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Introduction: "i don't have one way to be"--Masculinities in space : thugs, rednecks, and faggy men -- One is not born a man : social recognition and situated gendered knowledges -- "Strong when i need to be, soft when i need to be" : situated emotional control and masculinities -- Geography of violence : spatial fears and the reproduction of inequality -- Institutional contexts of violence : heterosexism and cissexism in everyday spaces -- Conclusion: contemporary masculinities and transgender politics -- Acknowledgments -- Appendix A: Interviewee demographics -- Appendix B: A note on methodology -- Notes
Named One of the Top 20 Books of 2009 by Cleveland Plain Dealer Medical school taught John Rich how to deal with physical trauma in a big city hospital but not with the disturbing fact that young black men were daily shot, stabbed, and beaten. This is Rich's account of his personal search to find sense in the juxtaposition of his life and theirs. Young black men in cities are overwhelmingly the victims—and perpetrators—of violent crime in the United States. Troubled by this tragedy—and by his medical colleagues' apparent numbness in the face of it—Rich, a black man who grew up in relative safety and comfort, reached out to many of these young crime victims to learn why they lived in a seemingly endless cycle of violence and how it affected them. The stories they told him are unsettling—and revealing about the reality of life in American cities. Mixing his own perspective with their seldom-heard voices, Rich relates the stories of young black men whose lives were violently disrupted—and of their struggles to heal and remain safe in an environment that both denied their trauma and blamed them for their injuries. He tells us of people such as Roy, a former drug dealer who fought to turn his life around and found himself torn between the ease of returning to the familiarity of life on the violent streets of Boston and the tenuous promise of accepting a new, less dangerous one. Rich's poignant portrait humanizes young black men and illustrates the complexity of a situation that defies easy answers and solutions.
Fifteen years ago, Gloria Naylor burst onto the American literary scene with The Women of Brewster Place. Now she has focused her attention on the other side of the story - the men of Brewster Place. Like the women, they are committed to one another and to their community. Ben, who died in the first Brewster Place novel, is resurrected to narrate the tales of seven men and the women who love them. The complexity of their personal issues and how they are resolved leaves the reader with renewed hope and optimism.
In this rich, surprising portrait of the world of lesbian and gay relationships, Christopher Carrington unveils the complex and artful ways that gay people create and maintain both homes and "chosen" families for themselves. "Carefully separating stereotype from reality, Carrington investigates family in the gay and lesbian community. Relying upon interviews and observation, the author analyzes the loves and routings of 52 diverse lesbian, gay, and bisexual couples in the Bay area. . . . [He] closes the work with a discussion of the raging same-sex marriage debate and posits an enlightened solution to this dilemma." —Library Journal
Essential reading for our times, as women are pulling together to demand their rights— A landmark portrait of women, men, and power in a transformed world. “Anchored by data and aromatized by anecdotes, [Rosin] concludes that women are gaining the upper hand." –The Washington Post Men have been the dominant sex since, well, the dawn of mankind. But Hanna Rosin was the first to notice that this long-held truth is, astonishingly, no longer true. Today, by almost every measure, women are no longer gaining on men: They have pulled decisively ahead. And “the end of men”—the title of Rosin’s Atlantic cover story on the subject—has entered the lexicon as dramatically as Betty Friedan’s “feminine mystique,” Simone de Beauvoir’s “second sex,” Susan Faludi’s “backlash,” and Naomi Wolf’s “beauty myth” once did. In this landmark book, Rosin reveals how our current state of affairs is radically shifting the power dynamics between men and women at every level of society, with profound implications for marriage, sex, children, work, and more. With wide-ranging curiosity and insight unhampered by assumptions or ideology, Rosin shows how the radically different ways men and women today earn, learn, spend, couple up—even kill—has turned the big picture upside down. And in The End of Men she helps us see how, regardless of gender, we can adapt to the new reality and channel it for a better future.
“This remarkable book is a testament to human perseverance, both personal and professional. It’s also a testament to the healing powers of America’s wild places. Above all, it’s a call to live life on your terms and to savor every bit of it.” —Slaton L. White, Field & Stream contributing editor What’s it like being the only woman in the woods? As a young girl, Kris Millgate was afraid of everything and everyone, but especially strangers with beards. She grew up hiking Utah’s Wasatch Mountains with her father—endless wanders through peppercorn speckled granite crawling up one canyon and red-brown blend spilling down another. Every trek was a lesson in endurance and persistence, two traits that have propelled her journey as a trailblazing wildlife journalist both behind the desk and in the field. Through her career as a voice for the outdoors, she spent countless days in the uncomfortable, challenging—and at times, unbearable—wilderness, learning to overcome all that had held her back. In her memoir, Millgate offers an authoritative and balanced look at history-making environmental stories while lending emotional insight into an industry dominated by men in a time when the shift toward outdoor exploration for all is catching fire. My Place Among Men is the story of how one young woman, brought up in the schoolhouse of the wild, becomes an ultimate force to be reckoned with—a mother, a wife, a journalist whose work leads her to the ultimate discovery: finding her place among men is truly about finding her place in the wild.
What has it meant to be a man in Canada? Alexander Ross, fur trader; Percy Nobbs, architect, fisherman, fencer; Andy Paull, residential school survivor and athlete; Yves Charbonneau, jazz musician and commune member; “James,” black and gay in postwar Windsor. Who were these men, and how did they identify as masculine? Populated with figures both well known and unknown, Making Men, Making History frames masculinity as a socially and historically constructed category of identity, susceptible to variation across time, place, and social context. This examination of historical Canadian masculinities reveals the dissonance between hegemonic ideals of manhood and masculinity and the everyday lives of men and boys. The volume showcases some of the best new work in masculinity studies. With an introduction that contextualizes the international origins of the field, Making Men, Making History is the first book to explore these themes entirely in Canadian historica settings.
The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon
The Unequal Homeless explores the persistence, as opposed to the occurrence, of homelessness. With this focus, which is absent in most of the contemporary homelessness literature, the author shows how cultural expressions of beliefs about gender difference help to perpetuate the homelessness of particular groups of people in New York City. The people who are persistently homeless in New York are, overwhelmingly, black men. The reason, Passaro contends, is that homelessness is not simply an economic predicament, but a cultural and moral location as well.
From New York Times bestselling author, feminist pioneer, and cultural icon bell hooks, a timelessly necessary treatise on how patriarchy and toxic masculinity hurts us all, with a new introduction by poet Ross Gay. Feminist writing did not tell us about the deep inner misery of men. Everyone needs to love and be loved—including men. But to know love, men must be able to look at the ways in which patriarchal culture keeps them from understanding themselves. In The Will to Change, bell hooks provides a compassionate guide for men of all ages and identities to understand how to be in touch with their feelings, and how to express versus repress the emotions that are a fundamental part of who we are. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. The Will to Change “creates space for men to acknowledge their traumas and heal—not only for their sake, but for the sake of everyone in their lives” (BuzzFeed).