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Memories of a Nonya was first published in 1981. This reissue of the book is based on the 1982 edition.The late Queeny Chang was a trailblazer. She spoke English, Malay, Dutch as well as several dialects. She led an extraordinary life and in this book, she presents a vision of a way of life that has long since vanished. Her authentic biography opens the windows of time and allows the images of the old world charm of the early 1900s to be seen again.She paints colourful portraits of her family, relatives, and many friends, particularly of her strong minded but fastidious and flamboyant mother. What she had to say to her life with her famous father, the late Mr. Tjiong A Fie is both fascinating and touching. Here is a story of a gentle woman, very real, warm and sincere.
Growing Up in a Nonya Kitchen provides a rare and insightful view into the daily life of a Peranakan family harking back to the early 20th century. With comprehensive chapters dedicated to documenting cooking utensils, essential ingredients, the Nonya's agak agak (estimating) philosophy, as well as Chinese New Year and other festive dishes, baked goods and Nonya kuehs, Growing Up in a Nonya Kitchen is a volume to read and treasure for anyone looking for an in-depth understanding of the Peranakan (and Singapore) food heritage.
Meet the Tan family, who have created a homemade Peranakan food legacy in Singapore!Join the fourth generation member of the family, Ethan, as he travels back in time tracing the evolution of his family business -- home-grown brand HarriAnns Nonya Table -- from a humble push-cart to the chain of Peranakan cafes it is today. Just like Peranakan food, this story is spiced generously with the different flavours of life.Come join the feast!
" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Architectural Encounters in Asia Pacific explores the architecture of colonial trade and industry, revealing a complex network of transnational connections across the built heritage of the world's most dispersed and culturally diverse region. A wide-ranging collection of case studies uncover these forgotten connections, drawing together stories of migratory architects, imperial commodities, and indentured labour. From Iran to Tasmania, Japan to Java, and Imperial China to the Pacific Islands, the chapters reveal how remnants of colonial trade and industry shed light on the many multi-faceted mobilities of the imperial age, and their enduring legacy in the postcolonial built environments of Australasia, the Pacific, Southeast Asia and beyond. The chapters also reveal deep strands of cultural influences and material imprints long neglected by national histories of architecture, and showcase new methodologies to analyse the interconnectivities and bordering practices which are shaping our experiences of the 21st century. With almost every chapter arising from new archival sources, this richly interdisciplinary volume brings together the work of architectural historians, geographers and heritage practitioners to provide a new understanding of the rich and contested history of this region.
The archive of the Kong Koan constitutes the only relatively complete archive of a “diaspora” Chinese urban community in Southeast Asia. The essays in the present volume offer important and new insights into many different aspects of Overseas Chinese life between 1780-1965. The Kong Koan of colonial Batavia was a semi-autonomous organization, in which the local elite of Jakarta’s Chinese community supervised and coordinated its social and religious matters. During its long existence as a semi-official colonial institution, the Kong Koan collected sizeable Chinese archival holdings with demographic data on marriages and funerals, account books of the religious organisations and temples, documents connected with educational institutions, and the meetings of the board itself.
Throughout Malay-speaking Southeast Asia, the Malay pantun has long provided a medium for social intercourse between people of varied ethnic backgrounds. One of the most elaborate forms of pantun singing is Dondang Sayang. With a focus on Baba Chinese contributions, Like Tigers around a Piece of Meat traces the history of Dondang Sayang and analyses through texts from Singapore and Malacca how the poets achieve works of profound meaning.
This volume contains a selection from the papers presented at an interdisciplinary symposium on 'Images and ideas concerning women and the feminine in the Indonesian archipelago', organized in 1984 by the Werkgroep lndonesische Vrouwenstudies (WIVS), a Dutch interdisciplinary study group on Indonesian women. In the present volume, now in its second printing, notions about women in Indonesia in past and present are treated in relation to their actual positions. The articles deal with cultural definitions of sex roles and their social implications, and thus link up with the current academic interest in gender studies. The contributions occupy varying positions on an imaginary scale ranging from an approach primarily concerned with underlying cultural principles to one focused on the social context. Some show a clearly 'culturalist' approach, dealing with female symbols in Balinese offerings, female figures in Indonesian agricultural myths, and Tolaki views on procreation and production. The contributions on the images of women in Indonesian literature, views on the prostitute in colonial society, and the position of women in marriage in Madura and the Minahasa more or less take an intermediate position. The 'sociological' approach may be found in the contributions on the life of the educational pioneer Rahmah EI Yunusiya, on Indonesian-Chinese women, on priyayi women at the Central Javanese courts and in modern Jakarta, and on women's labor in pre-war and present-day Java. Recurring themes, such as sexual dualism, 'ibuism', and the questions of female power and authority, create unity in the diversity of regions and topics represented.