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The early morning rain had stopped and a cool mist shrouded the lonesome mountainside. The smell was fresh and invigorating to me as I stood beside the old hickory tree with its new leaves, an iridescent bright green, glowing against the dreary gray sky. I stood quietly and watched a lone eagle soar above, looking for an unsuspecting prey hidden in the overgrown weeds in the long neglected fields. I had stayed away too long, now, I wanted to return to the source of my childhood.
During a writing career lasting nearly seven decades, E. Hoffman Price formed lasting friendships with many of the great and near-great fictioneers, editors and artists of his day -- H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Otis Adelbert Kline, Farnsworth Wright, W.K. Mashburn, Ralph Milne Farley, Seabury Quinn, Hugh Rankin, Robert Spencer Carr, Barsoom Badigian, Harry Olmstead, Albert Richard Wetjen, Norbert W. Davis, Milo Ray Phelps, William S. Bruner, Henry Kuttner, Jack Williamson, August Derleth and Edmond Hamilton. Through long correspondence and many cross country trips, E. Hoffman Price kept diaries of his visits, which from time to time he transformed into essays recalling the grand old days of the fictioneer's precarious way of life. Several essays were previously published in fanzines and as Arkham House book introductions. In 1977, Price rewrote these and added additional essays to fill a book. This is one of the most fascinating and historically important books about the pulp fiction era.
MEMORIES OF YESTERYEAR is a book dealing with rural life in America during the 1920s and 1930s. It is written by Alexander W. Delk, who lived through most of those years. It describes in detail rural living in those years between the two great wars. It is interesting to read and is historically informative.
Austrian writer Stefan Zweig's final work, posted to his publisher the day before his tragic death, brings the destruction of a war-torn Europe vividly to life. Written as both a recollection of the past and a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna; its seeming permanence, its promise, and its devastating fall. A truthful and passionate acc[Bokinfo].
This book tackles the core problem of how painful historical memories between diverse religious communities continue to impact—even poison—present-day relations. Its operative notion is the healing of memory, developed by John Paul II. Chapters explore how painful memories of yesteryear can be healed and so address some of the root causes. Strategies from six different faith traditions are brought together in what is, in some ways, a cross-religious brainstorming session that identifies tools to improve present-day relations. At the other pole of the conceptual axis of this book is the notion of hope. If memory informs our past, hope sets the horizon for our future. How does the healing of memory open new horizons for the future? And what is the notion of hope in each of our traditions that could lead to a common vision of good? Between memory and hope, this book seeks to offer a vision of healing that can serve as a resource in contemporary interfaith relations. Contributors: Rahuldeep Singh Gill, Alon Goshen-Gottstein, Maria Reis Habito, Flora A. Keshgegian, Anantanand Rambachan, Meir Sendor, Muhammad Suheyl Umar, and Michael von Brück
Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.
For writer Linda L. Dawson, poetry is an expression of emotions oftentimes bundled and knotted up who finds it difficult to share her innermost feelings. It is a way of pouring out the definition of the real you in an uninhibited and written format. She realizes that innumerable people feel exactly as she does. Therefore, it is her prayer that readers will be inspired while reading Memories Today, Yesterday, Tomorrow, and Forevermore. In her poems, she explores the reality that life existed before she was saved. Like your experience, her walk to truth was not always easy. Like you, she prays to remember that journey with humility and hope. We understand today that without our yesterday, which shaped and molded us, our tomorrow would be nonexistent and without promise. In Memories Today, Yesterday, Tomorrow, and Forevermore, she seeks to encourage those who do not yet know God to know him, because he stills saves.
The new and exciting voice of Brazell Tornellini is captured within these bitching pages flaming in wildfire flair. These poems race the tracks of the poet's untamed imagination. Dive into the pool of pages that are feverously burning. Hesitate not to consume Tornellini's unadulterated tongue lashings of a vacant heart ravenous to be appeased by life, love, and romance. Poetry is not frivolous and mundane! Poetry is not DEAD! Poetry is ALIVE and Thriving across the universe. Get your copy of The Bitches Door today if you dare to be brave.