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Winner of the 2022 American Book Award Finalist for the PEN/Voelcker Award for Poetry Longlisted for the PEN/Jean Stein Book Award Finalist for Publishing Triangle’s Thom Gunn Award for Gay Poetry Named one of the Best Books of 2021 by The Boston Globe and Lit Hub From the critically acclaimed author of Thief in the Interior who writes with "a lucid, unmitigated humanity" (Boston Review), a startling new collection about revolt and renewal Mutiny: a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Phillip B. Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy. With a ferocity that belies the tenderness and vulnerability at the heart of this remarkable collection, Williams honors the transformative power of anger, and the clarity that comes from allowing that anger to burn clean.
The names William Bligh, Fletcher Christian, and the Bounty have excited the popular imagination for more than two hundred years. The story of this famous mutiny has many beginnings and many endings but they all intersect on an April morning in 1789 near the island known today as Tonga. That morning, William Bligh and eighteen surly seamen were expelled from the Bounty and began what would be the greatest open-boat voyage in history, sailing some 4,000 miles to safety in Timor. The mutineers led by Fletcher Christian sailed off into a mystery that has never been entirely resolved. While the full story of what drove the men to revolt or what really transpired during the struggle may never be known, Penguin Classics has brought together-for the first time in one volume-all the relevant texts and documents related to a drama that has fascinated generations. Here is the full text of Bligh's Narrative of the Mutiny, the minutes of the court proceedings gathered by Edward Christian in an effort to clear his brother's name, and the highly polemic correspondence between Bligh and Christian-all amplified by Robert Madison's illuminating Introduction and rich selection of subsequent Bounty narratives. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the bestselling author of Tulipomania comes Batavia’s Graveyard, the spellbinding true story of mutiny, shipwreck, murder, and survival. It was the autumn of 1628, and the Batavia, the Dutch East India Company’s flagship, was loaded with a king’s ransom in gold, silver, and gems for her maiden voyage to Java. The Batavia was the pride of the Company’s fleet, a tangible symbol of the world’s richest and most powerful commercial monopoly. She set sail with great fanfare, but the Batavia and her gold would never reach Java, for the Company had also sent along a new employee, Jeronimus Corneliszoon, a bankrupt and disgraced man who possessed disarming charisma and dangerously heretical ideas. With the help of a few disgruntled sailors, Jeronimus soon sparked a mutiny that seemed certain to succeed—but for one unplanned event: In the dark morning hours of June 3, the Batavia smashed through a coral reef and ran aground on a small chain of islands near Australia. The commander of the ship and the skipper evaded the mutineers by escaping in a tiny lifeboat and setting a course for Java—some 1,800 miles north—to summon help. Nearly all of the passengers survived the wreck and found themselves trapped on a bleak coral island without water, food, or shelter. Leaderless, unarmed, and unaware of Jeronimus’s treachery, they were at the mercy of the mutineers. Jeronimus took control almost immediately, preaching his own twisted version of heresy he’d learned in Holland’s secret Anabaptist societies. More than 100 people died at his command in the months that followed. Before long, an all-out war erupted between the mutineers and a small group of soldiers led by Wiebbe Hayes, the one man brave enough to challenge Jeronimus’s band of butchers. Unluckily for the mutineers, the Batavia’s commander had raised the alarm in Java, and at the height of the violence the Company’s gunboats sailed over the horizon. Jeronimus and his mutineers would meet an end almost as gruesome as that of the innocents whose blood had run on the small island they called Batavia’s Graveyard. Impeccably researched and beautifully written, Batavia’s Graveyard is the next classic of narrative nonfiction, the book that secures Mike Dash’s place as one of the finest writers of the genre.
Mutiny on the Spanish Main tells the dramatic story of HMS Hermione, a British frigate which, in 1797, was the site of the bloodiest mutiny in British naval history, which saw the death of her captain and many of her officers. Though her crew handed her over to the Spanish, Hermione was subsequently recaptured in a daring raid on a Caribbean port two years later. Drawing on letters, reports, ship's logs, and memoirs of the period, as well as previously unpublished Spanish sources, Angus Konstam intertwines extensive research with a fast-paced but balanced account of the mutiny and its consequences.
The starship Theodore Roosevelt is fighting on the far outskirts of a galactic war, its crew made up of retreads and raw recruits. A new first officer reports, Wilson Cole, a man with a reputation for exceeding his orders (but getting results). He's been banished to the Teddy R. for his actions, but once there he again ignores his orders. ... This is the first of five novels about the starship Theodore Roosevelt. The next four will be, in order, Pirate, Mercenary, Rebel, and Flagship.
"Mutiny of the Bounty and story of Pitcairn Island, 1790-1894" by Rosalind Amelia Young. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
"This gorgeous debut is a 'debut' in chronology only. . . . Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."—Adrian Matejka Phillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences. From "Agenda": I. While two women kissed in their house I watched a jury hide bullets in a Black boy's body, all rigor mortis and bass line. I landed in Chicago, a lead box. The airport showed CNN and a Black mother could not be heard over gate changes, bistro jazz. Subtitles gathered and faded like gossip while I made my mouth vacant in my hometown. I carried a fever of insufferable noise that skin, illuminated by a hoodie, held close, a forced kin. Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.
Herbert considers why the Victorian public saw the Indian Mutiny of 1857-59 as an epochal event and offers a view of this episode, and of Victorian imperialist culture more generally.
[Illustrated with over one hundred maps, photos and portraits, of the battles, individuals and places involved in the Indian Mutiny] Colonel MacKenzie was only a young subaltern of three years’ service when the great Sepoy Mutiny broke out in 1857. His regiment, the 3rd Bengal Light Cavalry stationed in Meerut, was one of the worst effected and he and his fellow British officers had to fight for their lives as the native soldiers rioted. Having escaped narrowly from his erstwhile soldiers he rallied to the main garrison in Meerut, the rebels fled toward Delhi. He joined in the expedition to re-capture Delhi and relates his recollections with great spirit, there was no rest for the gallant young lieutenant as he joined in the effort to relieve Lucknow. During the last of the fighting his commanding officer, Captain Sanford, was killed and MacKenzie relates his hero’s death with great empathy. After the mutiny MacKenzie achieved the rank of lieutenant-colonel in 1878 and led his troops in the Second Afghan War, 1879-80. Promoted to full colonel four years later, he served as honorary ADC to Lansdowne, the Viceroy of India.