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After the Second World War, millions of people across Eastern Europe, displaced as a result of wartime destruction, deportations and redrawing of state boundaries, found themselves living in cities that were filled with the traces of the foreign cultures of the former inhabitants. In the immediate post-war period these traces were not acknowledged, the new inhabitants going along with official policies of oblivion, the national narratives of new post-war regimes, and the memorializing of the victors. In time, however, and increasingly over recent decades, the former "other pasts" have been embraced and taken on board as part of local cultural memory. This book explores this interesting and increasingly important phenomenon. It examines official ideologies, popular memory, literature, film, memorialization and tourism to show how other pasts are being incorporated into local cultural memory. It relates these developments to cultural theory and argues that the relationship between urban space, cultural memory and identity in Eastern Europe is increasingly becoming a question not only of cultural politics, but also of consumption and choice, alongside a tendency towards the cosmopolitanization of memory.
When consulting key works on urban studies, the absence of Central and Eastern European towns is striking. Cities such as Vienna, Budapest, Prague, and Trieste, where such notable figures as Freud, Ferenczi, Kafka, and Joyce lived and worked, are rarely studied in a translocal framework, as if Central and Eastern Europe were still a blind spot of European modernity. This volume expands the scope of literary urban studies by focusing on Budapest and Hungarian small towns, offering in-depth analyses of the intriguing link between literature, the arts, and material culture in the 20th and 21st centuries. The case studies situate Hungarian urban culture within the global flow of ideas as they explore the period of modernism, the mid-century, and the post-1989 era in a context that moves well beyond the borders of the country.
Mediating Historical Responsibility brings together leading scholars and new voices in the interdisciplinary fields of memory studies, history, and cultural studies to explore the ways culture, and cultural representations, have been at the forefront of bringing the memory of past injustices to the attention of audiences for many years. Engaging with the darkest pages of twentieth-century European history, dealing with the legacy of colonialism, war crimes, genocides, dictatorships, and racism, the authors of this collection of critical essays address Europe’s ‘difficult pasts’ through the study of cultural products, examining historical narratives, literary texts, films, documentaries, theatre, poetry, graphic novels, visual artworks, material heritage, and the cultural and political reception of official government reports. Adopting an intermedial approach to the study of European history, the book probes the relationship between memory and responsibility, investigating what it means to take responsibility for the past and showing how cultural products are fundamentally entangled in this process.
In 1918 the Danube Monarchy ceased to exist and its provinces became parts of the Monarchy's successor states, which increasingly assumed the character of nation-states. The regimes of these countries were usually oblivious and/or hostile to remnants of the erstwhile Austrian rule due to ideological reasons: they treated them as traces of a superimposed imperial power and an alien – democratic, pluralistic, liberal – tradition. Notwithstanding that fact, erasing the Habsburg Empire from maps of Europe did not entail the entire cancelation of its legacy on the former Habsburg territories. Although officially neglected or suppressed, this legacy made itself felt, overtly or tacitly, in discourses present in the public sphere of the countries that superseded the Monarchy.
A fascinating journey through Europe's old towns, exploring why we treasure them--but also what they hide about a continent's fraught history Historic quarters in cities and towns across the middle of Europe were devastated during the Second World War--some, like those of Warsaw and Frankfurt, had to be rebuilt almost completely. They are now centers of peace and civility that attract millions of tourists, but the stories they tell about places, peoples, and nations are selective. They are never the whole story. These old towns and their turbulent histories have been key sites in Europe's ongoing theater of politics and war. Exploring seven old towns, from Frankfurt and Prague to Vilnius in Lithuania, the acclaimed writer Marek Kohn examines how they have been used since the Second World War to conceal political tensions and reinforce certain versions of history. Uncovering hidden stories behind these old and old-seeming façades, Kohn offers us a new understanding of the politics of European history-making--showing how our visits to old towns could promote belonging over exclusion, and empathy over indifference.
In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.
Comparative case studies of how memories of World War II have been constructed and revised in France, Germany, Austria, Switzerland, Poland, Italy, and the USSR (Russia).
Shattering the cliché 'our world is more multilingual than ever before', this book offers the first comprehensive history of our multilingual past.
Leo Tolstoy (1828–1910), besides writing famous novels such as War and Peace, also wrote on political issues, especially later in his life, putting forward a political philosophy which might be termed 'Christian anarchism'. This book provides a comprehensive overview of Tolstoy’s political thought. It outlines in a systematic way Tolstoy’s thought, which was originally articulated unsystematically in diverse, often informal writing, such as pamphlets, letters, and speeches, as well as books, and in his novels, where Tolstoy’s thinking is put forward implicitly through the novels’ characters. The book sets out the basic themes of Tolstoy’s political thought: his acceptance of the teachings of Jesus, his criticism of the way in which Jesus’ teachings have been relayed by the church through traditional creeds and dogma, his passionate rejection of political violence by both the state and those working for reform, his plea for a nonviolent response to violence and injustice, and his call for society to forego its institutional shackles and enact a community of peace, love, and justice. The book also includes background information on the Russia of Tolstoy’s time, including the religious context, and a discussion of how Tolstoy’s political thought has been received by his admirers, who included Gandhi, and his critics.
Literary museums today must respond to new challenges; the traditional image of the author’s home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.