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In mid-nineteenth-century Britain, there existed a dominant discourse on what it meant to be a man –denoted by the term 'manliness'. Based on the sociological work of R.W. Connell and others who argue that gender is performative, Robert Hogg asks how British men performed manliness on the colonial frontiers of Queensland and British Columbia.
In mid-nineteenth-century Britain, there existed a dominant discourse on what it meant to be a man –denoted by the term 'manliness'. Based on the sociological work of R.W. Connell and others who argue that gender is performative, Robert Hogg asks how British men performed manliness on the colonial frontiers of Queensland and British Columbia.
"The mid-nineteenth-century gold rushes bring to mind raucous mining camps and slapped-together cities populated by carousing miners, gamblers, and prostitutes. And yet many of the white men who went to the gold fields were products of the Victorian era: the same people popularly remembered as strait-laced, repressed, and order-loving. How do we make sense of this difference? Examining the closely linked gold rushes in California and British Columbia, historian Christopher Herbert shows that gold rushers worried about the meaning of white manhood in the near-anarchic, ethnically mixed societies that grew up around the mines. Their anxieties about reproducing the white male dominance they were accustomed to played a central role in the construction of colonial regimes. As white gold rushers flocked to the mines, they encountered a wide range of people they considered inferior and potentially dangerous to white dominance, including Indigenous people, Latin Americans, Australians, and Chinese. The way that white miners interacted with these groups reflected the distinct political principles and strategies of the US and British colonial governments, as well as the ideas about race and respectability the newcomers brought with them. In addition to renovating traditional understandings of the Pacific Slope gold rushes, Herbert argues that historians' understanding of white manliness has been too fixated on the Eastern United States and Britain. In the nineteenth century, popular attention largely focused on the West, and it was in the gold fields and the cities they spawned that new ideas of white manliness emerged, prefiguring transformations elsewhere."--Provided by publisher.
A cultural examination of the popularity and allure of the thirty-fifth president reveals how Kennedy was tailored to appeal to the public of his time, explaining how he symbolized postwar views about American masculinity.
This inspirational tale of friendship and determination also sheds new light on the role of the mentor's mentor. Discover why this friendship was so crucial to Roosevelt's development as a man and a president-and why it still matters today.
As important cultural icons of the early nineteenth-century United States, adventurers energized the mythologies of the West and contributed to the justifications of territorial conquest. They told stories of exhilarating perils, boundless landscapes, and erotic encounters that elevated their chauvinism, avarice, and violence into forms of nobility. As self-proclaimed avatars of American exceptionalism, Jimmy L. Bryan Jr. suggests in The American Elsewhere, adventurers transformed westward expansion into a project of romantic nationalism. A study of US expansionism from 1815–1848, The American Elsewhere delves into the “adventurelogues” of the era to reveal the emotional world of men who sought escape from the anonymity of the urban East and pressures of the Market Revolution. As volunteers, trappers, traders, or curiosity seekers, they stepped into “elsewheres,” distant and dangerous. With their words and art, they entered these unfamiliar realms that had fostered caution and apprehension, and they reimagined them as regions that awakened romantic and reckless optimism. In doing so, Bryan shows, adventurers created the figure of the remarkable American male that generated a wide appeal and encouraged a personal investment in nationhood among their audiences. Bryan provides a thorough reading of a wide variety of sources—including correspondence, travel accounts, fiction, poetry, artwork, and material culture—and finds that adventurers told stories and shaped images that beguiled a generation of Americans into believing in their own exceptionality and in their destiny to conquer the continent.
Kimmel's history of men in America demonstrates that manhood has meant very different things in different eras.
When former heavyweight champion Jim Jeffries came out of retirement on the fourth of July, 1910 to fight current black heavywight champion Jack Johnson in Reno, Nevada, he boasted that he was doing it "for the sole purpose of proving that a white man is better than a negro." Jeffries, though, was trounced. Whites everywhere rioted. The furor, Gail Bederman demonstrates, was part of two fundamental and volatile national obsessions: manhood and racial dominance. In turn-of-the-century America, cultural ideals of manhood changed profoundly, as Victorian notions of self-restrained, moral manliness were challenged by ideals of an aggressive, overtly sexualized masculinity. Bederman traces this shift in values and shows how it brought together two seemingly contradictory ideals: the unfettered virility of racially "primitive" men and the refined superiority of "civilized" white men. Focusing on the lives and works of four very different Americans—Theodore Roosevelt, educator G. Stanley Hall, Ida B. Wells, and Charlotte Perkins Gilman—she illuminates the ideological, cultural, and social interests these ideals came to serve.
This book documents the potency of Manifest destiny in the antebellum era.
William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.