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A wholesome snapshot of reconnecting with generations of one’s family history, Costa Rican illustrator Edo Brenes unearths a trove of stories in his graphic novel Memories of Limón. "This meditation on the past melds melancholy and jubilation." —Publishers Weekly “Readers who enjoy stories with a strong sense of place, family sagas, or travel memoirs may find enjoyment in this title, and although it reads like a memoir, it is a work of fiction.” —Booklist "A beautiful graphic novel of a family's oral history." —Books With Michellee Ramiro leaves the British drizzle and his beloved fiancé Yoss to investigate his family history back home in Costa Rica. What starts as an innocent fascination with an old family photo album leads to conversations with the older generations and revelations he is not prepared for: recounting tales of everything from affairs to adventurous escapades, all while taking time to share a laugh over life's messier moments. Set on the idyllic Caribbean coastline of one of the most beautiful countries in Latin America, author Edo Brenes weaves together the heart breaking and humbling stories of three generations of the same family. Love and life is a struggle in paradise, welcome to Limón.
Ramiro leaves the British drizzle and his beloved fianc Yoss to investigate his family history back home in Costa Rica. What starts as an innocent fascination with an old family photo album leads to conversations with the older generations and revelations he is not prepared for. Set on the idyllic Caribbean coastline of one of the most beautiful countries in Latin America, author Edo Brenes weaves together the heart breaking and humbling stories of three generations of the same family. Love and life is a struggle in paradise, welcome to Limn.
An Aztec princess describes the Spanish conquest of Mexico. She is Huitzitzlin, 82, of the court of Montezuma and she tells her tale to a priest so history will know who the Aztecs really were. By the author of The Memories of Ana Calderon.
It's 1852 in Cholula, Mexico, and three sisters, indigenous girls of the Chontal people, seek work at the Hacienda La Perla. They rapidly make their way from dish washers to the cook's assistants before entering the house as servants to the wealthy Acuña family. But when the youngest sister is viciously raped by a family member, they flee the estate, after taking their revenge, only to be caught up in the historic Battle of Puebla, where native Mexicans defeat invading French troops. Fearful that the Acuña family will not rest until the sisters are found and punished, they keep moving, ultimately finding work as servants at the National Palace in Mexico City, where the French have recently taken control. There, the sisters' fortunes become intertwined with that of the Empress Carlota. Both beautiful and extremely intelligent, she dedicates herself to the empire, chastising Napoleon when he reneges on his promise to send troops and antagonizing the Church by proposing that the empire secularize at least part of its holdings. But her love for Mexico's people is not reciprocated, and soon the sisters have to decide whether to stay behind without the empress' protection or to accompany her to Europe. Weaving the story of Mexico's indigenous peoples with that of the tragic Belgian princess who became the wife of the Austrian Archduke Maximillian von Hapsburg, acclaimed author Graciela Limón once again explores issues of race, class and women's rights. She skillfully crafts a gripping novel about a smart, wealthy woman who is not afraid to challenge powerful men, and re-imagines the story behind Empress Carlota's descent into madness and eventual imprisonment in a remote European castle.
Now available for the first time in paperback, The Memories of Ana Calderón is the fictional memoir of a talented woman, born in tradition-bound rural Mexico, who comes to the United States and greater opportunity only to find that here, too, society, family, and religion seem to conspire to hold her back. In order to succeed Ana must give up all that she holds dear. She must remake herself into a rootless and obsessed individual. But even after accomplishing this, fate still conspires to wound her. Ana Calderón has will, guts, and intelligence, but her battle against family, church, and the justice system shakes our belief in the ability to forge our own destinies. The Memories of Ana Calderón is a second novel by the writer who The New York Times Book Review hailed as one who "leaves the reader with that special hunger that can be created only by a newly discovered writer. Ms. Limón's prose is self-assured and engrossing."
“Alex Lemon is a brave, headlong writer, and he captures the life of the body with vivid and memorable intensity.”—Mark Doty Brain surgery. Assault weapons in the bed of a pickup truck. Sophia Loren at the Oscars. Rilke, Rodin, and the craters of the moon. Recovery and disintegration. Monkeys stealing an egg outside a temple in Kathmandu. Brushing teeth bloody on long car rides under blue skies. Pain, ours and what we bring to others. Wildfires in southern California. Rats in Texas. Childhood abuse. Dreams of tigers and blackout nights. The sweetness of mangoes. A son born into a shadowy hospital room. Love. Joy. In Feverland, Alex Lemon has created a fragmented exploration of what it means to be a man in the tumult of twenty-first-century America—and a harrowing, associative memoir about how we live with the beauties and horrors of our pasts. How to move forward, Lemon asks, when trapped between the demons of one’s history and the angels of one’s better nature? How to live in kindness—to become a caring partner and parent—when one can muster very little such tenderness for oneself? How to be here, now? How to be here, good? Immersed in darkness but shot through with light, Feverland is a thrillingly experimental memoir from one of our most heartfelt and inventive writers.
Early this century a Mexican wins a lot of money at cards, buys a ranch and enters the world of the upper class. To ensure acceptance he hides his part-Indian origin and hates himself for it.
The poems in Lucky Wreck trace the excitement of plans and the necessary swerving detours we must take when those plans fail. Looking to shipwrecks on the television, road trips ending in traffic accidents, and homes that become sites of infestation, Ada Limón finds threads of hope amid an array of small tragedies and significant setbacks. Open, honest, and grounded, the poems in this collection seek answers to familiar questions and teach us ways to cope with the pain of many losses with earnestness and humor. Through the wrecks, these poems continue to offer assurance. This darkness is not the scary one, it's the one before the sun comes up, the one you can still breathe in. Celebrating the fifteenth anniversary of Limón's award-winning debut, this edition includes a new introduction by the poet that reflects on the book and on how her writing practice has developed over time.
"Exquisite . . . A powerful example of how to carry the things that define us without being broken by them." --WASHINGTON POST
José Limón (1908-1972) was one of the leading figures of modern dance in the twentieth century. Hailed by the New York Times as "the finest male dancer of his time" when the José Limón Dance Company debuted in 1947, Limón was also a renowned choreographer who won two Dance Magazine Awards and a Capezio Dance Award, two of dance's highest honors. In addition to directing his own dance company, Limón served as artistic director of the Lincoln Center's American Dance Theater and also taught choreography at the Juilliard School for many years. In this volume, scholars and artists from fields as diverse as dance history, art history, Mesoamerican ethnohistory, Mexican American studies, music studies, and Mexican history come together to explore one of José Limón's masterworks, the ballet La Malinche. Offering many points of entry into the dance, they examine La Malinche from various angles, such as Limón's life story and the influence of his Mexican heritage on his work, an analysis of the dance itself, the musical score composed by Norman Lloyd, the visual elements of props and costumes, the history and myth of La Malinche (the indigenous woman who served the Spanish conquistador Hernán Cortés as interpreter and mistress), La Malinche's continuing presence in Mexican American culture, and issues involved in a modern restaging of the dance. Also included in the book is a DVD written and directed by Patricia Harrington Delaney that presents the ballet in its entirety, accompanied by expert commentary that sets La Malinche within its artistic and historical context.