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For the first time ever, all three books in Joan Wolf's Dark Ages series are available in one ebook volume: The Road to Avalon Shimmering with pageantry, emotion and the court’s passionate intrigues, here is the epic story of Arthur—the conqueror, the once and future king, who vanquished the Saxons and loved but one woman, the beautiful Morgan of Avalon. She was the lover his country forbade him to wed but could never keep him from desiring. Held captive by deep feelings, the two dream of one future together…until fate sweeps them into a world where love is balanced on the knife’s edge of danger. Never before has the telling of the story of Arthur made the drama of this charismatic king more real or more moving. Here, a legend and a tale so vigorous with heroic deed and conflict, so glowing with wondrous love, are brought close enough for us to experience all the unforgettable emotions of Avalon…and all the magical moments of Camelot… Born of the Sun This compelling saga about a beautiful Celtic princess who gives her heart to a Saxon prince explodes with the passions of love and war. When the Saxon army, in its bloody charge against the Celts, captures the child-princess Niniane, they bring her to Cynric, King of the West Saxons. Enchanted by her innocence and beauty, he makes Niniane a favored prisoner. But she soon discovers that the King’s court abounds with tempestuous intrigues and tormented rivalries. And when the adulterous and envious Queen arranges for a duel between the King’s beloved illegitimate son and her own son, heir to the throne, intrigue turns to deadly peril. With this epic novel of the star-crossed passion that swept the Celts and Saxons to the brink of war—and two lovers to the edge of oblivion--Joan Wolf brilliantly brings alive a little-known but fascinating age. The Edge of Light There once was a king’s reign when England’s fate was forever decided, when the Danes swooped in to conquer, and one splendid ruler stood between savagery and a glorious new dawn. The Edge of Light is the magnificent tale of those faraway times, of that monarch, Alfred the Great, and of the woman he could not help but love… The beautiful Elswyth, Princess of Mercia, is a woman-child already promised to a lord of the realm. Young Prince Alfred, fifth son of King Ethelwulf of Wessex, never dreamed he would don the crown of Britain, though he was destined to become its greatest king. Two headstrong lovers vow to fight to change the world rather than forfeit their passion—in a grand and glorious saga that explodes with the passions of love and war.
First published in 1997. Most work in gender studies has focused on women. This volume brings together various forms of gender theory, especially feminist and queer theory, to explore how men made cultures and culture made men, in the Middle Ages.
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
Authors of the Middle Ages is a series designed for research and reference. The aim is to combine, in one compact work, a biography of a medieval author with all the information needed for further research. The series is divided into two sub-series. The first, edited by M.C. Seymour, focuses on EnglishWriters of the Late Middle Ages and the second, edited by Patrick Geary, deals with Historical and Religious Writers of the Latin West. William Caxton was the first English printer and publisher of printed books. He translated many books into English and by the prologues and epilogues added to many of his printed works he helped to establish literary tastes and fashions at the end of the medieval period. The life of Reginald Peacock, bishop, heretic and author, reflects the many controversies of 15th-century England. Drawing on many contemporary sources and based on fresh research. Wendy Scase offers a new interpretation of an enigmatic writer. Douglas Gray traces the lives of the two poets Robert Henryson and William Dunbar. Among the several distinguished poets of late-medieval Scotland. Henryson stands out for his humanity, learned wit and imaginitive power; while Dunbar was one of the most spectacular, flamboyant and versatile Scottish poets of the Middle Ages. This study gives an account of the little that is known of their lives and extensively details both their works and later scholarship. John Capgrave (1393-1464) was an Augustinian friar, Cambridge theologian, hagiographer and chronicler who became Prior Provincial of his order. His life, presented here in the light of fresh research and with full documentation, illuminates the importance of the order in the troubled times of mid 15th-century England.
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
In Sabine Baring-Gould's 'Curious Myths of the Middle Ages', the reader is taken on a captivating journey through medieval Europe, exploring and dissecting the curious myths and legends that shaped the beliefs and practices of the time. Baring-Gould's writing style is both informative and engaging, providing in-depth analysis of each myth while maintaining a sense of scholarly detachment. The book is a valuable resource for those interested in folklore, religion, and medieval history, offering a glimpse into the mindset of people from a bygone era. Baring-Gould's attention to detail and meticulous research are evident in every page, making this book a must-read for anyone curious about the cultural landscape of the Middle Ages. Sabine Baring-Gould, a respected British scholar and clergyman, drew upon his extensive knowledge of history and mythology to compile this comprehensive study of medieval myths. His background in theology and literature gave him a unique perspective on the subject, allowing him to explore the myths from both a religious and literary standpoint. Baring-Gould's passion for uncovering the truth behind these myths is palpable throughout the book, making it a compelling read for scholars and enthusiasts alike. I highly recommend 'Curious Myths of the Middle Ages' to anyone interested in delving deep into the fascinating world of medieval folklore. Baring-Gould's meticulous research and insightful analysis make this book a valuable addition to any library, offering a glimpse into the beliefs and superstitions that shaped the medieval mindset.