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"[W]e can't come off as a bunch of angry white men.” Robert Bennett, chairman of the Ohio Republican Party One of the enduring legacies of the 2012 Presidential campaign was the demise of the white American male voter as a dominant force in the political landscape. On election night, after Obama was announced the winner, a distressed Bill O'Reilly lamented that he didn't live in “a traditional America anymore.” He was joined by others who bellowed their grief on the talk radio airwaves, the traditional redoubt of angry white men. Why were they so angry? Sociologist Michael Kimmel, one of the leading writers on men and masculinity in the world today, has spent hundreds of hours in the company of America's angry white men – from white supremacists to men's rights activists to young students –in pursuit of an answer. Angry White Men presents a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social and political shifts that have so transformed the American landscape. Downward mobility, increased racial and gender equality, and a tenacious clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. Angry White Men discusses, among others, the sons of small town America, scarred by underemployment and wage stagnation. When America's white men feel they've lived their lives the ‘right' way – worked hard and stayed out of trouble – and still do not get economic rewards, then they have to blame somebody else. Even more terrifying is the phenomenon of angry young boys. School shootings in the United States are not just the work of “misguided youth” or “troubled teens”—they're all committed by boys. These alienated young men are transformed into mass murderers by a sense that using violence against others is their right. The future of America is more inclusive and diverse. The choice for angry white men is not whether or not they can stem the tide of history: they cannot. Their choice is whether or not they will be dragged kicking and screaming into that inevitable future, or whether they will walk openly and honorably – far happier and healthier incidentally – alongside those they've spent so long trying to exclude.
The inside story of one of the world's most successful political parties-the ruling People's Action Party of Singapore. Riveting account of political developments from PAP's inception in 1954 to the present day . Concise text written by experienced journalists. E xtensively and carefully researched over five years and with over 300 interviews with key players and PAP legislative assemblymen who defected. Men in Whiteis the inside story of one of the world's most successful political parties-the ruling People's Action Party of Singapore. With its victory in the 2006 polls, PAP has won 12 successive general elections since it assumed power in 1959. Narrated in three parts, it chronicles the rise, fall, capture, split and rise of a political party which has become synonymous with the spellbinding success of Singapore, and delves into the reasons for its track record and longevity. Part Onetells how Lee Kuan Yew and his anglicised associates collaborated with radical Chinese-speaking trade unionist to form a small left-wing party in 1954 to drive out the British colonialists and how they fell out over the issue of merger with Malaya. Part Twocaptures the agonies of leadership self-renewal. Part Threewraps up the PAP story by tracing the origins and discussing some of the key principles that characterised Singapore governance.
A Times Higher Education Book of the Week A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims—from Ovid’s Ars Amatoria to Seneca and Marcus Aurelius—arguing that they articulate a model of masculinity that sustained generations but is now under siege. Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online. “A chilling account of trolling, misogyny, racism, and bad history proliferated online by the Alt-Right... Zuckerberg makes a persuasive case for why we need a new, more critical, and less comfortable relationship between the ancient and modern worlds in this important and very timely book.” —Emily Wilson, translator of The Odyssey “Explores how ideas about Ancient Greece and Rome are used and misused by antifeminist thinkers today.” —Time “Zuckerberg presciently analyzes these communities’...embrace of stoicism as a self-help tool to gain confidence, jobs, and girlfriends. Their adoration of men like Marcus Aurelius, Epictetus, and Ovid...is founded in a limited and distorted interpretation of ancient philosophy...lending heft and authority to sexism and abuse.” —The Nation “Traces the application—and misapplication—of classical authors and texts in online communities that see feminism as a threat.” —Bitch Media
From the author of the smash hit #1 New York Times bestseller So You Want to Talk About Race, an "illuminating" (New York Times Book Review) history of white male identity in America What happens to a country that tells generations of white men that they deserve power? What happens when their identity is defined by status over women and people of color? Through the last 150 years of American history, Ijeoma Oluo exposes the devastating consequences of white male supremacy. She then envisions a new white male identity, one free from racism and sexism. Now with a new preface addressing the harrowing 2021 Capitol attack, Mediocre confronts our founding myths, in hopes that we will write better stories for future generations.
