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All they ever wanted was an apology. Abused as children at the hands of an alcoholic stepfather, the perpetrator escaped justice. If the crimes had been validated, then their nightmares might have ended. Victor Morgan, between 1968 and 1974, sexually abus
Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839–1908) is widely regarded as Brazil's greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell's seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called “the greatest writer ever produced in Latin America” and whom Allen Ginsberg hailed as “another Kafka.” Philip Roth has said of him that “like Beckett, he is ironic about suffering.” And Harold Bloom has remarked of Machado that “he's funny as hell.”
A funny, sad and serious memoir, How to Be Happy is David Burton’s story of his turbulent life at high school and beyond. Feeling out of place and convinced that he is not normal, David has a rocky start. He longs to have a girlfriend, but his first ‘date’ is a disaster. There’s the catastrophe of the school swimming carnival—David is not sporty—and friendships that take devastating turns. Then he finds some solace in drama classes with the creation of ‘Crazy Dave’, and he builds a life where everything is fine. But everything is not fine. And, at the centre of it all, trying desperately to work it all out, is the real David. How to Be Happy tackles depression, friendship, sexual identity, suicide, academic pressure, love and adolescent confusion. It’s a brave and honest account of one young man’s search for a happy, true and meaningful life that will resonate with readers young and old. David Burton is a twenty-seven-year-old writer from Brisbane, best known for his theatre work. His play April's Fool (Playlab Press) toured nationally in 2012. He has recently co-written Hedonism's Second Album for La Boite indie, and The Landmine Is Me for Queensland Theatre Company. A speaker and presenter in school across Queensland, David is passionate about sharing his remarkable story with young people. How to Be Happy won the Text Prize for Young Adult and Children's Writing in 2014. ‘[Burton] delivers some devastating truth bombs. Sexuality is hard. Identity is hard. Love is hard. School is hard...This book shines a much-needed light back through the tunnel. It is a call-out to teenagers still struggling to find their way. How to Be Happy says “here’s the path I took, hope it helps”.’ Books & Publishing ‘I’m blown away by Burton’s raw honesty and admirable wit.’ Alpha Reader ‘A fast-paced read that reminded me of one of my favourite memoirs, I thoroughly enjoyed this book.’ Bumbling Bookworm ‘How to Be Happy is easily a five star book ...I just can’t fathom my love for this book into words. You all need to read it.’ Endless Pages ‘How to Be Happy is funny. Bitingly, embarrassingly, genuinely—FUNNY...This book is gold, and if I could I’d make it mandatory reading in schools.’ Alpha Reader ‘This is an important book, one that deserves our attention... Highly recommended.’ Reading Time ‘Anyone who has ever felt like they didn’t fit in will be able to relate to the story of David’s unusual childhood and teenage years. I wish there had been a book like this when I was 14.’ Get Reading ‘How to Be Happy is a perfect books for teens and adults...It's funny, touching, and insightful, and I think it could help a lot of people feel less isolated.’ Bookish Manicurist ‘Burton’s descriptions of his anxiety and depression are tangibly poignant, giving authentic voice to those struggling with similar issues. His tone morphs fluidly from compulsively funny to devastating from one moment to the next, and his uproarious wit shines throughout. A heartfelt, accessible book that strives to break down the stigmas surrounding mental illness with remarkable humor and honesty.’ Kirkus Reviews
From comedian, storyteller, and The Moth host David Crabb, comes a music-filled, coming-of-age memoir about growing up gay and Goth in San Antonio, Texas. In the summer of 1989, three Goth kids crossed a street in San Antonio. They had no idea that a deeply confused fourteen-year-old boy was watching. Their dyed hair, fishnets, and eyeliner were his first evidence of another world—a place he desperately wanted to go. He just had no idea how to get there. Somehow David Crabb had convinced himself that every guy preferred French-braiding his girlfriend’s hair to making out, and that the funny feelings he got watching Silver Spoons and Growing Pains had nothing to do with Ricky Schroeder or Kirk Cameron. But discovering George Michael’s Faith confirmed for David what every bully already knew: he was gay. Surviving high school, with its gym classes, locker rooms, and naked, glistening senior guys, would require impossible feats of denial. What saved him was finding a group of outlandish friends who reveled in being outsiders. David found himself enmeshed with misfits: wearing black, cutting class, staying out all night, drinking, tripping, chain-smoking, idolizing The Smiths, Pet Shop Boys, and Joy Division—and learning lessons about life and love along the way. Richly detailed with 80s pop-culture, and including black and white photos throughout, BAD KID is as laugh-out-loud funny as it is poignant. Crabb’s journey through adolescence captures the essence of every person’s struggle to understand his or her true self.
