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Collection of essays which present portraits of individuals ranging from Rosa Luxemburg to Pope John XXIII who the author believes have illuminated "dark times."
The architectural historian and critic Kenneth Frampton 'never recovered' from the force of Hannah Arendt's teaching at The New School in New York. The philosopher Richard J. Bernstein considers her the most perceptive political theorist and observer of 'dark times' (a concept which, drawing from Brecht, she made her own). Building on the revival of interest in Hannah Arendt, and on the increasing turn in design towards the expanded field of the social, this unique book uses insights and quotations drawn from Arendt's major writings (The Human Condition; The Origins of Totalitarianism, Men in Dark Times) to assemble a new kind of lexicon for politics, designing and acting today. Taking 56 terms – from Action, Beginnings and Creativity through Mortality, Natality, and Play to Superfluity, Technology and Violence – and inviting designers and scholars of design world-wide to contribute, Designing in Dark Times: An Arendtian Lexicon, offers up an extraordinary range of short essays that use moments and quotations from Arendt's thought as the starting points for reflection on how these terms can be conceived for contemporary design and political praxis. Neither simply dictionary nor glossary, the lexicon brings together designing and political philosophy to begin to create a new language for acting and designing against dark times.
Hannah Arendt is one of the most important political theorists of the 20th century. This book focuses on how, against the professionalized discourses of theory, Arendt insists on the greater political importance of the ordinary activity of thinking.
Through a series of penetrating conversations originally published in the New York Times and the Los Angeles Review of Books, Brad Evans and Natasha Lennard talk with a wide range of cutting edge thinkers--including Oliver Stone, Simon Critchley, and Elaine Scarry--to explore the problem of violence in everyday life, politics, culture, media, language, memory, and the environment. "To bring out the best of us," writes Evans, "we have to confront the worst of what humans are capable of doing to one another. In short, there is a need to confront the intolerable realities of violence in this world." These lively, in-depth exchanges among historians, theorists, and artists offer a timely and bracing look at how the increasing expression and acceptance of violence--in all strata of society--has become a defining feature of our times. "Many of us live today with a pervasive sense of unease, worried that our own safety is at risk, or that of our loved ones, or that of people whose bad circumstances appear to us through networked media. Violence feels ever-present. Natasha Lennard and Brad Evans help us to analyze those feelings, talking with a wide range of thinkers in order to gain insight into the worst of what humans do, and challenging us to imagine a world in which violence is no longer a given. Their book is full of surprising insights and intelligent compassion."--Sarah Leonard, co-editor of The Future We Want: Radical Ideas for the New Century "In Violence, Brad Evans and Natasha Lennard have created, alongside their interview subjects, a kaleidoscopic exploration of the concept of violence, in terrains expected and not, in prose taut and unexpectedly gorgeous. Their philosophical rigor provides the reader with an intellectual arsenal against the violence of the current moment."--Molly Crabapple, author of Drawing Blood "We would be wise to read this collection with a similar eye toward service, and in so doing, open ourselves up to the rare mercy of no longer having to stand on our own."--Alana Massey, author of All The Lives I Want "The range of interviews with leading academics, to filmmakers and artists, is impressive, at once immediate and relevant, but also profoundly philosophical. More essentially, though, the conversations underline the need and suggest ways to resist and organize in a visionary way, in the extraordinary times we live in."--Razia Iqbal, BBC News "Notable contemporary thinkers and creators give their individual perspectives in this compelling look at violence. . . . A provocative volume that challenges humanity to correct its runaway course toward an increasingly violent future by learning from its violent past."--Kirkus Reviews "The purpose of the work is to challenge humanity to create more meaningful solutions when it comes to these kinds of violence--or at least to name violence without inadvertently inciting even more anger. . . . passion roars through every chapter . . . This book delivers on what it promises, which is an achievement. "--Alison Gately, The Los Angeles Review of Books "If you wish to read the intellectualization of violence, Violence is a phenomenal anthology. . . . Brad Evans and Natasha Lennard, the interviewers and the 'authors' of the anthology, have done a remarkable job in bringing together perceptive and intelligent contributors from various fields to scout the reaches of violence. Their piercing questions brought out brilliant responses from the interviewees."--L. Ali Khan, New York Journal of Books "Violence: Humans in Dark Times is an intriguing beginning to a much-needed sustained intellectual and aesthetic response to the horrors of modern times."—Zoe Vorsino
Over 130,000 Irishmen and women served during the Second World War despite Ireland's neutrality. Seven thousand five hundred never returned. Illustrated with over 130 photographs and memorabilia, Dark Times, Decent Men gathers dramatic first-hand stories from Irishmen who went to war:
BETWEEN 1933 AND 1945 MEMBERS OF THREE GROUPS—THE Nazi fascists, Inner Emigration, and Exiles—fought with equal fervor over who could definitively claim to represent the authentically “great German culture,” as it was culture that imparted real value to both the state and the individual. But when authorities made pronouncements about “culture” were they really talking about high art? This book analyzes the highly complex interconnections among the cultural-political concepts of these various ideological groups and asks why the most artistically ambitious art forms were viewed as politically important by all cultured (or even semi-cultured) Germans in the period from 1933 to 1945, with their ownership the object of a bitter struggle between key figures in the Nazi fascist regime, representatives of Inner Emigration, and Germans driven out of the Third Reich.
