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A powerful, funny, and wise debut from a writer Esquire praises as “the second coming of Denis Johnson.” In this widely acclaimed story collection, Jim Gavin delivers a hilarious and panoramic vision of California, in which a number of down-on-their-luck men, from young dreamers to old vets, make valiant forays into middle-class respectability. Each of the men in Gavin’s stories is stuck somewhere in the middle, caught halfway between his dreams and the often crushing reality of his life. A work of profound humanity that pairs moments of high comedy with searing truths about life’s missed opportunities, Middle Men brings to life unforgettable characters as they learn what it means to love and work and exist in the world as a man. Hailed as a “modern-day Dubliners” (Time Out ) and “reminiscent of Tom Perotta’s best work” (The Boston Globe), this stellar debut has the Los Angeles Review of Books raving, “Middle Men deserves its hype and demonstrates a top-shelf talent. . . . A brilliant sense of humor animates each story and creates a state of near-continuous reading pleasure.”
This volume studies local priests as central players in small communities of early medieval Europe. As clerics living among the laity, priests played a double role within their communities: that of local representatives of the Church and religious experts, and that of owners of land and other goods. By virtue of their membership of both the ecclesiastical and the secular world, they can be considered as ‘men in the middle’: people who brought politico-religious ideas and ideals to secular communities, and who linked the local to the supra-local via networks of landownerhsip. This book addresses both roles that local priests played by approaching them via their manuscripts, and via the charters that record transactions in which they were involved. Manuscripts once owned by local priests bear witness to their education and expertise, but also indicate how, for instance, ideals of the Carolingian reforms reached the lowest levels of early medieval society. The case-studies of collections of charters, on the other hand, show priests as active members of networks of the locally powerful in a variety of European regions. Notwithstanding many local variations, the contributions to this volume show that local priests as ‘men in the middle’ are a phenomenon shared by the early medieval world as a whole.
While the 1950s have been popularly portrayed-on television and in the movies and literature-as a conformist and conservative age, the decade is better understood as a revolutionary time for politics, economy, mass media, and family life. Magazines, films, newspapers, and television of the day scrutinized every aspect of this changing society, paying special attention to the lifestyles of the middle-class men and their families who were moving to the suburbs newly springing up outside American cities. Much of this attention focused on issues of masculinity, both to enforce accepted ideas and to understand serious departures from the norm. Neither a period of "male crisis" nor yet a time of free experimentation, the decade was marked by contradiction and a wide spectrum of role models. This was, in short, the age of Tennessee Williams as well as John Wayne. In Men in the Middle, James Gilbert uncovers a fascinating and extensive body of literature that confronts the problems and possibilities of expressing masculinity in the 1950s. Drawing on the biographies of men who explored manhood either in their writings or in their public personas, Gilbert examines the stories of several of the most important figures of the day-revivalist Billy Graham, playwright Tennessee Williams, sociologist David Riesman, sex researcher Alfred Kinsey, Playboy literary editor Auguste Comte Spectorsky, and TV-sitcom dad Ozzie Nelson-and allows us to see beyond the inherited stereotypes of the time. Each of these stories, in Gilbert's hands, adds crucial dimensions to our understanding of masculinity the 1950s. No longer will this era be seen solely in terms of the conformist man in the gray flannel suit or the Marlboro Man.
So your husband/boyfriend/partner (delete as necessary) has just tipped over 35/40/45/50 (delete as necessary) and you can see that he's not quite as keen on Emmerdale as he once was. He's started to dress with his jeans hoiked too high like his hero Jeremy Clarkson and he's bought a home gym - the one recommended by George Clooney. Then there are those Harley Davison brochures delivered in brown envelopes. You've noticed he's started pulling in his beer gut when he's talks to his teenage secretary. And why have his grey sideburns turned that browny black? That's a sure sign of hair dye. And then you stumble into the bathroom in the morning and he's got his hands in a jar of your face cream. LADIES BEWARE! That dangerous age has arrived. It's the male menopause. The mid-life crisis. The time when suddenly you find your partner has put a whole Scalextrix track in your attic without you noticing. He's bought an electric guitar and insists on playing 'Smoke On The Water 'to the cat at all hours. It that time when no matter what you say they suddenly don't mind making a fools of themselves. They come home almost every week with a new enthusiasm. Dangerous Men don't just cook - they COOK. With truffles, that cost £210 for one the size of a wrinkled scrotum, and have to be from the right region of France. And they must be served with a side order of blowfish, because you saw that in a James Bond DVD that came free with the Mail on Sunday.
Since the mid-1970s men's studies, and gender studies has earned its place in scholarship. What's often missing from such studies, however, is the insight that the concept of gender in general, and that of masculinity in particular, can be understood only in relation to individual societies, examined at specific historical and cultural moments. An application of this insight, "Medieval Masculinities" is the first full-length collection to explore the issues of men's studies and contemporary theories of gender within the context of the Middle Ages. Interdisciplinary and multicultural, the essays range from matrimony in medieval Italy to bachelorhood in "Renaissance Venice", from friars and saints to the male animal in the fables of Marie de France, from manhood in "Sir Gawain and the Green Knight", "Beowulf" and the "Roman d'Eneas" to men as "other", whether Muslim or Jew, in medieval Castilian Epic and Ballad. The authors are especially concerned with cultural manifestations of masculinity that transcend this particular historical period - idealized gender roles, political and economic factors in structuring social institutions, and the impact of masculinist ideology in fostering and maintaining power. Together, these essays constitute an important reassessment of traditional assumptions within medieval studies, as well as a major contribution to the evolving study of gender.
The literature of chivalry and of courtly love has left an indelible impression on western ideas. What is less clear is how far the contemporary warrior aristocracy took this literature to heart and how far its ideals had influence in practice, especially in war. These are questions that Maurice Keen is uniquely qualified to answer. This book is a collection of Maurice Keen's articles and deals with both the ideas of chivalry and the reality of warfare. He discusses brotherhood-in-arms, courtly love, crusades, heraldry, knighthood, the law of arms, tournaments and the nature of nobility, as well as describing the actual brutality of medieval warfare and the lure of plunder. While the standards set by chivalric codes undoubtedly had a real, if intangible, influence on the behaviour of contemporaries, chivalry's idealisation of the knight errant also enhanced the attraction of war, endorsing its horrors with a veneer of acceptability.
Essays offering new approaches to the changing forms of medieval religious masculinity.