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From his home in El Salvador, the author shares an intimate personal and political memoir that follows his remarkable journey from the comfort and security of a picturesque New England town to a stirring and heroic engagement in common cause with the struggle for peace and justice in El Salvador. After four years as a Peace Corp worker in northern Liberia beginning in the late 1960's, followed by a stretch back in the United States as a street worker in the ghettos of North Philadelphia, McKinley finds himself in Central America as an aid worker in 1978. He quickly becomes engulfed by the political violence of the region and engaged with the people and their struggles against five decades of military dictatorship, centuries of poverty and exploitation. The story is marked by terror, adventure and courage, by trials and tragedy redeemed by the beauty and transcendence of people in struggle. Originally based in Guatemala heading up a Catholic relief agency, his commitment to the struggles for change in the country attracts the attention of the military, and his own government, forcing him to leave the country in late 1980. He moves to El Salvador where he begins a gradual incursion into the revolutionary struggle of this country, in a commitment that will last the rest of his life. Interwoven with this personal journey, is the story of Teresa Rivas, her husband Antonio, and their five children, a peasant family It also describes their life after the war, with resettlement in the lowlands of Guazapa where many ex-combatants were building a new life. It explains in detail the gradual emergence of the objective and subjective conditions for revolution in El Salvador, including the difficult choice for the use of violence as the only available option for transformative change in the country. The book also details the challenges of reconstruction after the Peace Accords that end the war in 1992, and the tragedy of opportunities lost during the immediate post-war period in the face of the ongoing resistance of traditional opponents to reform. As the memoir closes, the author reflects on his choice to be in El Salvador over the past 43 years, and the country as he finds it in these changing times; on the family with whom he has shared love and life there; on his continuing relationship with Antonio Rivas and his surviving family; and his gradual reconciliation, from a distance, with the country of his birth.
Nearly 30 years ago, James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. Long unavailable in the U.S., "Unreliable Memoirs" is being made available to American readers.
A complete collection of Robert Lowell’s autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life. Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell’s lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry. Memoirs also includes intense depictions of Lowell’s mental illness and his determined efforts to recover. It concludes with Lowell’s reminiscences of other writers, among them T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell’s expansive gifts as a prose stylist and his powers of introspection and observation. It provides striking new evidence of the range and brilliance of Lowell’s achievement. Includes black-and-white photographs
Hans Küng is undoubtedly one of the most important theologians of our time, but he has always been a controversial figure, and as the result of a much-publicized clash over papal infallibility had his permission to teach revoked by the Vatican. Yet at seventy-five he is also something like a senior statesman, one of the 'Group of Eminent Persons' convened by the UN Secretary-General Kofi Annan, and a friend of heads of government like Tony Blair and President Mubarak of Egypt. In this fascinating autobiography he gives a frank and outspoken account of the first four decades of his life. He tells of his youth in Switzerland and his decision to become a priest; his doubts and struggles as he studied in Rome and Paris, and his experiences as a professor in Tübingen, where he received a chair at the amazingly early age of thirty-one. Most importantly, as one of the last surviving eye-witnesses he gives an authentic account of the struggles behind the scenes at the Second Vatican Council, in which he took part as a theological expert. Here it becomes clear just how major an influence he was, to the point of shaping the Council's agenda and drafting speeches for bishops to deliver in plenary sessions. With its rich thought and vivid narrative, Küng's book paints a moving picture of his personal convictions, and his struggle for a Christianity characterized not by the domination of an official church but by Jesus.
Although war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts.
These are the stories of what happened during the 1,000 years of Kaname’s slumber and the start of his human life. Yuki and Zero attempt to capture the "Vampire King," who is responsible for the recent bombings. While trying to deactivate a bomb, Zero is taken hostage, and Yuki and Maria head to his rescue. -- VIZ Media
D. A. Carson's father was a pioneering church-planter and pastor in Quebec. But still, an ordinary pastor-except that he ministered during the decades that brought French Canada from the brutal challenges of persecution and imprisonment for Baptist ministers to spectacular growth and revival in the 1970s. It is a story, and an era, that few in the English-speaking world know anything about. But through Tom Carson's journals and written prayers, and the narrative and historical background supplied by his son, readers will be given a firsthand account of not only this trying time in North American church history, but of one pastor's life and times, dreams and disappointments. With words that will ring true for every person who has devoted themselves to the Lord's work, this unique book serves to remind readers that though the sacrifices of serving God are great, the sweetness of living a faithful, obedient life is greater still.
“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic