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1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists! SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a walk on the wild side. But he doesn't count on getting behind Raheim's mask - and finding someone he can love. Praise for B-Boy Blues: "Hardy has successfully crafted the first gay hip hop love story. It sexily sizzles off the page." - E. Lynn Harris "Not since Terry McMillan's Disappearing Acts has it felt so good to be loved so bad. Grade: A-." - Entertainment Weekly "Hardy proves that Black love is just as dizzying and gratifying when boy meets boy." - Vibe "A masterpiece of both Black and gay literature." - Booklist Cover image: Alyxandria Fabrega @artbyalyx Cover models: Timothy Richardson & Thomas Mackie aka Mitchell & Raheim from @bboybluesthefilm (currently streaming on @betplus) Cover design: Tony Dobson @hallsongraphics
Things are definitely "jood" (better than good) for 15-year-old Raheim Errol Rivers, III. A senior at Brooklyn Technical High School, he's on track to become salutatorian of his graduating class. He's juggling early admissions offers from Yale, Harvard, and MIT. He's dating an "older woman": 19-year-old New York University sophomore Maxine "Max" Edgewood. But the chocolate icing on his yellow layer cake is his father, Raheim Errol Rivers, Jr., and godfather, Mitchell Crawford, reuniting after four years. Errol is ecstatic when Raheim moves back in with he, Mitchell, and Mitchell's five-year-old daughter, Destiny. But he soon discovers that making room for another Rivers man in their home is easier said than done.
At his ten-year high school class reunion, Mitchell Crawford confronts his first love, his gymnastics coach Warren Reid.
A wildly imaginative novel about a man who is reincarnated over ten thousand lifetimes to be with his one true love: Death herself. “Tales of gods and men akin to Neil Gaiman’s Sandman as penned by a kindred spirit of Douglas Adams.”—Kirkus Reviews (starred review) First we live. Then we die. And then . . . we get another try? Ten thousand tries, to be exact. Ten thousand lives to “get it right.” Answer all the Big Questions. Achieve Wisdom. And Become One with Everything. Milo has had 9,995 chances so far and has just five more lives to earn a place in the cosmic soul. If he doesn’t make the cut, oblivion awaits. But all Milo really wants is to fall forever into the arms of Death. Or Suzie, as he calls her. More than just Milo’s lover throughout his countless layovers in the Afterlife, Suzie is literally his reason for living—as he dives into one new existence after another, praying for the day he’ll never have to leave her side again. But Reincarnation Blues is more than a great love story: Every journey from cradle to grave offers Milo more pieces of the great cosmic puzzle—if only he can piece them together in time to finally understand what it means to be part of something bigger than infinity. As darkly enchanting as the works of Neil Gaiman and as wisely hilarious as Kurt Vonnegut’s, Michael Poore’s Reincarnation Blues is the story of everything that makes life profound, beautiful, absurd, and heartbreaking. Because it’s more than Milo and Suzie’s story. It’s your story, too. Praise for Reincarnation Blues “The most fun you’ll have reading about a man who has been killed by both catapult and car accident.”—NPR “This book made me laugh out loud. And then a page later, it made me sob. Reminiscent of Tom Robbins and Christopher Moore, Poore finds humor in the dark absurdities of life.”—Chicago Review of Books “Charming . . . surprisingly light and uplifting . . . It reads like a writer having fun.”—New York Journal of Books
Do men and monogamy mix? It's not a question Mitchell "Little Bit" Crawford gave much thought to until his beaufriend of almost two years, Raheim "Pooquie" Rivers, an All-American jeans model, heads to Hollywood to make his first feature film. As Mitchell soon discovers, the temptation to cheat is very real . . . and it seems to be everywhere. An ex even pops up hoping to pick up where they left -- and got -- off. While intrigued, Mitchell chalks all the attention up to "the married man" syndrome: one is much more desirable when he's attached to someone else. But as he continues to run into bisexual musician Montgomery "Montee" Simms, the look-but-don't-touch rule is put to the test. As he and Montee get closer, Mitchell's idealistic beliefs about commitment are challenged. Will he love the one he's with because he can't be with the one he loves?
This addition to the B-Boy Blues series about the developing love of Raheim Rivers and Mitchell Crawford shows how their relationship is tested by the specter of AIDS. Ribers' complacency is shattered when he learns that his idol Eazy-E has AIDS. Rivers gets tested and the narrative concerns the long waiting period until he learns his test result - a period when his own fear and the stigma of the disease push him towards conflicting decisions. The previous three books have sold well over 100,000 copies
This African American gay love story set in Brooklyn’s hip hop community is a “sexy, romantic soaper . . . sure to please present fans and garner more” (Booklist). In this final chapter in James Earl Hardy’s groundbreaking B-Boy Blues series, Mitchell “Little Bit” Crawford and Raheim “Pooquie” Rivers are all grown up. Mitchell is a stay-at-home dad renovating his dream house, writing, and raising his godson and half-sister in Brooklyn’s up-and-coming Fort Greene neighborhood. He’s fairly happy, but he can’t help feeling that something—or someone—is missing from his life. Fresh from rehab for a gambling addiction, Raheim has a new lease on life, but it’s precarious — his career as an actor has stalled, he hasn’t seen his son in years, and the short-lived sexual trysts that punctuated his life no longer satisfy him. Hell-bent on change, Raheim has finally figured out who he wants to be with forever. But will Mitchell give Raheim the second chance he so desperately wants? “A House Is Not A Home is so good you won’t want it?or the series?to end.” —E. Lynn Harris, New York Times best-selling author of What Becomes of the Brokenhearted “I have been a fan of his work from his very first novel.” —J.L. King, New York Times bestselling author of On the Down Low
This powerful book couldn’t come at a more timely juncture. With our deep misunderstanding of racial identity, the murder of transgender women increasing at an alarming rate, and the battle of faith and sexual orientation at churches across the country, we are in a cultural war of ideologies. Overwhelming prejudices have constricted our basic capacity for compassion and understanding. Live Through This is a collection of intimate essays about one man’s journey to self-acceptance when his faith, sexuality, and race battled with societal norms. These insightful writings will plant seeds of consideration and inspire readers to stretch beyond stereotypes. By reading stories about the demographics that live on the fringe of traditions, we gain a deeper awareness of our cultural climate and how we can improve it, starting with ourselves.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
In both the literal and metaphorical senses, it seemed as if 1970s America was running out of gas. The decade not only witnessed long lines at gas stations but a citizenry that had grown weary and disillusioned. High unemployment, runaway inflation, and the energy crisis, caused in part by U.S. dependence on Arab oil, characterized an increasingly bleak economic situation. As Edward D. Berkowitz demonstrates, the end of the postwar economic boom, Watergate, and defeat in Vietnam led to an unraveling of the national consensus. During the decade, ideas about the United States, how it should be governed, and how its economy should be managed changed dramatically. Berkowitz argues that the postwar faith in sweeping social programs and a global U.S. mission was replaced by a more skeptical attitude about government's ability to positively affect society. From Woody Allen to Watergate, from the decline of the steel industry to the rise of Bill Gates, and from Saturday Night Fever to the Sunday morning fervor of evangelical preachers, Berkowitz captures the history, tone, and spirit of the seventies. He explores the decade's major political events and movements, including the rise and fall of détente, congressional reform, changes in healthcare policies, and the hostage crisis in Iran. The seventies also gave birth to several social movements and the "rights revolution," in which women, gays and lesbians, and people with disabilities all successfully fought for greater legal and social recognition. At the same time, reaction to these social movements as well as the issue of abortion introduced a new facet into American political life-the rise of powerful, politically conservative religious organizations and activists. Berkowitz also considers important shifts in American popular culture, recounting the creative renaissance in American film as well as the birth of the Hollywood blockbuster. He discusses how television programs such as All in the Family and Charlie's Angels offered Americans both a reflection of and an escape from the problems gripping the country.