he's determined to find her however long it takes. Being an indestructible, immortal cyborg gives him an unlimited well of patience. What begins as a rescue mission uncovers a conspiracy stretching across fifty centuries of recorded history. Behind it lie genocide, graveyards filled with Company agents, and the roots of the ominous Silence that falls across the world in 2355. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the second novel of Mendoza's adventures, the 16th century girl is saved from the Spanish Inquisition only to be transformed into a 24th century cyborg (a partly artificial person). The time is now the 1860s, and Mendoza, who has never recovered from losing her lover to martyrdom in the 1540s, is in California being a botanist and living with other immortals. Suddenly a man who is her lover's exact double appears - an English spy intent on stealing California from the Americans while they are fighting their civil war.
Facilitator Joseph has outlasted entire civilizations during his twenty-thousand years of service to Dr. Zeus, the twenty-fourth century Company that created immortal operatives like him to preserve history and culture. The year is 1699 and Joseph is now in Alta California, to imitate an ancient Native-American Coyote god, and save the native Chumash from the white Europeans.He has the help of the Botanist Mendoza, who hasn't gotten over the death of her lover Nicholas, in Elizabethan England. Lately though, Joseph has started to have a few doubts about The Company. There are whispers about the year 2355, about operatives that suddenly go missing. Time is running out for Joseph, which is ironic considering he's immortal, but no one ever said that it was easy being a god. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Hollywood film directors are some of the world's most powerful storytellers, shaping the fantasies and aspirations of people around the globe. Since the 1960s, African Americans have increasingly joined their ranks, bringing fresh insights to movie characterizations, plots, and themes and depicting areas of African American culture that were previously absent from mainstream films. Today, black directors are making films in all popular genres, while inventing new ones to speak directly from and to the black experience. This book offers a first comprehensive look at the work of black directors in Hollywood, from pioneers such as Gordon Parks, Melvin Van Peebles, and Ossie Davis to current talents including Spike Lee, John Singleton, Kasi Lemmons, and Carl Franklin. Discussing 67 individuals and over 135 films, Melvin Donalson thoroughly explores how black directors' storytelling skills and film techniques have widened both the thematic focus and visual style of American cinema. Assessing the meanings and messages in their films, he convincingly demonstrates that black directors are balancing Hollywood's demand for box office success with artistic achievement and responsibility to ethnic, cultural, and gender issues.