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This endearing, witty, self-deprecating memoir documents the life of one of the leading feminists of the contemporary Indian women’s movement. Vina Mazumdar, one of the key researchers and writers of the landmark report of the Committee on the Status of Women in India, Towards Equality, here documents her early life, her gradual politicisation in a household of liberal, educated Bengalis, and her involvement in women’s issues and the women’s movement. Brought up to be outspoken and frank, Vinadi, as she is affectionately known, began by becoming involved in university-level politics in Calcutta. Marriage and a young family did not prevent her from pursuing her studies and her career, in the teeth of considerable opposition from relatives but with constant support from her mother. On her return to India from Oxford, Vinadi first moved into the field of education, and then, with her involvement in the research and writing of Towards Equality, was catapulted into the women’s movement. An activist and institution builder, Vinadi set up the Centre for Women’s Development Studies in Delhi, one of the leading research and outreach institutions for women in the country. In this rare memoir, Vinadi provides a rich history of the contemporary women’s movement in India. Published by Zubaan.
She ruined their lives. Now they’re going to destroy hers. ‘Someone is recreating every traumatic point in your life. They are doing this to make you suffer, to make you hurt and the only possible end game can be death. Your death.’ On the fourth floor of Chaucer House, two teenagers are found chained to a radiator. The boy is dead but the girl is alive. For Detective Kim Stone every detail of the scene mirrors her own terrifying experience with her brother Mikey, when they lived in the same tower block thirty years ago. When the bodies of a middle-aged couple are discovered in a burnt-out car, Kim can’t ignore the chilling similarity to the death of Erica and Keith – the only loving parents Kim had ever known. Faced with a killer who is recreating traumatic events from her past, Kim must face the brutal truth that someone wants to hurt her in the worst way possible. Desperate to stay on the case, she is forced to work with profiler Alison Lowe who has been called in to observe and monitor Kim’s behaviour. Kim has spent years catching dangerous criminals and protecting the innocent. But with a killer firmly fixed on destroying Kim, can she solve this complex case and save her own life or will she become the final victim? The heart-stopping and totally addictive new crime thriller from multi-million copy number one bestseller Angela Marsons will have you completely hooked. Read what everyone is saying about Dead Memories: ‘The book I've been waiting for without even knowing that I was… A great starting point for anyone new to the series… I couldn't put the book down…It is completely addictive and easily my new favourite in this series, I have a feeling I've said that before, but what can I say Angela Marsons seems to outdo herself each and every time.’ Rachel’s Random Reads, 5 stars ‘As always, another brilliant book by Angela Marsons featuring Detective Kim Stone and her team… Fast-paced and dark it kept me gripped from the first page to the last. Utterly superb.’Goodreads Reviewer, 5 stars ‘The author writes to such a consistently high level. Yet again, gripping plot line, strong characters and a well-paced story that builds to a crescendo. If you haven't already tried this author do yourself a favour and start reading now.’ Worcester Source, 5 stars ‘Wow! Just wow.I knew I would be engrossed in this book so cleared my schedule today to read it cover to cover. I’m so glad I did!...’ Goodreads Reviewer, 5 stars ‘Once again, she delivers a fast-paced, action-packed nail-biting roller coaster ride of a book… This is one series that just gets better with each book.’ Goodreads Reviewer, 5 stars ‘Reading this instalment of Kim's life is like catching up with an old friend…Each book gives you some insight into her past… Angela gives to us yet another riveting, gritty, chilling insight into Kim's world… One scene in the book moved me to tears.’ booksbehindthetitle, 5 stars ‘I loved getting further into Kim’s psyche and learning more about her which only makes you like the character more. Bring on book eleven!’ Goodreads Reviewer, 5 stars I blooming love this series. I love Kim, her vulnerability and tenacity, I love the interaction and banter between the characters…., another cracking addition to an already brilliant and well established series.’ Goodreads Reviewer, 5 stars ‘The uber-sharp Kim Stone has to be one of the best detectives out there. A twisty, fast-paced plot stocked with red herrings.’ Bookpreneur, 5 stars ‘Angela Marsons is fast becoming one of the best crime fiction authors going. The Laughing Librarian, 5 stars
Published to accompany an exhibition organized by The Brooklyn Museum of Art, this book is an essential contribution to the history of Jewish art and culture."--BOOK JACKET.
