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Essay from the year 2012 in the subject Art - History of Art, grade: 1,3, University of Essex (Art History), course: Art in the USA, language: English, abstract: Abstract Expressionism is often referred to as the “most powerful original movement in the history of American art” , which dominated American painting from the end of World War II. In examining its styles and themes, this essay is going to illustrate why the movement is deemed a modern and American art practice. Consindering paintings of Jackson Pollock (1912-1956), Willem de Kooning (1904-1997), Mark Rothko (1903-1970) and Barnett Newman (1905-1970), specific attention will be drawn to issues of race and gender.
This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.
A Companion to Post-1945 America is an original collectionof 34 essays by key scholars on the history and historiography ofPost-1945 America. Covers society and culture, people and movements, politics andforeign policy Surveys and evaluates the best scholarship on every importantera and topic Includes book review section on essential readings
The Colors of Photography aims to provide a deeper understanding of what color is in the field of photography. Until today, color photography has marked the "here and now," while black and white photographs have been linked to our image of history and have formed our collective memory. However, such general dichotomies start to crumble when considering the aesthetic, cultural, and political complexity of color in photography. With essays by Charlotte Cotton, Bettina Gockel, Tanya Sheehan, Blake Stimson, Kim Timby, Kelley Wilder, Deborah Willis. Photographic contributions by Hans Danuser and Raymond Meier.
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide here.
"The first investigation of the role of how modernist objects were marketed by affirming buyers' racial and gender identities"--