Download Free Memory And Political Art In Platos Statesman Book in PDF and EPUB Free Download. You can read online Memory And Political Art In Platos Statesman and write the review.

In Memory and the Political Art in Plato’s Statesman, Catherine Craig provides an original reading of Plato’s Statesman by bringing memory to the foreground. The dialogue itself explores various components of political memory, such as common speech, myths, and laws, and argues that these create a framework in which we live our political lives. Each of these aspects of political memory serves as an image to move the individual to rational inquiry. In this way, the dialogue suggests that political memory can serve as a starting point for philosophic recollection, allowing for a move from knowledge of the rational soul to first principles. Craig shows how Plato weaves together the personal, political, and philosophic dimensions of memory, providing a richer understanding of the significance of memory for political life. Beyond providing an analysis of the Statesman, this book helps readers consider the challenges of political memory in contemporary political life, while also arguing that memory mediates between universal, rational principles and the particular ends and circumstances of human life.
This book compares genocidal and other regimes of terror with Nazi Germany’s Holocaust regime. Yet the author’s interest extends to the question how societies have dealt with their respective records of evil.
The essays in this volume address the chief challenges and principal tensions in the operation of our civil society in order to consider possible paths forward. Discussion opens with a diagnostic analysis of what presently ails American public life and then turns to address various tensions. These include meritocracy, multiculturalism, issues of race, technology, and populist nationalism in American democracy today. A number of authors address the condition of civil conversation within the university and across American society. The collection then engages debates over the continued relevance and durability of liberal ideas and institutions; whether we have accessible means and resources to channel digital technology more fruitfully for the sake of human achievement and well-being; and how some have endeavored to revitalize the American civic vocation through both scholarly and practical education. Finally, the volume closes with a call to restore civic friendship, properly understood, as the foundation for renewing America’s civic compact.
Eric Voegelin on China and Universal Humanity: A Study of Voegelin’s Hermeneutic Empirical Paradigm aims to speak to comparative political theorists, philosophers, historians, sinologists, and anyone interested in understanding our current disorders and exploring a culturally non-specific paradigm for understanding equivalent practices and patterns in the global age, especially China and the West. Specifically, this book looks at Eric Voegelin’s (1901–1985) Theory of Order. It focuses on Voegelin’s interpretation of order/disorder, his penetration of the Tianxia (the Chinese Ecumene), and his comparison of two representative heterogenous Ecumenes in the ancient West and East. In doing so, the book explores the issue of universal humankind and the nature of order-searching.
The essays in Free Speech and Intellectual Diversity in Higher Education reflect diverse perspectives on one of the most pressing issues in higher education--the controversies over freedom of speech and its relation to intellectual diversity. Does the First Amendment apply on campuses and do its principles clarify or obscure the issues surrounding campus speech? What, after all, is the basis for those principles, and how do they relate to the purposes of the university? Is free speech truly effective without a diversity of perspectives, and to what extent is such diversity found at universities today? Does free speech discourage the inclusion of minorities or previously excluded groups? Are there specific policies that can address the issue of free speech on campuses today in ways that are fair to all parties and to the interests at stake?
Is heroism possible for everyone? Should it be? What kinds of stories do we tell when we talk about heroes and what do these stories reveal about how we view ourselves? This book takes up these questions and more by reflecting on twenty-first century American television shows. Among the shows examined are Only Murders in the Building, Game of Thrones, The Good Lord Bird, The Boys, and Severance. What we find is an entertainment landscape unsure about what a hero is or even what qualifies as heroic. In a nation uncertain about heroism, we see a dramatic rise in the popularity of the anti-hero and even in worlds without heroes. This fragmented variety highlights how the American political mind is similarly fragmented in what it believes are its highest aspirations—and its deepest anxieties. It is this fragmentation that may help us understand why twenty-first century entertainment has elevated the heroic to the supernatural while simultaneously democratizing heroism to the point where anyone may become one. A Hero in All of Us?: Heroism and American Political Thought as Seen on TV explores this multifaceted landscape to better understand how Americans view their heroes and themselves.
Hannah Arendt and Simone Weil were two of the most compelling political thinkers of the 20th century who, despite having similar life-experiences, developed radically distinct political philosophies. This unique dialogue between the writings of Arendt and Weil highlights Arendt's secular humanism, her emphasis on heroic action, and her rejection of the moral approach to politics, contrasted starkly with Weil's religious approach, her faith in the power of divine Goodness, and her other-centric ethic of suffering and affliction. The writings here respect the profound differences between Arendt and Weil whilst pulling out the shared preoccupations of power, violence, freedom, resistance, responsibility, attention, aesthetics, and vulnerability. Without shying away from exploring the more difficult concepts in these philosophers' works, Hannah Arendt and Simone Weil also aims to pull out the relevance of their writings for contemporary issues.
This book shows that the metaphor of the quintessentially feminine art of weaving in Homer's Odyssey, Aristophanes' Lysistrata, and Plato's Statesman and Phaedo conveys complex and inclusive teachings about human nature and political life that address the concerns of women mor...
Explores the interplay between the dramatic form of the dialogue and the basic themes it addresses. The Statesman is among the most widely ranging of Plato’s dialogues, bringing together in a single discourse disparate subjects such as politics, mathematics, ontology, dialectic, and myth. The essays in this collection consider these subjects and others, focusing in particular on the dramatic form of the dialogue. They take into account not only what is said but also how it is said, by whom and to whom it is said, and when and where it is said. In this way, the contributors approach the text in a manner that responds to the dialogue itself rather than bringing preconceived questions and scholarly debates to bear on it. The essays are especially attuned to the comedic elements that run through much of the dialogue and that are played out in a way that reveals the subject of the comedy. In the Statesman, these comedies reach their climax when the statesman becomes a participant in a comedy of animals and thereby is revealed in his true nature. .
Plato’s Timaeus is unique in Greek Antiquity for presenting the creation of the world as the work of a divine demiurge. The maker bestows order on sensible things and imitates the world of the intellect by using the Forms as models. While the creation-myth of the Timaeus seems unparalleled, this book argues that it is not the first of Plato’s dialogues to use artistic language to articulate the relationship of the objects of the material world to the world of the intellect. The book adopts an interpretative angle that is sensitive to the visual and art-historical developments of Classical Athens to argue that sculpture, revolutionized by the advent of the lost-wax technique for the production of bronze statues, lies at the heart of Plato’s conception of the relation of the human soul and body to the Forms. It shows that, despite the severe criticism of mimēsis in the Republic, Plato’s use of artistic language rests on a positive model of mimēsis. Plato was in fact engaged in a constructive dialogue with material culture and he found in the technical processes and the cultural semantics of sculpture and of the art of weaving a valuable way to conceptualise and communicate complex ideas about humans’ relation to the Forms.