In this provocative book, the author asks Russians difficult questions about how their country's volatile past has affected their everyday lives, their aspirations, their dreams, and their nightmares.
Winner of the PEN Translation Prize A “sweeping . . . irreverent” masterpiece of postwar Polish literature that “chronicles the modernization of Poland and celebrates the persistence of desire” (The New Yorker) Hailed as one of the best ever books in translation, Stone Upon Stone is Wieslaw Mysliwski’s grand epic in the rural tradition—a profound and irreverent stream of memory cutting through the rich and varied terrain of one man’s connection to the land, to his family and community, to women, to tradition, to God, to death, and to what it means to be alive. Wise and impetuous, plainspoken and compassionate, Szymek recalls his youth in their village, his time as a guerrilla soldier, as a wedding official, barber, policeman, lover, drinker, and caretaker for his invalid brother. Filled with interwoven stories and voices, by turns hilarious and moving, Szymek’s narrative exudes the profound wisdom of one who has suffered, yet who loves life to the very core.
The scope of Stories in Stone stretches from the footsteps of Native American hunters centuries ago to a description of William B. Umstead State Park today. However, the main focus is on the oral history of the last generation of pre-Park area residents and of the people that built the Park. Their words narrate four mapped walks to former home sites and other traces of the community. The work of naturalists, folklorists, journalists, historians, photographers, and artists fill out the background of a place and its people.Stories in Stone preserves memories dating between 1870 and 1942 from the farming community that once lived in Wake County, North Carolina's William B. Umstead State Park. This nearly 6,000-acre Piedmont woodland lies between the cities of Chapel Hill, Raleigh, and Durham, which for the Research Triangle.
Despite the recent history of violence and destruction, Bosnia-Herzegovina holds a positive place in history, marked by a continuous interweaving of different religious cultures. The most expansive period in that regard is the Ottoman rule that lasted here nearly five centuries. As many Bosnians accepted Islam, the process of Islamization took on different directions and meanings, only some of which are recorded in the official documents. This book underscores the importance of material culture, specifically gravestones, funerary inscriptions and images, in tracing and understanding more subtle changes in Bosnia’s religious landscape and the complex cultural shifts and exchange between Christianity and Islam in this area. Gravestones are seen as cultural spaces that inscribe memory, history, and heritage in addition to being texts that display, in image and word, first-hand information about the deceased. In tackling these topics and ideas, the study is situated within several contextual, theoretical, and methodological frameworks. Raising questions about religious identity, history, and memory, the study unpacks the cultural and historical value of gravestones and other funerary markers and bolsters their importance in understanding the region’s complexity and improving its visibility in global discussions around multiculturalism and religious pluralism. Drawing upon several disciplinary methods, the book has much to offer anyone looking for a better understanding of the intersection of Christianity and Islam, as well as those with an interest in death studies.
Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria. For sample pages click on Google Books button. Brine received the 2015 Arthur Kingsley Porter Prize, for an earlier version of Chapter 5 of Pious Memories, his article, “Jan van Eyck, Canon Joris van der Paele, and the Art of Commemoration,” published in the September 2014 issue of The Art Bulletin.
"What a lovely ruthless and tender book this is! In the subtly-titled Where Do the Memories Go? Lauri Robertson tracks the path of her inner life as it meets the realities of the outer world, unflinching under the impacts of loss, grief, pain, death and the fear of death where she finds, or does not find, the needed words. A powerful centerpiece to the book, "The Grievous Body," articulates the scenes of an unspoken farewell to her dying mother-in-law and meditates on them. The elegy "For Dori," honoring a beloved friend, raises challenging questions for the poet herself: "in my heart, my aging heart, how inaccessible the story of being or not." Yet poetry enables these stories to end both ways: "I love ... every blistered apocryphal moment, /as tho' to breathe were life" and "Just say/ she died." To read this book is to join in understanding these ancient and sustaining truths"--