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"Everywhere we turn, women are challenging men's power and men are rethinking what it means to be men. But why is it that so many men feel powerless and alienated despite the social, economic and personal power that seems to be their birthright? In Cracking the Armour, Michael Kaufman weaves a rich and colourful narrative of men's experiences with sexuality, pornography, violence, fatherhood, families, and friendships. He gives an account of men's aspirations, obsessions, and concerns that is sometimes funny, often provocative, and always honest and direct. In the process, he helps us understand what is harmful to men and oppressive to women about our current notions of masculinity, and to reclaim the possibilities and joys so many men have buried in the quest for an armour-plated manhood."--Author's website.
Despite the profusion of knightly effigies created between c. 1240 and c. 1330 for tombs throughout the British Isles, these commemorative figures are relatively unknown to art historians and medievalists. Until now, their rich visual impact and significance has been relatively unexplored by scholars. In this study, Rachel Dressler examines this category of sculpture, illustrating how English military figures employ a visual language of pose, costume, and attributes to construct a masculine ideal that privileges fighting prowess, elite status, and sexual virility. Like military figures on the Continent, English effigies represent knights wearing chain mail and surcoats, and bearing shields and swords; unique to the British examples, however, is the display of an aggressive sword handling pose and dynamically crossed legs. Outwardly hyper masculine, the carved figures partake in artistic subterfuge: the lives of those memorialized did not always match proffered images, testifying to the changing function of the knight in England during the thirteenth and early fourteenth centuries. This study traces the development of English military figures, and analyzes in detail three fourteenth-century examples-those commemorating Robert I De Vere in Hatfield Broad Oak (Essex), Richard Gyvernay at Limington (Somerset), and Henry Allard in Winchelsea (Sussex). Similar in appearance, these three sculptures represent persons of distinctly different social levels: De Vere belonged to the highest aristocratic rank, where Gyvernay was a lesser county knight, and Allard was from a merchant family, raising questions about his knightly standing. Ultimately, Dressler's analysis of English knight effigies demonstrates that the masculine warrior during the late Middle Ages was frequently a constructed ideal rather than a lived experience.
Putting on the Armor is an excellent 7-session study for new and growing believers seeking practical application of personal spiritual disciplines in order to defeat the enemy in times of temptation.
The devil is afraid of unified individuals, united generations, and Kingdom advancement. In the last days, Scripture reveals that there will be a great generational synergy: fathers and sons, mothers and daughters–multiple generations coming together to see the Kingdom of God advanced and the powers of darkness destroyed! For this...
Achilles is a legendary hero and commander of the Myrmidon army, but a leader is defined by those who follow him. What manner of men fought beside Achilles in the crucible of war? Stelios, lifelong friend of Achilles, is summoned upon his death to Mount Olympus to share with the gods what fire guides the hearts of mortals. Stelios recounts his past—his liberation as a boy at the hands of the Myrmidons, his induction into their ranks, and the life-changing lessons they instilled within him. He trains and grows alongside Achilles, and watches as the meek boy he knew in his youth transforms into a relentless warrior. They become brothers, these men in black armor, defined by their decision to carry the most brutal burdens. In time, as violence scars their shields and bodies, they learn that the morals and creeds they were raised upon have begun to fracture. As Stelios grapples with the futility of a life lived only for war, he seeks solace in his wife and a young boy he rescues and takes in as his own—a boy who will one day face his own mysterious destiny. As the darkness in the Myrmidons deepens, Stelios battles to protect those he loves, even if they stand against him. In the pursuit of peace, Stelios must sacrifice everything.
On a flight across the Pacific Ocean, I suddenly heard the Lord say, "I want to talk with you about the armor of God." What I heard next from Holy Spirit was something I had never thought or heard before. "Since the letter to the Ephesians is a corporate book to the church in Ephesus, why is the armor always taught as for individuals? Should it not be understood for the corporate body as well?" Now that got my attention! For the last several years, I have meditated, prayed, studied, researched, inquired, pondered and waited to get clear direction and confirmation that this was a valid and needful revelation. The first time I taught this in our local kingdom center, something amazing happened. The corporate armor was activated and we moved into a new place of enjoying the corporate protection of the Lord as a body and as individuals. Let me share this with you!
“A battle manual for every Christian.” —Sinclair B. Ferguson The Christian life is a battle. We are in a daily struggle against the world, sin, and Satan. But God didn’t leave us to fend for ourselves. He gave us his own armor—armor that Jesus has already worn on our behalf all the way to the cross. The same power that raised Christ from the dead is now at work inside of us. This book unpacks each of the pieces of spiritual armor Paul describes in Ephesians 6, inviting us to take up the armor each day, all while resting in the finished victory of Christ and the assurance that our strength for the battle comes from him.
Collects X-Men: God Loves, Man Kills Extended Cut (2020) #1-2; God Loves, Man Kills Variants. In 1982, writer Chris Claremont was in the midst of his legendary run on UNCANNY X-MEN, changing the comics landscape forever and creating a new standard for super hero fiction! With a wealth of ideas, Claremont wasn’t contained to the main title alone, and he joined forces with industry giant Brent Anderson for a graphic novel titled God Loves, Man Kills. This groundbreaking story saw the X-Men teaming up with their most bitter enemy, Magneto, against an adversary threatening all of mutantkind in the name of God. Now, Marvel proudly presents this all-new edition of one of Marvel’s finest ever tales — complete with a new framing sequence by the original creators and a gallery of celebratory variant covers by Marcos Martin!