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This volume, focusing on the recovery of some forgotten facts about a very painful period of our history, addresses major concerns and problems. Stories dealing with life of surviving Jews after Holocaust are as important as the stories of the Holocaust itself. These are stories of surviving Jews after the Holocaust, living memories of fear and strength, personal and interior battles, (in)tolerance and finding a place in a new world, but also acceptance of the pain of joy and hope for a better future. The book sheds new light on one the most dramatic and life changing events in human history: the Holocaust of European Jewry. Consists of compelling stories, ranging from accounts of the experience of Romanian Jews in Transnistria to Polish Jews observing religious holidays in the USSR, from the life of Jewish refugees in the Shanghai Ghetto to that of a Kapo in Auschwitz-Birkenau or of a cartoonist in New York.
Drawing on original ethnographic field-research conducted primarily with former guerrilla insurgents in southern and central Sri Lanka, this book analyses the memories and narratives of people who have perpetrated political violence. It explores how violence is negotiated and lived with in the aftermath, and its implications for the self and social relationships from the perspectives of those who have inflicted it. The book sheds ethnographic light on a largely overlooked and little-understood conflict that took place within the majority Sinhala community in the late 1980s, known locally as the Terror (Bheeshanaya). It illuminates the ways in which the ethical charge carried by violence seeps into the fabric of life in the aftermath, and discusses that for those who have perpetrated violence, the mediation of its memory is ethically tendentious and steeped in the moral, carrying important implications for notions of the self and for the negotiation of sociality in the present. Providing an important understanding of the motivations, meanings, and consequences of violence, the book is of interest to students and scholars of South Asia, Political Science, Trauma Studies and War Studies.
Postmemories of Terror focuses on how young Argentineans remember the traumatic events of the military dictatorship (1976-83). This fascinating work is based on oral histories with sixty-three young people who were too young to be directly victimized or politically active during this period. All were born during or after the terror and possessed an entirely mediated knowledge of it. Susana Kaiser explores how the post-dictatorship generation was reconstructing this past from three main sources: inter-generational dialogue, education and the communication media. These conversations discuss selected and recurrent themes like societal fears and silences, remembering and forgetting, historical explanations and accountability. Together they contribute to our understanding of how communities deal with the legacy of terror.
Lynched chronicles the history and aftermath of lynching in America. By rooting her work in oral histories, Angela D. Sims gives voice to the memories of African American elders who remember lynching not only as individual acts but as a culture of violence, domination, and fear. Lynched preserves memory even while it provides an analysis of the meaning of those memories. Sims examines the relationship between lynching and the interconnected realities of race, gender, class, and other social fragmentations that ultimately shape a person's--and a community's--religious self-understanding. Through this understanding, she explores how the narrators reconcile their personal and communal memory of lynching with their lived Christian experience. Moreover, Sims unearths the community's truth that this is sometimes a story of words and at other times a story of silence. Revealing the bond between memory and moral formation, Sims discovers the courage and hope inherent in the power of recall. By tending to the words of these witnesses, Lynched exposes not only a culture of fear and violence but the practice of story and memory, as well as the narrative of hope within a renewed possibility for justice.
Fantasy-roman.
This book examines the intergenerational transmission of traumatic memories of the dictatorship in the aftermath of the two first decades since the Uruguayan dictatorship of 1973-1984 in the broader context of public policies of denial and institutionalized impunity. Transitional justice studies have tended to focus on countries like Argentina or Chile in the Southern Cone of Latin America. However, not much research has been conducted on the "silent" cases of transitions as a result of negotiated pacts. The literature on memory trauma and impunity has much to offer to studies of transition and post-authoritarianism. This book situates the human and cultural experience of state terrorism from the perspective of the experiences of Uruguayan families, through an in-depth ethnographic, cultural, psycho-social, and political interdisciplinary study. It will be a valuable resource to students, scholars, and practitioners who are interested in substantive questions of memory, democratization, and transitional justice, set in Uruguay's scenario, as well as to human rights policy-makers, advocates and educators and social and political scientists, cultural analysts, politicians, social psychologists, psychotherapists, and activists. It will also appeal to the general public who are interested in the problem of how to transmit the stories and meaning of traumatic experiences as a result of gross human rights violations, the cultural and generational effects of state terror, and the politics of impunity. This book is essential for collections in Latin American studies, political science, and sociology.
This book asks the question: what is the role of memory during a political transition? Drawing on Ethiopian history, transitional justice, and scholarly fields concerned with memory, museums and trauma, the author reveals a complex picture of global, transnational, national and local forces as they converge in the story of the creation and continued life of one modest museum in the Ethiopian capital, Addis Ababa—the Red Terror Martyrs Memorial Museum. It is a study from multiple margins: neither the case of Ethiopia nor memorialization is central to transitional justice discourse, and within Ethiopia, the history of the Red Terror is sidelined in contemporary politics. From these nested margins, traumatic memory emerges as an ambiguous social and political force. The contributions, meaning and limitations of memory emerge at the point of discrete interactions between memory advocates, survivor-docents and visitors. Memory from the margins is revealed as powerful for how it disrupts, not builds, new forms of community.
In William Herrick's Kill Memory, erasing the past is just what seventy-one-year-old Elizabeth cannot do. A woman who has had many lovers, a ruthless revolutionary, a courageous underground courier during World War II, and now a disengaged exile waiting out a solitary existence in Paris, Boishke (as Elizabeth has always been called) gives her primary attention the the rituals of living-- eating, dressing, walking, realistically facing up to old age, trying to sleep--and to her memories.
Seven internationally recognized contemporary artists who grew up in the former Soviet Union confront the dual imperative of Gulag history and mythology through installations at the Boston University Art Gallery.