David Weitzman has written the only first-person account of the life and revolutionary times of Gilbert du Motier-better known as the Marquis de Lafayette. Weitzman faithfully renders the color and spirit of revolutionary times in this historically accurate account of the events and relationships the young nobleman entered and formed on his path to become a well-respected fighting commander and right-hand man to General George Washington, who regarded this special French ally 'Like my own son.' "Living a Life That Matters" is the product of careful scholarship and equally careful construction by the articulate and witty Weitzman. No one who professes feelings for the beginnings of this country will want to miss the opening scenes of the American experiment in this compelling page-turner of a novel.
A Publishers Weekly Top Ten Best Book of the Year An Amazon.com Top Ten Best Book of 2009 A Washington Post Book World’s Ten Best Book of the Year A California Literary Review Best Book of 2009 An L.A. Times Top 25 Non-Fiction Book of 2009 An NPR Best Book of the Year, Best Memoir With this stunning graphic memoir, David Small takes readers on an unforgettable journey into the dark heart of his tumultuous childhood in 1950s Detroit, in a coming-of-age tale like no other. At the age of fourteen, David awoke from a supposedly harmless operation to discover his throat had been slashed and one of his vocal chords removed, leaving him a virtual mute. No one had told him that he had cancer and was expected to die. The resulting silence was in keeping with the atmosphere of secrecy and repressed frustration that pervaded the Small household and revealed itself in the slamming of cupboard doors, the thumping of a punching bag, the beating of a drum. Believing that they were doing their best, David’s parents did just the reverse. David’s mother held the family emotionally hostage with her furious withdrawals, even as she kept her emotions hidden — including from herself. His father, rarely present, was a radiologist, and although David grew up looking at X-rays and drawing on X-ray paper, it would be years before he discovered the shocking consequences of his father’s faith in science. A work of great bravery and humanity, Stitches is a gripping and ultimately redemptive story of a man’s struggle to understand the past and reclaim his voice.
The creator of Deadwood and NYPD Blue reflects on his tumultuous life, driven by a nearly insatiable creative energy and a matching penchant for self-destruction. Life’s Work is a profound memoir from a brilliant mind taking stock as Alzheimer’s loosens his hold on his own past. “This is David Milch’s farewell, and it will rock you.”—Susan Orlean, author of The Orchid Thief ONE OF THE BEST BOOKS OF THE YEAR: NPR, USA Today, Kirkus Reviews “I’m on a boat sailing to some island where I don’t know anybody. A boat someone is operating and we aren’t in touch.” So begins David Milch’s urgent accounting of his increasingly strange present and often painful past. From the start, Milch’s life seems destined to echo that of his father, a successful if drug-addicted surgeon. Almost every achievement is accompanied by an act of self-immolation, but the deepest sadnesses also contain moments of grace. Betting on racehorses and stealing booze at eight years old, mentored by Robert Penn Warren and excoriated by Richard Yates at twenty-one, Milch never did anything by half. He got into Yale Law School only to be expelled for shooting out streetlights with a shotgun. He paused his studies at the Iowa Writers’ Workshop to manufacture acid in Cuernavaca. He created and wrote some of the most lauded television series of all time, made a family, and pursued sobriety, then lost his fortune betting horses just as his father had taught him. Like Milch’s best screenwriting, Life’s Work explores how chance encounters, self-deception, and luck shape the people we become, and wrestles with what it means to have felt and caused pain, even and especially with those we love, and how you keep living. It is both a master class on Milch’s unique creative process, and a distinctive, revelatory memoir from one of the great American writers, in what may be his final dispatch to us all.
