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This historical study “persuasively links the reception of Yugoslav migrants to West Germany’s shifting relationship to the Nazi past . . . essential reading” (Tara Zahra, author of The Great Departure). During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new, however. Immigrants from the Balkans have streamed into West Germany in massive numbers since the end of the Second World War. In fact, Yugoslavs became the country’s second largest immigrant group. Yet their impact has received little critical attention until now. Memory, Politics, and Yugoslav Migrations to Postwar Germany tells the story of how Germans received the many thousands of Yugoslavs who migrated to Germany as political emigres, labor migrants, asylum seekers, and war refugees from 1945 to the mid-1990s. With a particular focus on German policies and attitudes toward immigrants, Christopher Molnar argues that considerations of race played only a marginal role in German attitudes and policies towards Yugoslavs. Rather, the history of Yugoslavs in postwar Germany was most profoundly shaped by the memory of World War II and the shifting Cold War context. Molnar shows how immigration was a central aspect of how Germany negotiated the meaning and legacy of the war.
This historical study “persuasively links the reception of Yugoslav migrants to West Germany’s shifting relationship to the Nazi past . . . essential reading” (Tara Zahra, author of The Great Departure). During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new, however. Immigrants from the Balkans have streamed into West Germany in massive numbers since the end of the Second World War. In fact, Yugoslavs became the country’s second largest immigrant group. Yet their impact has received little critical attention until now. Memory, Politics, and Yugoslav Migrations to Postwar Germany tells the story of how Germans received the many thousands of Yugoslavs who migrated to Germany as political emigres, labor migrants, asylum seekers, and war refugees from 1945 to the mid-1990s. With a particular focus on German policies and attitudes toward immigrants, Christopher Molnar argues that considerations of race played only a marginal role in German attitudes and policies towards Yugoslavs. Rather, the history of Yugoslavs in postwar Germany was most profoundly shaped by the memory of World War II and the shifting Cold War context. Molnar shows how immigration was a central aspect of how Germany negotiated the meaning and legacy of the war.
This volume brings together a diverse group of scholars from North America and Europe to explore the history and memory of Germany's fateful push for power in the Balkans during the era of the two world wars and the long postwar period. Each chapter focuses on one or more of four interrelated themes: war, empire, (forced) migration, and memory. The first section, "War and Empire in the Balkans," explores Germany's quest for empire in Southeast Europe during the first half of the century, a goal that was pursued by economic and military means. The book's second section, "Aftershocks and Memories of War," focuses on entangled German-Balkan histories that were shaped by, or a direct legacy of, Germany's exceptionally destructive push for power in Southeast Europe during World War II. German-Balkan Entangled Histories in the Twentieth Century expands and enriches the neglected topic of Germany's continued entanglements with the Balkans in the era of the world wars, the Cold War, and today.
This volume brings together a diverse group of scholars from North America and Europe to explore the history and memory of Germany’s fateful push for power in the Balkans during the era of the two world wars and the long postwar period. Each chapter focuses on one or more of four interrelated themes: war, empire, (forced) migration, and memory. The first section, “War and Empire in the Balkans,” explores Germany’s quest for empire in Southeast Europe during the first half of the century, a goal that was pursued by economic and military means. The book’s second section, “Aftershocks and Memories of War,” focuses on entangled German-Balkan histories that were shaped by, or a direct legacy of, Germany’s exceptionally destructive push for power in Southeast Europe during World War II. German-Balkan Entangled Histories in the Twentieth Century expands and enriches the neglected topic of Germany’s continued entanglements with the Balkans in the era of the world wars, the Cold War, and today.
Yugoslavia and Political Assassinations is the first book in English to analyse how and why the Yugoslav State Security Service carried out multiple targeted assassinations, over the country's forty-six years of existence, under the pretext of protecting the Yugoslav communist party-state. Offering a detailed history of the programme, from the inception of the State Security Service to the recent trials of individuals involved, it draws on Christian Axboe Nielsen's unique wealth of experience and research as an academic and as an expert witness in numerous criminal trials. The result is a ground-breaking contribution to the history of targeted assassinations, communist history, state security services and related criminal trials.
Among Eastern Europe’s postwar socialist states, Yugoslavia was unique in allowing its citizens to seek work abroad in Western Europe’s liberal democracies. This book charts the evolution of the relationship between Yugoslavia and its labour migrants who left to work in Western Europe in the 1960s and 1970s. It examines how migrants were perceived by policy-makers and social scientists and how they were portrayed in popular culture, including radio, newspapers, and cinema. Created to nurture ties with migrants and their children, state cultural, educational, and informational programs were a way of continuing to govern across international borders. These programs relied heavily on the promotion of the idea of homeland. Le Normand examines the many ways in which migrants responded to these efforts and how they perceived their own relationship to the homeland, based on their migration experiences. Citizens without Borders shows how, in their efforts to win over migrant workers, the different levels of government – federal, republic, and local – promoted sometimes widely divergent notions of belonging, grounded in different concepts of "home."
Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.
Was migration to Germany a blessing or a curse? The main argument of this book is that the Greek state conceived labor migration as a traineeship into Europeanization with its shiny varnish of progress. Jumping on a fully packed train to West Germany meant leaving the past behind. However, the tensed Cold War realities left no space for illusions; specters of the Nazi past and the Greek Civil War still haunted them all. Adopting a transnational approach, this monograph retargets attention to the sending state by exploring how the Greek Gastarbeiter’s welfare was intrinsically connected with their homeland through its exercise of long-distance nationalism. Apart from its fresh take in postwar migration, the book also addresses methodological challenges in creative ways. The narrative alternates between the macro- and the micro-level, including subnational and transnational actors and integrating a diverse set of primary sources and voices. Avoiding the trap of exceptionalism, it contextualizes the Greek case in the Mediterranean and Southeast European experience.
An examination of shifting notions of identity in modern-day Germany--and the diverse artists challenging conventional meanings of "Germanness" today Made in Germany? Art and Identity in a Global Nation addresses important questions of contemporary art and belonging in Germany from the 1980s, when discussions about multiculturalism in West Germany came to the fore, to our current time, a period still deeply impacted by the country's unification and more recent migration policies. In the wake of these developments, racial violence, right-wing populism, and ethnically defined nationalism have grown. Accessible essays on topics such as labor migration, being Black in Germany, and the aftermath of the fall of the Berlin Wall lay the groundwork for understanding the intercultural dynamics in Germany today. Object-focused texts delve into works in various media, from Candida Höfer's slideshow Turks in Germany 1979, which presented Turkish immigrants as embedded in public life at a time when they were not welcomed as a permanent part of German society, to Ngozi Schommers's readymade sculpture Commuters, a commentary on the country's ongoing housing crisis. In a period when right-wing nationalist movements are gaining traction in Germany and around the globe, Made in Germany? argues for a more expansive idea of what it means to be German, spotlighting artists from diverse backgrounds whose works probe notions of national identity. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (September 13, 2024-January 5, 2025)
Fear of the Family offers a comprensive postwar history of guest worker migration to the Federal Republic of Germany, particularly from Greece, Turkey, and Italy. It analyzes the West German government's policies formulated to get migrants to work in the country during the prime of their productive years but to try to block them from bringing their families or becoming an expense for the state.