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Men, Women, and Ghosts (1916) is a poetry collection by Amy Lowell. Published at the beginning of her career as an influential imagist devoted to classical poetic themes and forms, Men, Women, and Ghosts is an agile and promising work from a pioneering poet of the early twentieth century. In “Patterns,” the collection’s opening poem, Lowell displays an economy of language and clarity of vision that would define the imagist school, in which she would prove an essential figure: “I walk down garden paths, / And all the daffodils / Are blowing, and the bright blue squills. / [...] / I too am a rare / Pattern. As I wander down / The garden paths.” As the speaker of the poem laments the loss of her lover, she remarks: “the man who should loose me is dead, / Fighting with the Duke in Flanders, / In a pattern called a war. / Christ! What are patterns for?” As a poet indebted to tradition and yet interested in the prospect of a modern poetry, as a lesbian and bohemian figure from a prominent Boston family, Lowell was keenly aware of the dangers inherent to “patterns.” Her poems, unique and experimental, are an essential contribution to one of humanity’s oldest art forms. Men, Women, and Ghosts is a vibrant collection from an emerging poet who would come to define the imagist movement throughout her storied career. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Lowell’s Men, Women, and Ghosts is a classic work of American poetry reimagined for modern readers.
Reprint of the original, first published in 1869.
"Men, Women, and Ghosts" is a short story collection by Elizabeth Phelps that deals with primarily the supernatural but also a whole host of topics never publicly addressed at the time. Apart from a few stories such as ‘The Day of My Death’, the ghosts here aren’t the stereotypical clanking chains and wailing type, they’re beleaguered, frustrated souls who have suffered great hardship. "One of the Elect" reads like a changeling story, but gradually becomes a tale dealing with sentimentality and the pains of prostitution. One of the strongest tales is ‘Kentucky’s Ghost’, an old sailors tale of bullying and revenge at sea combined with a compelling and gripping narrative. Elizabeth Stuarts Phelps Ward (1844-1911) was one of the first feminist, American writers of the 19th century who vehemently opposed the traditional view of women in society. Much of her views are expressed in her novels, targeting the oppressive contemporary view of marriage and the family unit. Even her marriage to Herbert Ward, a journalist seventeen years her junior, was another act of rebellion against the status-quo. Her novels are primarily focused on the topics of religion and equality, mixing spiritualist themes with poignant social issues. She was a prolific author of more than 50 volumes of fiction, essays, and poetry. Phelps’ most popular works include "The Gates Ajar", "Trixy", "Men, Women, and Ghosts", and "The Silent Partner".
Reprint of the original, first published in 1869.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.