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This edition is one the most complete Stevensonia collections. It contains a wealth of his essays, memories and records. The essays brought together under this title are chiefly Stevenson's reflections, ten years afterwards, on the experiences and friendships of his youth. They represent a proportion of his contributions of this kind to reviews and magazines, from 1882 to 1887. Some of the essays are : The Foreigner at Home, Old Mortality, Pastoral, The Manse, Thomas Stevenson, Talk and Talkers, The Character of Dogs and A Penny Plain.
"Memory, trauma, and history is comprosed of essays that fall into five overlapping subject areas: history and memory; psychoanalysis and trauma; postmodernism, scholarship, and cultural politics; photography and representation; and liberal education." -- Introduction.
This National Book Award finalist is a revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.
A memoir-writing guide offers writing lessons and examples for those interested in putting their memories down on paper, explains the difference between remembering and imagining, and describes the language of truth.
Discover one of the Scottish Enlightenment's brightest stars. Among the giants of the Scottish Enlightenment, the name of James Hutton is overlooked. Yet his Theory of the Earth revolutionised the way we think about how our planet was formed and laid the foundation for the science of geology. He was in his time a doctor, a farmer, a businessman, a chemist yet he described himself as a philosopher – a seeker after truth. A friend of James Watt and of Adam Smith, he was a polymath, publishing papers on subjects as diverse as why it rains and a theory of language. He shunned status and official position, refused to give up his strong Scots accent and vulgar speech, loved jokes and could start a party in an empty room. Yet much of his story remains a mystery. His papers, library and mineral collection all vanished after his death and only a handful of letters survive. He seemed to be a lifelong bachelor, yet had a secret son whom he supported throughout his life. This book uses new sources and original documents to bring Hutton the man to life and places him firmly among the geniuses of his time.
Essays exploring the importance of archives as artifacts of culture