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Named one of Publishers Weekly’s Best of 2021 List in Comics. 2021 Top of the List Graphic Novel Pick In the spirit of Alison Bechdel’s Fun Home and Roz Chast’s Can’t We Talk About Something More Pleasant?, Margaret Kimball’s AND NOW I SPILL THE FAMILY SECRETS begins in the aftermath of a tragedy. In 1988, when Kimball is only four years old, her mother attempts suicide on Mother’s Day—and this becomes one of many things Kimball’s family never speaks about. As she searches for answers nearly thirty years later, Kimball embarks on a thrilling visual journey into the secrets her family has kept for decades. Using old diary entries, hospital records, home videos, and other archives, Margaret pieces together a narrative map of her childhood—her mother’s bipolar disorder, her grandmother’s institutionalization, and her brother’s increasing struggles—in an attempt to understand what no one likes to talk about: the fractures in her family. Both a coming-of-age story about family dysfunction and a reflection on mental health, AND NOW I SPILL THE FAMILY SECRETS is funny, poignant, and deeply inspiring in its portrayal of what drives a family apart and what keeps them together.
Amusing, revealing, sympathetic and occasionally antagonistic, these observations combine to give a unique portrait of the political and personal life
Allowing herself to be hypnotized, fifteen-year-old Kira reveals memories of another time and place that may eventually cost her and her mother their lives.
We often dismiss history as dull or irrelevant, but our modern disengagement from the past puts us fundamentally out of step with the long witness of the Christian tradition. Yet, says Margaret Bendroth, the past tense is essential to our language of faith, and without it our conversation is limited and thin. This accessible, beautifully written book presents a new argument for honoring the past. The Christian tradition gives us the powerful image of a vast communion of saints, all of God's people, both living and dead, in vital conversation with each other. This kind of connection with our ancestors in the faith, Bendroth maintains, will not happen by wishing or by accident. She argues that remembering must become a regular spiritual practice, part of the rhythm of our daily lives as we recognize our world to be, in many ways, a gift from others who have gone before.
Investigative reporter Catherine McLeod is covering a claim filed by the Arapaho and Cheyenne tribes for twenty-seven million acres of their ancestral lands. Her relentless pursuit of the truth will make her the target of a killer?and plunge her into a conspiracy that leads into the past, the founding of Denver, and her own heritage.
In a small village beside a reed-lined lake in the Russian north, a cluster of farmers has lived for centuries -- in the time of tsars and feudal landlords; Bolsheviks and civil wars; collectivization and socialism; perestroika and open markets. Solovyovo is about the place and power of social memory. Based on extensive anthropological fieldwork in that single village, it shows how villagers configure, transmit, and enact social memory through narrative genres, religious practice, social organization, commemoration, and the symbolism of space. Margaret Paxson relates present-day beliefs, rituals, and practices to the remembered traditions articulated by her informants. She brings to life the everyday social and agricultural routines of the villagers as well as holiday observances, religious practices, cosmology, beliefs and practices surrounding health and illness, the melding of Orthodox and communist traditions and their post-Soviet evolution, and the role of the yearly calendar in regulating village lives. The result is a compelling ethnography of a Russian village, the first of its kind in modern, North American anthropology.
For years, James Edward Phillips kept his wife and children in the dark. All through the time in the tall stone house on the corner of Howard Road, through the nights of the Blitz and the summer holidays at Brean, he let everyone think that he had never known his parents and that any brothers and sisters he night have had were lost without trace. On the few occasions when he made some reference to his early life, he spoke as though he had emerged into history at the age of six when someone in London had packed his belongings in a little wooden box and put him on a train to Bristol. When Louie's father dies, she discovers that she didn't know him at all. Suddenly people are appearing claiming to be relatives - people Louie and her sister had never heard of, people who knew their father very well indeed. What was her father's secret? How could anyone have a hidden life for decade after decade? As Louie researches the gas-lit streets of Victorian London to find out the truth about her father's family, she takes the scant facts she can gather and imagines what really happens into a story of her own. Though as she keeps asking questions, she discovers that her father was not the only one in the family with secrets to keepa What Louie creates is a vivid story of two pampered daughters fallen on hard times, of better instincts corrupted by exhaustion and petty revenge, of cold-blooded calculation, of passion, and of rending betrayals of the most bitter kind.
On the fifth anniversary of his sister Janine's death, nineteen-year-old Jonny Dart is still troubled by guilt and an imperfect memory of the accident that took her life. He goes searching for the only other witness to the fatal event, his sister's best friend. But instead of finding the answers he's looking for, he finds Sophie - an old woman with Alzheimer's. Sophie lives with several cats in genteel squalor, and has no memory of recent events. As a temporary outcast and labelled a loser, Jonny takes refuge with her. In Sophie's house, past and present merge for both Sophie and Jonny. Their accidental meeting changes their lives. 'To this day, my favourite Mahy book is Memory, a tender story of a woman with Alzheimer's.' - Joy Cowley, author of Mrs. Wishy-Washy
Record details of your life, family history, values, memories, and more for your children by following the prompts in this appealing keepsake journal. With sections for school and work, marriage and spirituality, andof courseparenthood, the guided questions here will help you create a family heirloom.
A powerful, dramatic and disturbing new novel about the long shadow cast by the memory of a dead mother on the life of her daughter--another brilliant exploration of family mythology and guilt from a novelist who reigns supreme in her territory. A dying woman leaves a sealed box for her baby daughter. Years later, as a young woman, the daughter Catherine finds the mysterious box, addressed to her, full of unexplained objects--three feathers, an exotic seashell, a painting, a mirror, two prints, an address book, a map, a hat, a rucksack, and a necklace--and she finally starts to unpack, literally and metaphorically, the story of a woman whom she never knew but who has cast a long shadow over her life. Having a 'perfect', beautiful, dead mother has been a heavy burden to carry, and one she has tended to resent. But now she sets off on the trail of her 'perfect' mother, trying to unravel the truth about a woman who turns out to be more complex, reckless and surprising than her family have painted her. And Catherine has to face up to the truths about herself and the damage that guilt and silence have done to her own relationships. Only when she has come to terms with her dead mother, can she move on, to take up the challenges of her own young life.