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This volume is a review of the autobiographical account Alicia LeFanu, Memoirs of the Life and Writings of Mrs. Frances Sheridan, which sheds light on the controversial role of the female writers in the early nineteenth century.
This book explores how Shakespeare is still alive as a global cultural icon, on the 400th anniversary of his death.
" ... Explores the emothional, intellectual, and political roots of Zachary Macaulay, the leading abolitionalist, and his son Thomas's visions of race, nation and empire. The story moves from late eighteenth-century Scotland to the plantations of Jamaica, from the new colony of Sierra Leone to India, from Leeds and Edinburgh to London. The Macaulay family with its intense dynamics and complex relationships provides one thread while the politics of abolition, of reform, of empire and of history writing is another. The contrasting moments of evangelical humanitarianism and liberal imperialism are seen through the writings and careers of father and son."--P [2] of cover.
Winner, 2011 Annibel Jenkins Biography Prize, American Society for Eighteenth-Century Studies 2009 Outstanding Academic Title, Choice Against the background of the American and French revolutions, the Napoleonic Wars, and the struggle for religious equality in Great Britain, a brilliant, embattled woman strove to defend Enlightenment values to her nation. Poet, teacher, essayist, political writer, editor, and critic, Anna Letitia Barbauld was venerated by contemporaries on both sides of the Atlantic, among them the young Walter Scott, the young Samuel Taylor Coleridge, and Boston Unitarians such as William Ellery Channing. After decades in the historical limbo into which almost all work by women writers of her era was swept, Barbauld's writings on citizenly ethics, identity politics, church-state relations, and empire are still deeply relevant today. Inquiring and witty as well as principled and passionate, Barbauld was a voice for the Enlightenment in an age of revolution and reaction. Based on more than fifteen years of research in dozens of libraries and archives across five countries, this is the first full-length biography of one of the foremost women writers in Georgian England. "A superb biography that brings a radical literary figure back into the picture . . . a thrilling, brilliant book."—Guardian "McCarthy establishes Barbauld as a figure of major significance. His magnificent biography will draw many others to her, and give her a new and deserved prominence in Enlightenment and Romantic studies."—Women's Writing "A tour de force . . . Honest, wise, original."—Eighteenth-Century Studies William McCarthy is professor emeritus of English at Iowa State University. He is the coeditor of The Poems of Anna Letitia Barbauld and the author of Hester Thrale Piozzi: Portrait of a Literary Woman.
Elizabeth Smith, a learned British woman born in the momentous year 1776, gained transnational fame posthumously for her extensive intellectual accomplishments, which encompassed astronomy, botany, history, poetry, and language studies. As she navigated her place in the world, Smith made a self-conscious decision to keep her many talents hidden from disapproving critics. Therefore, her rise to fame began only in 1808, when her posthumous memoir appeared. In this elegantly written biography, Lucia McMahon reconstructs the places and social constellations that enabled Smith’s learning and adventures in England, Wales, and Ireland, and traces her transatlantic fame and literary afterlife across Britain and the United States. Through re-telling Elizabeth Smith’s fascinating life story and retracing her posthumous transatlantic fame, McMahon reveals a larger narrative about women’s efforts to enact learned and fulfilling lives, and the cultural reactions such aspirations inspired in the early nineteenth century. Although Smith was cast as "exceptional" by her contemporaries and modern scholars alike, McMahon argues that her scholarly achievements, travel explorations, and posthumous fame were all emblematic of the age in which she lived. Offering insights into Romanticism, picturesque tourism, celebrity culture, and women’s literary productions, McMahon asks the provocative question, "How many seemingly exceptional women must we uncover in the historical record before we are no longer surprised?"