'You watch, drifting, surrounded by the thing. It's like living underwater.' Men in White describes the experience of living with cricket in a country consumed by the game. Mukul Kesavan is keen on cricket in a non-playing way. With a top score of 14 in neighbourhood cricket and a lively distaste for fast bowling, his credentials for writing about the game are founded on the assumption that distance brings perspective. The book recalls the 'Pandara Park' cricket of Kesavan's childhood, examines the current health of Test cricket, the problem of chucking, the growing influence of technology on the game and, as he puts it, the wickedness of the ICC. In-between, he profiles his cricketing heroes and denounces modern cricket's villains. First published in 2007, this updated edition includes a profile of M.S. Dhoni, 'India's first adult captain since Pataudi', a celebration of the freakishly talented Muttiah Muralitharan and a chronicle of the 'Symonds Affair' which revealed more about the racism of the Indian fan than we wanted to acknowledge. Written with a novelist's talent for making things vivid and a fan's unwinking commitment to his team, Men in White is an indispensable book for cricket lovers everywhere.
FINALIST, GOVERNOR GENERAL'S LITERARY AWARD FOR DRAMA In the latest play from Governor General's Literary Award finalist Anosh Irani, we meet eighteen-year-old Hasan Siddiqui, who lives in a bustling Muslim quarter of Bombay. He escapes the drudgery of his work at a chicken slaughterhouse by fostering two fervent dreams -- to become a star in cricket, a sport at which he happens to excel, and to win the affections of Haseena, a fiercely intelligent young woman two years his junior. When it comes to her, however, he is not so proficient, and Hasan's close-to-nonexistent prospects -- along with the rather unfortunate setting of their budding romance, Baba's Chicken Centre -- make advancing either cause look impossible. Half a world away in Vancouver, Hasan's older brother, Abdul, has been working under the table at an Indian restaurant, attempting to set down roots with the hope of one day reuniting with his brother. For Abdul the immigrant dream shows little sign of materializing, but he finds solace in his amateur cricket team. When he and the team's captain decide to take action to end their losing streak, they talk of recruiting the talented Hasan for the rest of the season. But bringing Hasan from India to Canada will take much more than just a plane ticket, and rising tensions demonstrate that not all members of the team agree with the high cost. Alternating between Bombay and Vancouver and exploring urgent themes surrounding the complexities of the modern immigrant experience, Islamophobia, and racial violence, The Men in White is by turns disarming, hilarious, and brutally poignant -- the masterful playwright and novelist Anosh Irani at his finest.
Extra-Ordinary Men analyzes popular cinematic representations of white heterosexual masculinity as the 'ordinary' form of male identity, one that enjoys considerable economic, social, political, and representational strength. Nicola Rehling argues that while this normative position affords white heterosexual masculinity ideological and political dominance, such 'ordinariness' also engenders the anxiety that it is a depthless, vacuous, and unstable identity. At a time when the neutrality of white heterosexual masculinity has been challenged by identity politics, this insightful volume offers lucid accounts of contemporary theoretical debates on masculinity in popular cinema, and explores the strategies deployed in popular films to reassert white heterosexual male hegemony through detailed readings of films as diverse as Fight Club, Boys Don't Cry, and The Matrix. Accessible to undergraduates, but also of interest to film scholars, the book makes a distinctive contribution to our understanding of the ways in which popular film helps construct and maintain many unexamined assumptions about masculinity, gender, race, and sexuality.
A study of post-Vietnam American literature and culture focusing on narratives of bodily trauma evident in a wide range of texts by and about other white men.
Men in White Coats: Treatment under Coercion provides readers with a thought-provoking look into the involuntary treatment of mentally ill patients in psychiatric practice.
Zack Baker is down to his last chance and the only person who can help him is Samantha Kenady, owner of the L/C Ranch. He's hoping to use his good looks and charm to convince her to let him finish the zoological study he needs to complete his Ph.D. He needs to get the permission of Ms. Kenady because her land is one of the few places where the foxes he's studying live. He'll do whatever it takes to finish his thesis. Things get off to a rocky start when he has a run-in with a cowboy—except it's not a cowboy. It's a cowgirl—Sam. Scarred by an attack that happened when she was a teenager, Sam finds a measure of redemption in taking in cast-offs and strays. She may not be able to erase her own past, but she can help others start over. Sam runs her ranch with an iron hand. Her rules are nonnegotiable, and rule #1 is no men. But some rules can be bent—and others can be broken. Does Sam dare risk it all on a wannabe cowboy, or will their attraction cause everything she's worked so hard to protect to go up in smoke?