David Sylvester, who died in June 2001, was one of the greatest art critics of our time. He achieved fame with his work on Cezanne but became known especially for his close, perceptive studies of artists who became personal friends: Giacometti, Henry Moore, Francis Bacon. A brilliant interviewer who could make the most reticent artists disclose their secrets, he rarely revealed his own - but in the weeks before his death he wrote this brief, unforgettable account of his childhood in the 1920s. Beginning with his bewildered shuttling between an English nursery school and the turbulent Yiddish-speaking 'parental country', he reaches back for his child's-eye view. We meet Grandma Rosen with her passion for Rudolph Valentino, and Grandpa returning from his fishmonger's shop and reading out next day's runners at Kempton in his thick foreign accent. We learn of the large Sylvester clan, and of his parents' contradictory ambitions for their son: British army officer or 'a career like Noel Coward's'. We hear of friends and nannies, picnics and outings, schools and siblings; of music, politics, rows and disasters; of love and tenderness and death. Dry, comic yet poignantly unforgettable, Memoirs of a Pet Lamb brings us a life and a whole world in miniature.
Acclaim for Lafayette "I found Mr. Unger's book exceptionally well done. It's an admirable account of the marquis's two revolutions-one might even say his two lives-the French and the American. It also captures the private Lafayette and his remarkable wife, Adrienne, in often moving detail." -Thomas Fleming, author, Liberty!: The American Revolution "Harlow Unger's Lafayette is a remarkable and dramatic account of a life as fully lived as it is possible to imagine, that of Gilbert de Motier, marquis de Lafayette. To American readers Unger's biography will provide a stark reminder of just how near run a thing was our War of Independence and the degree to which our forefathers' victory hinged on the help of our French allies, marshalled for George Washington by his 'adopted' son, Lafayette. But even more absorbing and much less well known to the general reader will be Unger's account of Lafayette's idealistic but naive efforts to plant the fruits of the American democracy he so admired in the unreceptive soil of his homeland. His inspired oratory produced not the constitutional democracy he sought but the bloody Jacobin excesses of the French Revolution."-Larry Collins, coauthor, Is Paris Burning? and O Jerusalem! "A lively and entertaining portrait of one of the most important supporting actors in the two revolutions that transformed the modern world."-Susan Dunn, author, Sister Revolutions: French Lightning, American Light "Harlow Unger has cornered the market on muses to emerge as America's most readable historian. His new biography of the marquis de Lafayette combines a thoroughgoing account of the age of revolution, a probing psychological study of a complex man, and a literary style that goes down like cream. A worthy successor to his splendid biography of Noah Webster."-Florence King, Contributing Editor, National Review "Enlightening! The picture of Lafayette's life is a window to eighteenth- and nineteenth-century history."-Michel Aubert La Fayette
Revealing and unsettling interviews with over sixty real-life individuals who claim they were abducted by aliens from the author of The UFO Controversy in America. In Secret Life, retired professor David M. Jacobs takes us into the private world of those abducted by aliens, letting them describe in their own words what it is like to be abducted. Based on interviews with sixty individuals and more than 300 independently corroborated accounts, Secret Life presents the most complete and accurate picture of alien abductions ever compiled. Dr. Jacobs takes the reader on a minute-by-minute journey through a typical abduction experience and describes in detail the bizarre physical, mental and reproductive procedures that abductees claim have been administered by small alien beings. Jacobs draws from these interviews a profoundly unsettling reason behind the abductions: aliens are conducting a complex reproductive experiment involving the conception, gestation. or incubation of human and alien hybrid beings.