What do dreams manage to say—or indeed, show—about human experience that is not legible otherwise? Can the disclosure of our dream-life be understood as a form of political avowal? To what does a dream attest? And to whom? Blending psychoanalytic theory with the work of such political thinkers as Hannah Arendt and Michel Foucault, Sharon Sliwinski explores how the disclosure of dream-life represents a special kind of communicative gesture—a form of unconscious thinking that can serve as a potent brand of political intervention and a means for resisting sovereign power. Each chapter centers on a specific dream plucked from the historical record, slowly unwinding the significance of this extraordinary disclosure. From Wilfred Owen and Lee Miller to Frantz Fanon and Nelson Mandela, Sliwinski shows how each of these figures grappled with dream-life as a means to conjure up the courage to speak about dark times. Here dreaming is defined as an integral political exercise—a vehicle for otherwise unthinkable thoughts and a wellspring for the freedom of expression. Dreaming in Dark Times defends the idea that dream-life matters—that attending to this thought-landscape is vital to the life of the individual but also vital to our shared social and political worlds.
What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites readers to consider these questions by exploring the political catastrophes and moral disasters of the past and present, revealing issues that beg to be studied, understood, confronted, and resisted. A profound work of anthropology and art, this book is for anyone yearning to understand the darkness and hoping to hold onto the light. It is a powerful story of encounters with writers, philosophers, activists, and anthropologists whose words are as meaningful today as they were during the times in which they were written. This book is at once a lament over the darkness of our times, an affirmation of the value of knowledge and introspection, and a consideration of truth, lies, and the dangers of the trivial. In a time when many of us struggle with the feeling that we cannot do enough to change the course of the future, this book is a call to action, asking us to envision and create an alternative world from the one in which we now live. Light in Dark Times is beautiful to look at and to hold – an exquisite work of art that is lively, informative, enlightening, deeply moving, and inspiring.
In an utterly unique approach to biography, On Love and Tyranny traces the life and work of the iconic German Jewish intellectual Hannah Arendt, whose political philosophy and understandings of evil, totalitarianism, love, and exile prove essential amid the rise of the refugee crisis and authoritarian regimes around the world. What can we learn from the iconic political thinker Hannah Arendt? Well, the short answer may be: to love the world so much that we think change is possible. The life of Hannah Arendt spans a crucial chapter in the history of the Western world, a period that witnessed the rise of the Nazi regime and the crises of the Cold War, a time when our ideas about humanity and its value, its guilt and responsibility, were formulated. Arendt’s thinking is intimately entwined with her life and the concrete experiences she drew from her encounters with evil, but also from love, exile, statelessness, and longing. This strikingly original work moves from political themes that wholly consume us today, such as the ways in which democracies can so easily become totalitarian states; to the deeply personal, in intimate recollections of Arendt’s famous lovers and friends, including Heidegger, Benjamin, de Beauvoir, and Sartre; and to wider moral deconstructions of what it means to be human and what it means to be humane. On Love and Tyranny brings to life a Hannah Arendt for our days, a timeless intellectual whose investigations into the nature of evil and of love are eerily and urgently relevant half a century later.