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"What does it feel like to be shelled?" she demanded. "Explain it to me." Under the influence of my deceased uncle's most excellent port I did so. Soothed and in that expansive frame of mind induced by the old and bold, I drew her a picture-vivid, startling, wonderful. And when I had finished, the dear old lady looked at me. "Dreadful!" she murmured. "Did I ever tell you of the terrible experience I had on the front at Eastbourne, when my bath-chair attendant became inebriated and upset me?" Slowly and sorrowfully I finished the decanter-and went to bed. But seriously, my masters, it is a hard thing that my aunt asked of me. There are many things worse than shelling-the tea-party you find in progress on your arrival on leave; the utterances of war experts; the non-arrival of the whisky from England. But all of those can be imagined by people who have not suffered; they have a standard, a measure of comparison. Shelling-no. The explosion of a howitzer shell near you is a definite, actual fact-which is unlike any other fact in the world, except the explosion of another howitzer shell still nearer. Many have attempted to describe the noise it makes as the most explainable part about it. And then you're no wiser.
The gun-toting woman holds enormous symbolic significance in American culture. For over two centuries, women who pick up guns have disrupted the popular association of guns and masculinity, spurring debates about women's capabilities for violence as well as their capacity for full citizenship. In Her Best Shot, Laura Browder examines the relationship between women and guns and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues. Utilizing autobiographies, advertising, journalism, novels, and political tracts, among other sources, Browder traces appearances of the armed woman across a chronological spectrum from the American Revolution to the present and an ideological spectrum ranging from the Black Panthers to right-wing militias. Among the colorful characters presented here are Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim. With her entertaining and provocative analysis, Browder demonstrates that armed women both challenge and reinforce the easy equation that links guns, manhood, and American identity.
In this illuminating expose, an award-winning journalist takes aim at one of today's hottest topics: the arming of America's women.
"Men, Women and Guns" by H. C. McNeile. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Presents a portrait collection of women and guns with subjects expressing their passion for firearms.
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Stange and Oyster (religion and women's studies, Skidmore College and psychology, U. of Wisconsin-LaCrosse, respectively) describe their personal relationships to guns, express appreciation for the beauty and skill of shooting, and excoriate the hyperbole on either side of the debate over guns. While asserting the feminist aspects of gun ownership in slightly more nuanced terms than usual, the volume is perhaps too dependent on anecdote to answer the philosophical, psychological, and political questions it engages. Annotation copyrighted by Book News Inc., Portland, OR
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"If you have to fight...fight like a cornered cat." --Cover.
"Men, Women and Guns" is a collection of short stories about World War I, told through the eyes of witnesses but leavened with humor and the author's spots of the ridiculous side of human nature. The book is based on McNeile's experiences with the Royal Engineers Corps. These are the memoirs that describe the experiences that made him who he was and gave him his famous name, "Sapper."